cultural art

Remember to re,new book,s

Posted on

for The Fictional VolunTier Project


by Goura Fotadar

tag[s]: death project art

theme: emblematic re-occurrences

theme music citation: Stand By Me Ben E King

death art: from public visitis to sites;

imagine in convention: to have somebody’s name, who is deceased in a color that;

marked on the urn; that would be the destruction of this art? or would that be art.

or ownership art

the theory of non-possessions memento art


frameworks too of reality seen change; or reality interaction




date, typed up: 52217

cited, source text: Henry James The Turn of the Screw & In the Cage

image of back of source, cited
image of front of source, cited
image of front[d] of source, cited

date, composed: 52017

What I know for sure about;

of what I’ve read of

James; he has

made your vocab.



Remember to renew books.


from the back:

fear perhaps ?

“afraid” & “ghosts”

is this an almost near

pre-cursor of that

movie (citation): The Others N. Kidman


cited p.138;


scan to through by

flipping to 4 or five locations;

finding a passage that has current

relevance ; like a psychic index

theory; other notes: to consider;

theme cited: brainstormers et al

fire is like five



since I’m currently examining the front

of cited “love story” I decided

to look past the front

and the reflection

back as a standing

pointe; theme: how to move;

and came across a passage

on this page; that has high

current relevance to issues of

s.c. [social cause]


cited: p.138





[but first just by a stroke of luck; the book was left

here where

I would sit.]

The passage:



“every opportunity”

“inspect … documents”

“… documents”   a way to “… see every one at … ”

house: “every opportunity … ”

so? have a ” … flock” and will not be ” … disappointed.”

a quandry

to “… disappointed …”

tag[s]: art’s fiction theology


image from passage from cited: source text as identified
image from cited: source text





to : morrow meaning trans.

Posted on

more notes for tomorrow’s

to: morrow v blog post [after Part Next.]

[seems framework for eulogy non-fic +

glum tales/states]

The Non-Fiction Eulogy of Relationships.

tags[s]: the Death project; pop culture

notice budget

is of course

bud, get;

and while one might

think of flowers; specifically

bud[s] for get following

can suggest plural ; so flower

buds such as a death ; and-or

to c… a death; there is of

course also : bud, get as

in the modern urban slatter:

of objective getting [real?]

connections to others that are perhaps

like [flower] buds; [the others]

and so; to create

the basic  artistic

endeavor of such


in one’s main-stream

connection to

the actual

contraption of

art; being

near buds, flowers;

even plants and or

even just flowers;

would be a reminder

of such

choice, objective; enaction.

theme: buds

theme music citation: icp – homies

tag[s]: art theory

Answer to: Why buy, work with, and-or be near that which is that.

currently near the public library; and on use for perfume makings

Part Next.

Mementos from Fifth Grade: The Boring Commercial is Made Non-Boring Through Mind Channels

for The Fictional VolunTier Project

By Goura Fotadar

Date: 51717

Tag[s]: the basics of thought and-or education; advertising knowledge; education uh for children

We Need to Just Interrup-the thorough to brief overview: called proofreading and editing of cited: The Witch Goura … [the next one]

Through the concept felt and heard through at least, no only through mind channels of


And-or cited: Budget

Image of a Budget Truck (cited)

Draw a graph: a graph here means only a sequence of names and or letters connected by lines that sort of make sense. Below, Imagine and-or fill in the lines.

Editing-proofing your own work stresses the importance of B.

Mind channels

Iterate things that are; are they B.

Where B is B. {Ease Hint: Where Be is budget}

Just a stroke of Luck. No Mind Channels.

Aside coincidences: cited: jumper by third eye blind; and that movie by the same name: jumper

Part Three.

cited, to be photographs for

cited: first page as described in detail below of cited: LOVE STORY by E. SEGAL
cited: tron by ic [b.ideal and thematic building]
cited: al-sh i som by sjh for same purpose as the last most recent past photograph
art framework: books to cue consider

to do: on 5.17.17

next in cited: Love Story

diagram what happens

in the story

at the mention

of “salt” and-or “salt-like”

to further edify on its

in this fiction at-least:


|| power ||

5.17.17 continued.

source, text : Love Story by ERICH SEGAL

cited page 2:

“eye the cheese” <— mention of

where the cheese as

suggested already

is salt-like.

what happens in story connected to salt



further choice derivation consent




consent to salt

cited p.3 as

suggested already

mention of “coffee” is salt-like




further choice derivation

consent to salt





entry of the other


Looking ahead

since I’ve read this

text; more exactly in

the past circa college;

college extended.


Can salt have created

the experience that is

the beginning line and-or

the end of the book : as

quoted earlier;

cited p.1

“What can you say about

a twenty-five-year-old girl

who died?”


extending this citation in to

also the cited: The Death

Project; for The FVP:

cited brainstormers et al

this first page as indexed;

available in format in this

print of the source,

text ending in

“of” on

the cited p.1.


as an aside:

might be used as

a-eulogy for another

non-fictional being in

funeral and-or such death

context : how would you

modify this first

page; such :

[see photograph]

[of original]





cited p.1


“died” from

the first line

to turn it more …

achievement; and even

hope based ; then-tha


“What can you say

about a twenty-five-year-old

girl who … ?”

tag[s]: fiction analysis; life/existence non-freaky seance

To self-analyze with

this fiction application

in the context of

death and-or

in this case fictional death.

; as well as ; outside analyze …

I’m going to use myself:

as an example here

as demonstration

“What can you say about

a twenty-five-year-old

girl who … ”

of potential death;

everything that noted

had been accomplished

by the crux:

time of that

potential death in

this case: 25

{draw crux: 25}

and if you identify in

actual work derivation [as in work in your own gender derivation … hence, that meaning]

as something other than

girl; than-the/n of

course replace with

the right gender word.


continued … cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

of course you might

know that again the end-result

is “died.”

and notice now the

significance of the

question mark

that it may signify

also something

other than

“died” and period.


this then is an accidental

proof on how-to


[earned][i.e. real]

[accomplishment] death.



cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”


[B.A. centric]

-got bladder cysts like

cancer despite a life-style

of severely healthy habits

& practices

-did too much volunteer


-transferred to a prestigious

university; and graduated from it.

-landed every dream in college jobs.

-grew up in the ghetto

-attended university for primarily

merit-based free college welfare cost

-changed majors nearly four times.

-had mostly male friends and colleagues at

roughly the pattern of that age-time.

-eat pre-pared food of the health-gourmet

variety extensively. [during that same pattern.]

-attended college near-to the environment

she grew up in; was from, primarily.

-landed her dream career shortly after college.

-went on many, many interviews.

-met many, many people.

-read too many books.

-believed she was nearly enlightened

through her b.a. coursework; and this is

only sort of a joke.

-rarely ever had financial problems despite

growing up dirt poor.

-had a series of serious boyfriends that had

almost nothing in actual common with her;

and her actual colleagues and-or friends.

-never ever committed crime.

-didn’t always want to publicly share

her volunteer career endeavors; and

considered even a non-publicized

resume; public.

-hadn’t finalized graduate school plans;

but got all the A’s she planned;

something like 6/8 in general major.

[but you have to factor physical sickness: severe in the missing two.]


Eulogy using as an example continued:

cited p. 1

“That she was beautiful. And brilliant. That she loved Mozart and Back. (And not the Beatles.)(And not me unless I’m a real/was a real brother to her.) Once, when she specifically lumped me with those musical types, I asked her what the order was, and she replied, smiling, (not “Alphabetical.”)

Them First. [as an aside look-up today’s posted fiction for a good pun.][ connected good puns-art.]

… “At the time I smiled too. But now I sit and wonder whether she was listing me by

my first name–in which case I would trail Mozart? (in accomplishment alive since I am as the speaker of the eulogy still alive) …”

theme: alive speakers

theme video citation: (I think it’s) the shins simple song? [l.u.]

“– or by my last name, in which case I

would edge in there between (the alive?

accomplishments and successes of) Bach and

the Beatles. (And of course I mean all conceptions

applicable of beetles.) Either way I don’t come first, which

for some stupid reason bothers hell out (—-) (her death came first) … ”

back to main posting …

tag[s]: computer science abstracts & basics & library science

cited p. 3

upon entry of other

through consent of salt and

the enactment of slat, no salt

where as suggested earlier through

poise [cited: poise]  no postings that

“coffee” may be something

like salt [reminder: indexer motif]

and especially as compared

against most other so far scanned

in mind word[letters] in meaning;

hence words. [in the used source text of course.]

the main narrator is hit with

perhaps another; magical and-or

shamanic aspect of salt; the

entry-way into-a needed accessible

book; and study of this book for

an upcoming exam; and than-the/n even

Perhaps the support of the performance

on the upcoming exam.

{Draw salt as an obvious as in seen, scene; entryway

to something like a book; example

cliche and obvious;

salt sprinkles ; and-or

salt motifs in front of

a door-way}

The enactment of salt of course;

is: the following haven take place


cited p.3

“Let me explain why I took

her for coffee.”



Part Four; not quite but as another aside:

to seize fiction and to

introduce into it while

it’s in your mind;

real, reel, life

see gum wrapper

can also be


this is a theme


each cited: m & m

a door-way

or like it to

box: activity ; and

the used gum[even more]

title + salt

cue considerations

in cover knowledge










Pop Fiction, continues; & The Flower Theory

Posted on

Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors


Part One. The text as an art lesson.

in reverse order







of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”


after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already



more reading notes for The FVP: The Flower Theory


cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es


esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]


4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”



or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.


— then from this other source, text:

source, text cited; cover / top

cited: p. 352 , The New York Times,

from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare


age, rare: Ian;






and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific


(belonging to incident)



suicide implies ?


will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.





Security in through Art

Posted on Updated on

posting for the FVP

by Goura Fotadar


date: 41717-|1817

additional to the fvp of

soon-to-come, postings:

In the cliché conceptions

of perhaps traditional all nationalities

of race: White art; how might

you see a lockit: scuse me

in jewelry : locket upon

number in a path: as its setting STAGE.

Why a walking path; or

entry path perhaps because

most if not the majority: a voting scene [basic] is a lockit;

locket, too; and don’t forget the things shaped locket

without the locket actual

such as the [old school] non-stigma

-tizing heart be-friends necklace




fri                   ends

be fir, st[.] ends.

[almost to prove

the point]

[I once received for a birthday; cited: Sanrio [from]]

–> special application: for the jail-reform, progressive popu.

unless on p.p. don’t have lockits;

what would happen in your art’s

-gaze: if you walked on a

path that wasn’t necessarily

p.p. and saw sum, many

lockets; and uhm; you

noticed them.


Art to Stolen and-or Missing

Property: Insert thoughts

and-or psychic premonitions

+ signs on what you see;


if in truth: you notice the

locket and-or lockets and feel

safe picking it-them up;

[The Housing Model] examining it.

[remember: the hush of singing



ur, ch-ch[?]

or u, r, ch-ch]


On Culture: through lens Food Disguise

Posted on Updated on

for the blog, fvp on


33017; posted to on 33117


source, cited text: San Francisco Chef’s Table

by: Carolyn Jung.

cited, source text as identified above (from … cst)
[to support the next, cited: rum’s theory]

on page 83 (cited (of source text)): [see photograph]

bread as a disguiser of meat in

phonetic appearance;

they sound alike and meat to

mushrooms, eggplants, and the others?


Sure-fies it to art-form:

but think of the sport-like offense

to this, statement ; from my collegiate’s

collegiate culture:

on cited: page 83, contn. : perhaps it

accurates better the misconstrue-ment of “Rebel”

“It’s rare that baked goods garner a cult following,

but The Rebel Within sure has.”

cited: The Cheeseboard:

for the love

of bread and

cheese, please!



source, cited: ERTE




cited: source text cover; as identified the source text, right above

The phenom[e] ‘O’  (slanted arrow to) The dis-illusionment of/by viewing-to

pornography -P


at cover alone:

clearly from-it

you must wonn-der

(two wins]?

and [o] already


never about the

non-clandestiness [sp?]

of unkind to you-

others; for

the striking of a decorative

pose is a personal, private

decor if even composed in

public ; it from the cover:

includes stares/stairs /and-or hoax background;

memorable costume-where! (ever) ; and a cognition

of you as two into one; quite the ‘O’

this is near

closing; but recommended

to look at the-

the inside

‘O’ and-or ‘O’


cited, music: annie lennox  no more “I Love You … [s]”

a taste of rum planes

Posted on

p.145-46, etc.  source, text (cited) : REAL SIMPLE meals made easy 

image 1 from cited: source text above 
image 2 from cited: source text above


real food’s

art notes


cited, theme: rum’s theory of course! (amazon kindle)


I was looking at the

Image of the salad on p.144 [see above for cited images]

and this may be obvious but

looking – examining it from the planar – view

the thing-eating item looks jungle ; a place

to sleep in the outdoors ; but you would

want more dry long-term plate upon

your back; and there’s the contrast of


the two perhaps once we moved into the

depths of perspectives ; in your mouth

the moisture on the jungle is bene’ ;

but at rest in the outdoors; excessively long

and upon your back isn’t so much. It’s then

the key ingredient external; not ignoring knowledge

that the greens hold their own : internal moisture.

At close look alse [editing note: no typo why the ‘e’] the salad looks almost sea;

the chicken also shrimp; and then turns Land: bacon.


the key whet;

looks oil; and not

soy; or vinegar (arrow down to) or even the ginger’s juice


would surely




That’s   the solution to

comfort in the outdoors;

rest, especially:

if it must be wet;

make it oil that falls from the sky.


food cultural epigraph

Posted on Updated on

for The Fictional VolunTier Project

date: 31917

date, typed up: 32017


tags: petition for enough food, actual wealth, high recovery in haute season

cited, theme: the random art saying book as on cited: amazon kindle

An actual cited: cvs, is excellent;

if you sign up as a member,

and they don’t mess up

your membership;

you can purchase

enough food in $5.00 or so to

fill you up for most, but not

all of a-day. In the tradition:

of haught-iness; astacks

of cited: m& m’s ; kit-kats,

popcorn, and other non-cooked

by you items: coke (cited)

+ a variety of teas. & yes

these are food recommendations;

for those that don’t have

access to kitchen-cooking.

Suches items can fill you-up;

keep you from starve version

of fasting; and give you the

excess energy you need; in-the-actual

homeless scene : to provide non-criminal

Security for at least yourself , work

the excess of non-living-wage

work-producing hours; walk

those long-distances for food

charity & access to safe-enough

work-space public spaces; and

of course provide the energy-support

for other activity : such

as meditation-al personal work.

But traditional haughti-ness

tells you; that it’s high-end fish

you should be eating; so, hope that

you receive that in your food

charity donations.

The intellect of finance

doesn’t necessarily contradict

high-end fish consumption; Why you work

for no living wage : you should be rich; as an elevated even

mainstream niche.

It does however pointe : as in a flip of

the feet in ballet on a bar ; I think

it is ; but if they re-defined it to

something Less since I was 2 ; that would

be hilarious. theme: oh the hills of hum our;

roll our laughs. 

out that stacks-and-stacks of

affordable food are a worth looking

at serious knowledge stream; that

on testing, recommended ; at least

fill you with energy.

And the food wrappers themselves

are quiet an art-form : a cultural

epigraph in art-form.

[jokes but not quite] citing : andy rooney 

on 60 minutes.

[in tone?]