Sterling Dark circa age 13 part one.

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for The Fictional VolunTier Project

by goura fotadar

date typed up on: 02/04/23; date worked on: 08/10/22

body – maxes / maxes – oout

hits time

[consider how to hit non-time/should be review]

time can order chaos

what might be term above chaos; sterling light and-or dark; but sterling

dark has option of stability instability marked by death and such [h, r, etc.]

that shows up in light; would blend in dark.

So Sterling Dark (chosen)

/\

|

chaos and-or ordered

chaos (Ordered via time)

[sp? this how]

jug-alar [considering something analogous [sp?] to order]

sterling dark [curiosity is to get to higher meanings possibly of time & non-time]

|

\/

jug-alar

reference jug-alars might be for

review. example: [cited: other (my, of and such et al) publications] stars, clouds, rainbows, even hearts, etc.

consider also light stars compared to dark stars and time stars versus higher-time* stars, and so on.

[have a complex problem with these 3 victims]

we could just try jug-alars sterling dark

consider [in as review]

formulas and-or starting

formula even review

summation (i.e. consider as formula)

sum_of harm_to_these_three —>

sum_of_harm_to_these_three_as_victims—> sum_of_dark_magic —> sum_of_transistor_dark_magic : jug,alar_sum_of_sterling_dark (at_measure_cited_spirit_indestructible_updated_to_dark_magically_turn_around)

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Forests, everywhere

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for The Fictional VolunTier Project

by goura fotadar

date typed up on: 01/28/23; date worked on: 02/28/22

cited text: [Bridge to Terabithia (by) Katherine Paterson]

grade: Perhaps review from 5th

[cited pg. 2]

“Of course he was going to run. He had gotten

up early every day all summer to run. He figured if

he worked at it — and Lord, had he worked– he could be the fastest

runner in the fifth grade when school opened up. He had to be the

fastest — not one of the fastest or next to the fastest, but the fastest. The very best.”

/ \

|

|

[why.] “run”[1] “run”[2] .

“runner” [1] .

“fastest” [1] “fastest” [2] “fastest” [3] . }a

“fastest” [4] “fastest” [5] .

“worked” [1] “worked” [2] .

forests, everywhere: “of course” “early” “every day” .

“all summer” “school opened up” “very best” . }b

answers one at [why.]

order b preceding a

order b, a

(cited pgs. 6-7) [To notice a flower/flowers]

“His body was begging him to quit,

but Jess pushed it on. He had to let that puny

chest of his know who was boss.”

“his” “body” un-ordered 1

“begging” corresponding [sp?] order 2

“Jess” un-ordered 3

“pushed” un-ordered 4

“puny” “chest” un-ordered 5

forests, everywhere: un-ordered 1 half, un-ordered 3

corresponding order 2, un-ordered 4

un-ordered 5 half

un-ordered 1 half, un-ordered 5 half

forests, everywhere: “his” “Jess” .

“begging” “pushed” .

“puny” . everywhere (a)

“body” “chest” .

forests: “to quit” identifies “it on” ordered (b)

“who was” ordered

considering switching order to b, a

[cited pg. 11] using flowers as index:

“Ellie jabbed her with a spoon. Jesse saw

that look Brenda shut up her whine halfway

out of her Rose Lustre lipsticked mouth. She

wasn’t as smart as Ellie, but even she knew

not to push Momma too far.”

forests, everywhere: shape: “a spoon”

such as expression: “that look”

such as, characteristics: “her Rose Lustre lipsticked mouth”

such as distance: “too far”

unordered 1 ordered 2 ordered 3

everywhere: “spoon” “that” “Rose Lustre lipsticked” —

“too” ordered 4 | (a)

forests: “jabbed” such as to appearance — ordered 1 —

“whine” such as to noticing | ordered 2 | (b)

— —

so here: b, a

<displace> this_analysis_and_this/these_reading_note(s): to_create_cited_dark_magical_cited_marvel_cigs_and_cig_like_things_and_white_lemons

a potential basic representation is …

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for The Fictional VolunTier Project

by goura fotadar

date worked on: 080121; date typed up on: 011622

cited: “ba … sha …”

a potential basic

representation is

0 for “ba … sh …”

\ /

\ /

1 for standard level of that variant of make-up

so

—- 0 +

\ /

\ /

1

0s, and 1s

-3 -2 -1 …. 0 … +1, 2, 3, 4 …

\ /

\ /

1

then you want to go ahead

and incorporate a tool

such as

“eyel … co…”

or any tool

usually you might basically hypothesize

a rotation but here dependent on

the

0

\ /

\ /

1

so an example tool mechanism could be basic:

dependent on this foray[sp?] of

0

\ /

1

0

+ \ /+

— —

|

0 + + — —

\ / + — + — (for tool mechanisms from the side number lines here moving in either direction)

| — + — + (for a 2nd tool or 2nd tool factor at least for same tool)

Rough!

1st hypothetical “ba …” “sh …”

number is

0

0 convergence to 1

here is defined as

++ — —

and tool mechanism dependent

on such convergence is defined

as + — + —

with two factors as — + — +

So you have (0,1) : ( + — + –, — + — +)

and before you have

(0) : ( + + — –) —> (1)

so looking at these we attempt to more fully assimilate [sp?]

starting from this

(0) : ( + + — –) —> (1)

(0 + 0+ 0– 0–) —> (1)

So then we have coordination,

(0+ 0+ 0– 0–) –> (1)

so then we have coordination,

(0+ 0+, 0– 0–) –> (1)

So now you have to infer; and likely

there are many way to infer;

so let’s see how I proceed

Obvious inference

( (0 +1) + ( 0 +1) +, (0-1) — (0-1)–)

(1+ 1+, (–1)– (–1)–)

0

+1

1

0 > 2+

+1 1

0

(–1)– (–1)– sticking with addition needing another digit you switch to multiplication but forgetting the minus theory or not for this asunde

1

\

0 –> using common

/

0

(–1)– (–1)– 1

2^+ , 0 which signify “ba …” “sh …” in only the + direction

for next “ba …” hypothetical , so —>

2 + …1, 2, 3 …

\/

|

|

1

So a 2nd representation

of “ba …” “sh …”

picks a hierarchy

of positive

so usually

that

means greater

in some

variant of

the meaning of positive.

that’s starting with a 0 hypothetical insertion but can obviously display conversions

to other hypothetical insertions.

thinking about why not. doll, 

Posted on

practices such as made-up in rhetoric 

theme, motifs: make-up

review basic references of comp. sci. 

review. for the next upcoming cited: the witch goura & cited: rum’s theory 

worked on: late December 2022; date typed up on: 122622

for The Fictional VolunTier Project

by goura fotadar

[source, citation #1: The Dark Star: Large Print, Robert William Chambers]

|| set || dark_magical_spells_converter_and_<displace> 

[seen in, chapter 5]

” … sedentary one, had changed the smoothly tanned and slightly freckled cheeks of Rue Carew to a thinner and paler oval.”

<displace> “cheeks” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky : doll “cheeks”

<create> “oval” —>dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll “oval”s

“Under her transparent skin a tea- rose pink came and went; under grey eyes lay bluish shadows.”

<build> “tea- rose pink” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s scent “bluish shadows”

“Also, floating particles of dust, fleecy and microscopic motes of cotton and wool filling the air in the room where Ruhannah worked, had begun to irritate her throat and bronchial tubes; and the girl developed an intermittent cough.” 

<move> bronchial tubes —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “bronchial tubes” and doll’s “motes of cotton and wool”

“The intense blue of the sky had altered since noon; the west became gradually duller and the air stiller; and now, over the Gayfield hills, a tall cloud thrust up silvery-edged convolutions toward a zenith still royally and magnificently blue.” 

<rotund> “blue” —->dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s vegan “silvery-edged” “cloud”s

|”cloud”| “Gayfield hills” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s vegan “intense” “convolutions”

“Ruhannah, dragging her fish over the grass, was coming toward them; and the man called Eddie stepped forward to bar her progress.”

|majestic| “fish over the grass” —-> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s vegan “bar” “progress”

“They climbed the flight of steps to the verandah, through a rapidly thickening gloom which was ripped wide open at intervals by lightning.” 

<move> sum_of_”verandah”s —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “verandah”s  “gloom” “lightning” in_sky 

[seen in, chapter 11]

“He entered the deserted dining-room, came over to where Rue was waiting, and sat down, heavily, holding an unlighted cigar between his stubby fingers.” 

||cavendish|| “cigar”s —>dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “cigar”s 

“He leaned across the cloth and laid a hot, cushiony hand over both of hers, where they lay primly clasped on the table edge:”

<build> “cloth” —>dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “prim …” in_sky

“The women, who were young and brightly coloured in plumage, displayed a sympathetic interest at once.”

<build> “plumage” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “plumage” “brightly” “colored” 

[seen in, Chapter 12]

“Her hat, with its cheap blue enamel pins sticking in the crown, lay on his desk; her hair, partly loosened, shadowed a young face grown pinched with weariness; and the reaction from shock was already making her grey eyes heavy and edging the under lids with bluish shadows.” 

<create> “hat” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: doll’s “crown” “desk” in_sky

|| majestic || “bluish shadows” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: “under” “lids” in_sky

” “I can’t go back to Brookhollow. It’s ended. I couldn’t bear to let them know what has happened to me.” “

<build> “Brookhollow” —> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: “Brookhollow” “happened” in_sky

“When she emerged from his room with her hat and gloves on, the taxicab was audible in the street below.” 

<displace> “taxicab” — < dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: “hat” “gloves” “audible” in_sky

“So he went out, and at the door exchanged adieux with the smiling Princess.”

|| majestic || “adieux” —-> dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_nova: “Princess” in_sky

[seen in, Chapter 13]

“Neeland had several letters from Ruhannah Carew …”

<displace> “several” —- < dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “letters” in_sky

” … I am homesick …”

<displace> “homesick” —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Ruhannah Crew” in_sky stone

“But the last two days I went on deck with the Princess Mistchenka and her maid, and I enjoyed the sea.” 

<create> & <displace> dolls “deck”s —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Princess” & “maid” & “sea” stones in_sky

” … I have passed through the most awful part of my life, I think.”

<build> “passed” dolls  —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “awful” “life” stone in_sky

<create> “think” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “through” stones in_sky

“I feel strange and different, as though I had been very sick, and had died, and as though it were another girl sitting here writing to you, and not the girl who was in your studio last  August.” 

<displace> “strange” & “different” dolls  —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “studio” & “August” & “sick” stones in_sky

“I had always expected happiness some day. Now I know I shall never have it.” 

<displace> “always expected” dolls < . > dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “happiness” & “day” & “shall” stones in_sky

“I should like to make a great deal of money so that when I die I can leave it to charity.” 

|| “money” || –> dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “charity” & “great” & “deal” stones  in_sky

“I often think of becoming a nun and going out to nurse lepers.” 

|| “nun” || —> dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: dolls & “lepers” & “becoming” stones in_sky

“Paris is very large and a sort of silvery grey colour, full of trees with yellowing leaves—but Oh, it is so lonely, Mr. Neeland!”

(cited: brainstormers et al) 

|| farms light || —<  dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: dolls & stones & “silvery grey colour” in_sky

|| “Paris” dolls || —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “trees” stones in_sky

<create> “yellowing” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “lonely” stones in_sky

“I am afraid you won’t understand how full of gratitude I am, to you and to the Princess Mistchenka.” 

|| “gratitude” || —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: dolls & stones & “Mistchenka” “full” in_sky

“I have the prettiest little bedroom in her house.” 

|| “prettiest” || stones_as_dolls_and_dolls_as_stones —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “little” “bedroom”s in_sky

|| “house”s || —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “her” stones in_sky

“There is a pink shade on my night lamp.”

<create> “shade” lipsticks —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “pink” & “night” & “lamp”s in_sky 

“It’s humiliating, isn’t it, for even the very little children speak French in Paris.” 

<move> “humiliating” ——< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: doors & dolls & stones “speak French” in_sky

<displace> “Paris” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: stones & “it” in_sky

“I am to study drawing and painting at a studio for women.” 

<displace> “study” dolls —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “studio” & “drawing” & “painting” stones in_sky 

“The kind Princess has arranged it.” 

<displace> “Princess” dolls —<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “kind” & “has” stones in_sky

<build> “arranged” dolls —> dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: stones in_sky

“I am also to study piano and voice culture.”

<create> “voice” dolls —> dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:  “piano” in_sky

<create> “culture” dolls —>

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “study” in_sky

” … Such lovely clothes and shoes and hats —and other things about which I never even heard in Brookhollow.” 

review.

<displace> “Brookhollow” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: stones in_sky

<create> “lovely clothes and shoes and hats” —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: stones in_sky

“The high arches and jewelled windows and the candles and the dull roar of the organ drove from my mind …”

<build> “high arches” “and jewelled windows” “and the candles” in rooms and in dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: stones in_sky

” … it was as though an ocean were rolling and thundering over me where I lay drowned in a most deep place … “

<build> “drowned” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “rolling” stones in_sky

<create> “ocean” dolls —-< 

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “thundering” stones in_sky

<displace> “though” dolls and “though” external rooms —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

“deep” stones in_sky

“For youth days dawn and vanish in the space of a fire-fly’s lingering flash: and the movements swarm by like a flight of distracted golden butterflies … ” 

<displace> “lingering” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “flash” stones in_sky

<create> “golden butterflies” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “distracted” stones in_sky

<build> “youth” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “fire-fly’s” stones in_sky

<displace> “movements” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “swarm” stones in_sky

<displace> “dawn” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “vanish” stones in_sky

<displace> “space” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

“flight” stones in_sky

“Doubtless you have already heard of the sad death of Ruhannah’s parents—…”

<displace> “Doubtless” dolls —-<  dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “sad” “death” stones in_sky

<displace> “Ruhannah’s parents” stones —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “have” “already” stones in_sky

“A suit for annulment is possible.”  

<displace> “suit” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “annulment” stones in_sky

“Please have the house at Brookhollow locked up and keep the keys …” 

<displace> “house” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Brookhollow” stones in_sky

<displace> “Please” dolls —<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

”keys” stones in_sky

“It was a slightly dull, laboured, almost emotionless letter.” 

<displace> “dull” dolls —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

“laboured” stones in_sky

<displace> “emotionless” dolls —< 

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

“letter” stones in_sky

<displace> “almost” dolls —-<

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:

“slightly” stones in_sky

“It is difficult, it is absorbing, it requires energy, persistence, self-denial; but it is fascinating, satisfying, glorious.”

<displace> “glorious” dolls —-< 

dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “absorbing” stones in_sky

<waste> “energy” —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “persistence” stones in_sky

<create> “self-denial” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:  “fascinating” stones in_sky

” … I descend into depths of despair and I presently soar up out of those depressing depths into intoxicating altitudes of aspiration and self-confidence …”

<create> “depths” “descend” —–< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “despair” dolls in_sky

<displace> “intoxicating” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “altitudes” stones in_sky

<waste> “self-confidence” —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “soar up” dolls in_sky

“The Princess Mistchenka is such a darling!”

<waste> “darling” —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Mistchenka” stones in_sky

” … we have been to the Louvre and the Luxembourg many times; to St. Cloud, Versailles, Fontainbleau.”

<displace> “Louvre” —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “many” stones in_sky

<create> “Luxembourg” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “St. Cloud” stones in_sky

<build> “Versailles” —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “times” dolls in_sky 

<create> “Fontainbleau” —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “we” dolls in_sky

[source, citation #2: Divine Secrets of the YA-YA SISTERHOOD, Rebecca Wells]

“Sidda is a girl again in the hot heart of Louisiana, the bayou world of Catholic saints and voodoo queens.”  [first page]

<create> “queens” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “hot” “heart” stones in_sky

<build> “Louisiana” non-galaxy-theoretical_buildings_through_manifestation —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:  “bayou” & holy “voodoo” stones in_sky

<set> “girl” bills <.> dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “saints” dolls in_sky

<build> “Sidda” post-galaxy_theoretical_buildings_through_mansion_manifestation —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Catholic” “world” stones in_sky

“She wondered where she’d put the Xanax.” [page 6] 

<build> “Xanax” non_galaxy_theoretical_buildings_through_manifestation —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “wondered” stones in_sky

                       || majestic || “Xanax” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:  “where” stones in_sky 

“She walked to the window of her twenty-second-floor apartment in Manhattan Plaza.” [page 6]

<set> “Manhattan Plaza” dolls —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “window” dolls in_sky

<create> “apartment” external-see-throughs —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow:  “walked” stones in_sky

“But all she wanted to do was lie in bed, eat Kraft Macaroni and Cheese, and hide from the alligators.” [pg. 10]

[cited: brainstormers et al]

<waste> “bed”s —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Macaroni” dolls in_sky

<build> “alligators” non-Galaxy_theoretical_buildings_through_manifestation —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Cheese” dolls in_sky

<displace> “Kraft” non-Galaxy_theoretical_buildings_through_manifestation_and_goods_from_these_through_manifestation —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “lie” dolls in_sky

” I’m marrying the man I love on December 18.” [page 11]

<set> “man I love” Vermont —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “December 18” dolls in_sky

<displace> “I’m” dolls Vermont —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “on” stones in_sky

” … while the moon outside her window shone down onto the glassy surface of Lake Washington, Siddalee Walker …” [page 11]

<set> “the moon outside” Vermont —< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “glassy” dolls in_sky

<build> “surface” Vermont —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “Lake Washington” dolls in_sky

<place> “while” Lake Champlain —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_anthem_dark_sky_dark_shadow: “window” “Siddalee Walker” dolls in_sky

” … she knew for certain that her Connor, her beloved, had died in his sleep as he lay in the bed beside her …”  [page 11]

<set> “Connor” teddy-bears Bar Harbor —–< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “her beloved” dolls in_sky

<displace> Salem Witch Museum  & Salem “bed beside her” stones —< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “certain” dolls in_sky

“I know it, she thought. He has left me. He is gone. Forever.” [page 11]

<set> “Forever” places —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “gone” stones in_sky

“She sat down at the wrought-iron patio table where she’d set up the Ouija Board.” [page 73]

review.

<build> gigantic “Ouija Board”s non-galaxy_theoretical_architectural_through_manifestation_buildings —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “patio table” stones in_sky

” … was responsible for the fact that all the children (and also several of the adults) were wearing Halloween costumes …” [page 543]

<set> “Halloween costumes” as_clothes —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “wearing” stones in_sky

<displace> “responsible” dolls —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “children” stones in_sky

<build> “several” “adults” stones —-< dark_magic_dark_magical_dark_magically_dark_maude_dark_sky_dark_anthem_dark_shadow: “fact” dolls in_sky 

the placement of the bookmark seems to capture two effects; connected …

Posted on

as review to affects; i.e. further discussions of academic practice-uses of seances. 

for The Fictional VolunTier Project

by goura fotadar

date typed up on: 121722

tag[s]: academic anthropology intersecting with mostly non-spoken translations of counseling (including especially of psychological context)

One. Brevity of re-ordering. 

The first synopsis line; is a re-centering from what was pre-assigned as the primary by

the external general, general unsupervised; to an order of center non-primary.

Then the second synopsis is the distinction of categories of primary compared to the non-primary;

and if so come about other non-primaries; including the first possible appearing as center non-primary;

as just mentioned.

The prima point; being the primaries can assist without doing anything necessarily unnatural distinguish

the importance of primary; above primary; and the usefulness of modeling by being naturally levels of primary.

mathematical basic conceptions: meanings of 0 to 1; and below 0 as above 0; and above 0 in the natural sects as below 0 so albeit usual; and as usual. 

Two. IN the re-visiting seance; here re-visiting means of course dialogue internal of comprehension

regular verbal and-or not; what has been showing up in the case of demonstration caught in 

the forma of the seance; and almost unable for the primary external modeling internal along with the second primary internal modeling internal caught; is a description of what could suffice as fit-back.

The focus on a zone which is conceived as common in culture still and as of yet; has been an area of priming;

we have the catching of both genders including academically fitting deviances of genders and or intragenders;

on the fit-back. (This means here and not necessarily all places that the r. priming has stayed caught and disturbing for the victim-and-or client including in the plural context.)  As mentioned; the anthropologist non-verbal counselor in terms of extensive or even moderate interactive

primary-to-primary dialogue in the current modeling uses of non-dialogue (two); and in the former case primary to primaries and to non-primaries extensive or even moderate dialogue; only engages up to this level if at all; the prominent is on non-dialogue to the non-I and as review of limited dialogue to the non-I in areas of categories of victims-and-or-clients and treatment persona. 

Assets: review of academic uses of self-addresses of self-to-self dialogue [this is also review.]

Addresses in Quantation. The hope of levitating as review in the dia-scribe might be to posit the use in hypothesis and the meaning of brevity the connected for the researcher area of literary ideas even as review strange, mundane, childish, and bizarre ones [this is also review]; contacted with earlier and on-going practicing in the basics of academic formulas; as review and contact treatment response; without the non-anthropological bizarrenesses of sticking to normative external to academic standards of treatment. 

Potential hypothetical placed formula; using literary ideas as review such as dark magic. 

Summa_taking_shape_potential_owls: <displace> dark_magical_conceptions_of_what_means_fit_back_upon_normative_thus_far_standards_of_vehicles_for_example_and_such_forth_

Three. The next bookmark demonstrates the cultural archaic or almost archaic usual which is the prior to re-ordering of the primaries out-shadowing the center non-primary and possibly non-primaries; is the structure of bookmark brings about more ideas of terms of common current work and past common work in the academic range of the researcher; ideas such as review from structures including literary structures of portals. Consideration of the bookmark demonstrated as review flash flooding to the horizon as review of former choices for the non-primary center; spreading in appropriate cross-over as indulgence to primaries with a separate sense of conditioning of the flash flooding from bookmark; can lap-side into the construction of real dreams such as the dropping into portals for the victims-and-clients of these categories and any others of even such non-stance who may ordinarily and naturally qualify; further determinant-ing as is literary review conceptions of reality for use; by esp. the victims-and-clients. The bookmark flash flooding basic connection may be contacted by a loose rhetoric and literary based formula; as demonstrated in category two; just to do more with the non-energy budding of victims-and-clients cultures which have washed away the ideas of hope in these categories, of definitions of victims-and-clients.

Potential non-energy budding formula:

Summa_flash_flooding_bookmark: <displace> non_energy_buds_without_the_regulating_of_meanings_hope_and_so_forth

Hope, always; continued

Posted on

for The Fictional VolunTier Project

by goura fotadar

date typed up on: 121122; date worked on: 101222

tag[s]: cited: creative thought

along with chess club

Hope, always. possibly, re-visited;

The victim’s physical states are something uncommonly focused on by his supposed caretakers. It’s confusing for him; and everyone else; as he’s growing through his various stages of development. Review. The usual-usual – So his supposed caretakers attempt to place people; personas; around him that are bizarrely sympathetic to them.

Chess. Club. In a tying moment phases of development somehow seen through physical states; as just mentioned; translates to physical posturing from one-point state for another victim.

Personal journal style brief.

Then in glancing through; working on stuff …

the review of the …

“The geometry of the rectangular form of the …”

In a book that at this point is even on brief glancing able

to demonstrate some of that suggested in description

[cited p.178; gustav klimt, the magic of line …]

Back, to H.A. & C.C.

A combined treatment

formula could.

be

using the rectangle

treatment formula:

sum_of [rectangles]: <displace>

dark_magic_projections_of_this_hope_always_and_this_chess_club

Lovelies from rhetoric and <displace>

Posted on

for the fvp.

by goura fotadar

eo on 110622 … 112022

#1

[source, citation #1: harry potter and the deathly hallows, (by) j.k. rowling]

“His muggle clothing, Invisibility Cloak, potion-making kit, certain books, the photograph album Hagrid had once given him, a stack of letters, and his wand had been repacked into an old rucksack. In a front pocket where the Marauder’s Map and the locket with the note signed R.A.B. inside it.”  [cited: pg. 15]

<displace> dark_magic_dark_magical_”Invisibiliy”_”Cloak” <here>

<displace> dark_magic_dark_magical_”Marauder’s”_”map” <here>

” “The Trace, the Trace!” said Mad-Eye impatiently. “The charm that detects magical activity around under-seventeens, the way the Ministry finds out about underage magic! If you, or anyone around you, casts a spell to get you out of here, Thicknesse is going to know about it, and so will the Death Eaters.” ” [cited: pg. 47]

<displace> dark_magic_dark_magical_”the”_”Trace”_that_”charm” <here>

<displace> dark_magic_dark_magical_”spell”-s_”cast” <here>

“Kreacher came bustling to the table with a large tureen in his hands, and ladled out soup into pristine bowls, whistling between his teeth as he did so.” 

       ” “Thanks, Kreacher,” said Harry, flipping over the Prophet so as not to have to look at Snape’s face. “Well, at least we know exactly where Snape is now.” ” [cited: pg. 227]

<displace> dark_magic_dark_magical_that_”large”_”tureen” <here>

<displace> dark_magic_dark_magical_cited: Prophet  <here>

“Ginny had been banned from going into Hogsmeade.” [cited pg. 13]

<displace> dark_magic_dark_magical_”Hogsmeade” <here> 

theme: upcoming publications

” “My pocket!” said Ron. “In my pocket, there’s a Deluminator, and it’s full of light!” ” [cited pg. 465]

<displace> dark_magic_dark_magical_Dark_”Deluminator”_in_pockets_and_anything_like_pockets <here>

” … , “Protego!” They saw the Shield Charm break the flow of enchanted water as it flew up the passageway.” [cited: pg. 535]

<displace> dark_magic_dark_magical_cited: Protego_”Shield”_”Charm” <here> 

” “I sought a third wand, Severus. The Elder Wand, the Wand of Destiny, the Deathstick. I took it from 

its previous master. I took it from the grave of Albus Dumbledore.” ” [cited: pg. 655]

<displace> dark_magic_dark_magical_”The”_”Elder”_”Wand”_”the”_”Wand”_”of”_”Destiny”_”the”_”Deathstick” <here>

“The snake’s cage was rolling through the air, and before Snape could do anything more than yell, it had encased him, head and shoulders, and Voldemort spoke in Parseltongue.” [cited: pg. 656]

<displace> dark_magic_dark_magical_”Parseltongue” <here>

” “They wouldn’t give you to the dementors for that! Dementors are for people who do really bad stuff. They guard the wizard prison, Azkaban. You’re not going to end up in Azkaban, you’re too —” ” [cited: pg. 667]

<displace> dark_magic_dark_magical_”Dementors” <here>

<displace> dark_magic_dark_magical_”Azkaban” <here>

source, citation #2: Jell-O Girls, A Family History, (by) Allie Rowbottom

“Their eyes were rimmed in black liner. Their hair was neatly swept into headbands. Their lips were glossy and pink.” [cited pg. 10]

<displace> dark_magic_dark_magical_”black”_”liner”_and_”headbands”_and_”lip-“_”gloss–” <here>

<age>

“One older even than witchcraft. One as old as men and women and words.”  [cited pg. 12]

<displace> dark_magic_dark_magical_”witchcraft” <here>

<birth>

This is how we save ourselves, my mother constantly reminded me, through words and through witchcraft, that deep, intuitive power alive in every woman, connecting us across space and time.” [cited pg. 17]

<displace> dark_magic_dark_magical_”save” <here>

“I return to my mother’s body, her voice, through the hundreds of pages she left for me, the story I consult now like a spell book, searching its pages for incantations I might hold up against the silence she left behind.” [cited pg. 17]

<displace> dark_magic_dark_magical_”spell book”_and_”incantations” <here> 

source, citation #3: Halloween (by) Joanne O’Sullivan

<clothing>

“For our costume we started with a white dress from a thrift store, but you could also use an old summer nightgown or a white peasant shirt and loose, flowing white skirt.” [cited: pg. 47]

<displace> dark_magic_dark_magical_”thrift”_”store” <here>

<displace> dark_magic_dark_magical_”old”_”summer”_”nightgown” <here>

<displace> dark_magic_dark_magical_”a”_”white”_”peasant”_”shirt” <here>

<displace> dark_magic_dark_magical_”loose”_”flowing”_”white”_”skirt” <here>

“To embody the spirit of Flora, carry a basket of flowers (real or fake) and scatter them about at will. Sprinkle Italian phrases into your conversation and make sure to kiss everyone on both cheeks when you greet them.” [cited: pg 47]

<displace> dark_magic_dark_magical_”Flora”_and_accompanying_”basket”_”of”_”flowers” <here>

review; #4

he looks like a little man without legs,

fully.

he has what are like mini-hooks on his head

he looks like two boxes divided by a line [review]

he does as it looks have a neck

and shoulders

the shoulders [review] are like a stick 

sometimes there is a little turn on the ends of stick joins

I saw him somewhere in a crowd of text [review]

from the one side he looks like two math symbols; such as; for example; two thetas [review]

contacting one another in communication with you, maybe. or somebody [review]

from the other side;

he looks like two different scenes in the same scene area [review]

one might be at a time in the evening or even night; [review]

and the other might be earlier, obviously [review]

[review.] the problem with citation is difficult because I don’t know how to cite;

this language; as they call it [review]; I don’t know the language

there is a spoon in between the boxes; [review]

and the spoon is longer than the boxes; this seems to demonstrate a body [review]

where the shoulders are longer in width than the body is [review]

A review translation is what if this were an architectural area and-or zone

[review] the bottom part may be a pool,

and the top part may be where you climb up the stairs and there is no downstairs 

of a building to enter. 

[review] and there is a space between the bottom and top

to tell you of a difference.

sum_of_this_description_including_review —> <displace> dark_magic_dark_magical_dark_magically_dark_maude : hooks

[review symbol, reference, text citation: (cited pg. 92) Mira ne chip, Ok-kon Kim (Korean Fic Kim) ]

(#4, part two.)

part two. 

this one looks like two flattened swands in the opposite direction of swan angle

and most of the ends still hook [review].

and there is still a shoulder bar between the two flattened swans or two scenes which look the same in the same context

so perhaps meal-time at two different times. 

this one from memory may also be a review symbol or something like that; from looking at it before. who knows. 

and in this case the shoulders; the shoulder bar reach and touch another symbol on the left-side

often; one might conceive the two flattened swans to be areas of maneuver [review] a bit different from

the usual scene and-or context; for example a work out gym area and-or zone on both floors [review];

perhaps applied to by the flattening of the swans; now with the insertion of the shoulders and or shoulder bar;

this implies for example; eating at two different times; for example the cultural timing of lunch and dinner in either upstairs or 

downstairs gym areas and-or work out zones

as opposed to eating in regular dining areas; this includes singular eating. 

As review; reaching to another symbol or something; would imply returning for example to a different zone, after the activities in the zones at present are done; for example as review returning back home, after. 

As another review-like idea; what about reaching to somewhere else you might want to be even more.  Usually it looks like we go left or right or even top or bottom; but what about the diagonal and when would that show up, as review; and how about if you wanted to fly.

to fly a plausibility; you would want to envelop the diagonal in some way, possibly a re-diagonal; such as a double circuit; as a common example. 

sum_of_this_description_including_review ——> <displace> dark_magic_dark_magical_dark_magically_dark_maude : unicorn_mimicking_…_serum(s)

[review symbol and-or symbol, reference, text citation: (cited pg. 202) Mira ne chip, Ok-kon Kim (Korean Fic Kim) ]

  

Cards, continued.

Posted on

for The Fictional VolunTier Project

by goura fotadar

date typed up; 111222/ date worked on: 090422

[source, citation: Hour of The Witch [by] Chris Bohjalian]

“Hartford”

[cited pg. 17]

“Babies”

“possession”

“handmaidens”

“September”

“long time”

“cuffs”

“Tolerable”

“luxury”

“joining”

“second”

“England”

“including”

“gotten”

sum_of dark_magic_”Hartford” ——-> <displace> sum_of these_words

Verification, (continued)

Posted on

for The Fictional VolunTier Project

by goura fotadar

date worked on: 08/04/22; date typed up: 10/22/22

tag[s]: reading notes; research notes

[source, citation: dreaming of you, (by) melissa lozada-oliva]

theme: sort of, similar to “cards”

research [more] notes. approx. margin; [in this stanza collection] : 8-1 approx. 7

“reaching out of the dirt …” pg. 1

“feet thumping up the stairs, …” ” “

“the future isn’t real …” pg. 2

“be my little girl …” ” “

“as a star …” ” “

“as all of our dreams in the shape of a woman …” ” “

” the most fertile feeling … ” ” “

“the branches growing out of her ears …” ” “

“the shadow side …” pg. 3

“know you before you even know you, …” ” “

“in the ethnic foods aisle, …” ” “

“sell you anything, …” pg. 7

“the seasoning of gossip? …” ” “

“reflection in a rippling pond …” pgs. 7-8

“This is a story of mirrors, …” pg. 8

“However, as chismosas, we feel, …” pg. 8

“a girl who dreams a lot” pg. 8

sum_of(these_seances) —> <displace> dark_magical_”stor-…”(ies)_”of mirrors”

cards, cont.

Posted on

for The Fictional VolunTier Project

by goura fotadar

date typed up on: 10/01/22; date worked on: 08/04/22

tag[s]: reading analysis

[source, citation: Anne Frank, The diary of a young girl; with an introduction by Eleanor Roosevelt]

cited pg. 73

“1942”

“Kitty”

” ” … Annexe” “

“quarter”

“butter”

“lucky”

“ration”

“hiding”

“illegal”

“bake”

“biscuits”

“work”

“bruised”

“dressings”

“tidies”

“industries”

“cheerful”

” “ssh-ssh” “

“companion”

“notice”

“tormented”

“chairs”

“sleepy”

. . .

basic out-there, formula

sum_of luck —–>

<—–

sum_of dark_magic_use

—–>

<—–

this_card (…)