Reading Notes

Remember to re,new book,s

Posted on

for The Fictional VolunTier Project

art

by Goura Fotadar

tag[s]: death project art

theme: emblematic re-occurrences

theme music citation: Stand By Me Ben E King

death art: from public visitis to sites;

imagine in convention: to have somebody’s name, who is deceased in a color that;

marked on the urn; that would be the destruction of this art? or would that be art.

or ownership art

the theory of non-possessions memento art

[still]

frameworks too of reality seen change; or reality interaction

Untitled

Untitled1

 

date, typed up: 52217

cited, source text: Henry James The Turn of the Screw & In the Cage

IMG_20170520_161025
image of back of source, cited
IMG_20170520_161031
image of front of source, cited
IMG_20170520_161033
image of front[d] of source, cited

date, composed: 52017

What I know for sure about;

of what I’ve read of

James; he has

made your vocab.

larger.

 

Remember to renew books.

 

from the back:

fear perhaps ?

“afraid” & “ghosts”

is this an almost near

pre-cursor of that

movie (citation): The Others N. Kidman

 

cited p.138;

 

scan to through by

flipping to 4 or five locations;

finding a passage that has current

relevance ; like a psychic index

theory; other notes: to consider;

theme cited: brainstormers et al

fire is like five

5

 

since I’m currently examining the front

of cited “love story” I decided

to look past the front

and the reflection

back as a standing

pointe; theme: how to move;

and came across a passage

on this page; that has high

current relevance to issues of

s.c. [social cause]

ghettochildhoodart

cited: p.138

IMG_20170522_113151

IMG_20170522_113202

IMG_20170522_122134

IMG_20170522_122144

[but first just by a stroke of luck; the book was left

here where

I would sit.]

The passage:

“time”

house:

“every opportunity”

“inspect … documents”

“… documents”   a way to “… see every one at … ”

house: “every opportunity … ”

so? have a ” … flock” and will not be ” … disappointed.”

a quandry

to “… disappointed …”

tag[s]: art’s fiction theology

thepassage

IMG_20170520_161013
image from passage from cited: source text as identified
IMG_20170520_161018
image from cited: source text

 

 

 

 

Where analyses enters the loose cannon of creativity

Posted on

Reading Notes, continued

for The FVP

tag[s]: mailing terms

Untitled

date : 5.5.17, date typed up: 5.16.17

source, cited text: LOVE STORY by ERICH SEGAL

cited p. 4 : ” “Renaissance polyphony. ” ”

cited p. 5 ” ” What’s polyphony? ” ”

do you want to translate this

to Ingles? [well, more so;]

poly phony  pol-phon [y] (away from the standards for now : poly & phony)

pol-phon [p]

ol-hon [o]

l-hn

l, no l – nh       live , no live -new hampshire

.

.

.

and the l, nl extraordinaire at least.

class

consumptive proposition: | [ Well, disclaimer: I’ve already

read this book years ago; and perhaps, read it again;

and obvs. recommend it; but the completed reading was

years ago.] Thus; from brackets inclusion; like some

of us learned in elementary school and past; and

at the public library: pieces of * the book teach

what it’s about in at least gist; and teach what it’s

meant to teach. Thereby; any even reading analysis

at a deep enough level in stasis; example: a popping form from

a storybook of one of its characters; or concepts; and-or

such combinations; can allure you to cited: allure (magazine)

the proxy knowledge of that manuscript; whatever its

level; and-or length. |

-|_ (not quite the matching star) the book as a thing, a conception …

tag[s]: mind channels, book theology, publishing basics, knowledge games where everybody wins.

back to analysis,  :

Live, no live – n.h.

e  a

w m

pshire

when looking at the

left-overs of [y][p][o]

and in application : to it

[y], [p][o]

nh

almost seems to

imply think not of

no live – [n][h]

[y]          [p][o]

a p.o. box

address if

you

don’t live in

new hampshire;

i.e. another better,

arrangement may be/

is in store for you;

and perhaps having a p.o. box address

should be mandatory in new hampshire.

 

The Basics: Why might one need-benefit justly

extraordinarily in/by having a p.o. box mailing

address? [To Seriously Contemplate.]

 

.

.

.

serious
The Knows

” “Renaissance … “”

|

\/ In Ingles? [again][more-so]

Re/na/is/s/ance

re- ? as in re-do?

n/a as in not applicable

is

s

an/ce

||

\/

to make more sense from an ? -> ec

adding periods: e.c. -> electrocute (periods counting the c. of order ; I mean punctuation as order)

re-do, not applicable, is

s, an / electrocute … d?

 

tag[s]: almost crimin ologie?

in crime we’d have something along

the lines of:

[re-do] 2nd or more attempts

.

.

.

[n/a] of somebody who had not

likely esp. committed such crime

[theme: when torture is legal …]

hence n.a. is still alive from[is]

is a She[s]; usually this means

in ostensibly gendered genitalia [She];

[an/e.c.] hasn’t told ‘what’ yet as an electrocute … d.

combined with its follower: has a p.o. box

and does not live in; is not from new hampshire?

 

 

On Par To:  Graduation Motif/Theme for The FVP

tag[s]; summary analysis, identity form

date for: 51617

IMG_20170516_142710

Congratulations on finishing / achieving / … considered;

[that accomplishment]

cited: “Emilia (l.c.)Coccinea” !

 

cited p. 23 from cited Garden Gate

IMG_20170515_175335
cited: Garden Gate
IMG_20170515_175326
cited: p.23 from cited: Garden Gate
  1. You might incorporate me into still dramatic art.
  2. Obs. vious. ly from my common name I might-cane-seen an educational symbol.
  3. My usual color-form helps make variation in color comprehendible.

tag[s]: the basics of mind channels

4. I’m a backgrounder; even if you decide to place me in center stage.

cited movie: center stage

5. I am ultra petite; in my conventional form.

 

Art Concept Arising Meditator:

The Flower as a Seminal

Meaning Informationa,l

Form; how would

it work:

(a) structure of flower,

general perhap.

(b) information provided

as with above … i.e. (others)

 

 

of             common           use

Example art conception:

from the doctor’s office ;

doctor actual.

 

[!] how tall were

you this time

last year

as

compared to now.

[!] accurate guess

to when

you were planted,

re-planted

[!] how tall is [r] your haircrosspetals

in the month of your

visit; and what

color difference

since then.

 

cited, further:

first name:

“Emilia”

Last name:

“Coccinea”

 

 

 

 

 

After & Before Notes

Posted on Updated on

source, cited, text: LOVE STORY

by ERICH SEGAL

for The Fictional VolunTier Project

dearsofworth

date, 51417, date typed up: 51517

sub-tag[s]: empathy training & Eulogy Practice; The Death Project

cited. p.1

“What can you say about a twenty-five-year old girl

who died?”

& Recollection of the 1st reading.

sub-tag[s]: military training protocols for socialization of appropriate relationships and their safety.

 

Scenario Potential un-safety: If you have an, a relative, relatives;

and-or others, those that

you know; that might despite

exhaustive efforts put

your relation ship with so-so

at risk; and so-so is worth it.

 

tag[s]: fiction applications.

 

The Obvious: You have to qualify

worth it; and the

potential security risk;

to have an ethically retaliatory

response.

 

Scenario, continued: Your Aunt Jane

accused you of stealing 50 times; when

you hadn’t ; she called the cops all 50 times;

and you got by not getting arrested by

some margin of real luck; and the fact

that you didn’t actually steal did nothing

for you; seemingly.

 

When you were getting ready for your

last deployment; you returned for

a visit; to her home; as is considered

standard; and she held you hostage

often at gun-point for nearly a

year. At that point: it was deemed

safe for you to be evacuated from

her premises. While being held hostage,

she mentioned the names of other

people she had under hostage.

Untitled

 

The Non-Obvious: Now back at non-hostage;

you’re concerned your childhood

friend; who is now your

recent girlfriend might be

at risk. She works for

a city’s sanitation department;

and clears debris and trash;

at odd hours due to her

prescribed work schedule.

 

The Prescribed Enemy: [connection to];

you grew up with your Aunt Jane

for most of your childhood;

but not all; since leaving

hostage; you’ve had no contact

with her: but she has repeatedly

had attempts in trying to reach

you; one of your colleagues

has also reported that he’s seen

her near the office the two of

you share; before your work-day

starts ; and has reported it.

 

The Self / Outside Trigger -> Retailation Against No – Contact, Cue:

Recently a police organization

you don’t trust ; left you a message

that your Aunt Jane has reported

you missing.

 

The Ethical Argument: Your recent

contact past hostage with Aunt

Jane d.n.e. You’ve never dated

much; but she’s called you a

philanderer; and even told

the police that you’ve gotten 15

people pregnant. [You’re still a virgin.]

 

fiction application from esp. recollection of 1st reading back then of source text: You’re Aunt

Jane is a slur, er to your identity;

and a terrorist to your work and

joy; in addition she’s a criminal

that’s somehow unjustly avoided prison.

 

Contextual Worth-It: Dimitria Your current

girlfriend; mysteriously showed up

in your life again to support you in

your deployments; and sent you care

packages; that really made a difference

to you; you didn’t and haven’t found

this strange; because she was also

like this when she was ->

Your friend in your childhood. She

really likes her job;

but wants to return to school;

at some point ; when, time can afford

it.

cited: v. work, regular

tag[s]: trauma recovery; security through social economic manipulation

 

Your Plan is: To call your Aunt Jane

on the phone; record your

conversation; transcript

the conversation; and make-

up that you got a girl pregnant;

and  that her dad won’t press charges if

they are paid. You plan to make-up that

you don’t have enough saved up ever for the

$10, 000 they are requesting as a legal small

nest egg. You expect not to a receive a yes;

but if you do:

you plan not to give

her any made-up names.

 

If she says yes;

you plan to go in-person with an approved

colleague to pick up the check; due to

hostage circumstance security.

[The person can even wait in the car; and does not need

to interact with your Aunt Jane; depending on how you feel when reaching that circumstance.]

security

 

The Power of | Schadenfreude [sp?] |

Next you plan to donate

the check to a

researched, worthwhile

charity ; through

your own bank account;

providing your Aunt Jane with

no previous explanation other than:

“please address the check to me; to

make things easier;” and

submit

the recording,

high notes

from the transcript,

and the sequence

of your steps plus

the b.a.  transactions

or not if she says

no to the

“powers that be”  to initiate

a relationship security protocol within the military in the advanced

era of schadenfreude [sp?]

Pop Fiction, continues; & The Flower Theory

Posted on

Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

IMG_20170414_161258
cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

IMG_20170414_161249
identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

IMG_20170414_161241
source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors

theme

Part One. The text as an art lesson.

in reverse order

|

|

|

|

|

\/

of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”

_____–_______

after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already

[red]

“hood”

more reading notes for The FVP: The Flower Theory

frontingflower

cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es

Untitled

esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]

 

4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”

t-ril/by

tr-il/by

or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.

 

— then from this other source, text:

IMG_20170415_144715
source, text cited; cover / top

cited: p. 352 , The New York Times,

IMG_20170418_181935
from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare

social-ism

age, rare: Ian;

social-ism

social-[Ian-ism]->

age|rare|social|[I-an|ism]

|

\/

and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific

evented-time]

(belonging to incident)

|

\/

suicide implies ?

group;

will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.

 

 

 

 

” “Fly, er” ” [ART] capture

Posted on

reading notes for cited: p.13 [and …]  st by zs primary source citation: [swing time by zadie smith]

aside: due to time constraints at p.l. please excuse any differentiations that might not be corrected in type-up; the notes are going of course in the h-less life; func. in the trash as usual.

for The Fictional VolunTier Project

spareart

by Goura Fotadar

this group, started typing up: 51317

Untitledthree

 

worked on; on outlined dates:

date: 42617

there seems to be a link;

or rather we can go to

create a link from the same-

phrase : term:

“modern” before the

half-way point of the page

to “modern” again the last word on

the page; unless you count the

period punctuative as a word;

for example if you read a-loud;

and-or a-loud in your mind:

” … modern period”

why you might read this this way besides

not to miss anything: well in this

case context the double-word-link to

itself: is like sound phonology.

and so reading a-loud

the mark . ; would

be following the let’s

say instruction of

that sound phonology.

 

theme: instead of peanut

butter and child;

I mean jelly; how about

one version: bacon

and jelly : yum!

 

4.27.17

 

cited: p.13

” Many girls who might

have made fine dancers never

made it across that road, for

fear of a homemade flyer.”

 

when convention meets art; and

a reverse reason quest;

“fear of a homemade flyer … ”

is it the intersection of the

“flyer” as a sight

out-of-date.

 

or is it; the knowledge

that response or

not to

the “flyer”

“homemade” implies another

intersection with the maker

[of it]; and-or those

connected to the maker.

tag[s]: the social blunder heard. mirepoix no faux pas

 

Such as: this is an idea; cause [ x … y]

is interested in; but how

much will [x … y] have to

interact with [z … q]  of the

“flyer” making.

See photograph:

IMG_20170420_133836

sorry wrong photograph; but on later upcoming analysis is this flyer type; remarking on the potential danger in this space perhaps due to this policy; which should likely as stated earlier in this/ no on this blog; use cell phones to speak on only when necessary and within standard boundaries; otherwise step outside for talking on cellphones and-or otherwise extended talked. [Extended does not mean do no speak ever indoors including to yourself. and I mean no and not not. ]

IMG_20170423_102327

behind-the-times? The

“flyer” photographed may be considered

such: [and as compared to others];

because : it is; hand-written;

it is about a “relief” effort

that was in the news modernly;

where modern means; of recent

times; but may not still be in the

news; at least not regularly. But

when we examine the group: “homemade

flyer” against modern; we have still

in the modern back-drop: the possibly ility

of not just hand-writing; from an

art perspective: but all the other ways

to font the “flyer.” Modern than [then]

is perhaps dated by font. Surely there

are those that would be offended by

hand-writing; but in the same case

perhaps the same those would also be

offended by too technologically savvy home-ness;

demonstrated in font adeptness ; and-or not enoughe savv and

not salve? compared to a business and-or such

‘s font adrift technology. In this case; what is

about a “homemade flyer” that is particularly

scary and-or offensive is the chance outside

of apropos [sp?] larger venue group; such as

a business that isn’t necessarily the flyer

distributor’s own: and so the “flyer” made

non “home” may not be done in solidarity;

is the presuming assumption regarding regular?

business; why so. Are they such assumptions due to

past acts of terrorism; or such; that no group

business or outside it; in cluster conundrum

or opposite “home-made” may imply self-declaration

in god: forbid! art; and then in the enigma

of arguments: it is the possible of any level art:

show-cased either in real solidarity if even the enemy

lies at home as in cited: sleeping with the enemy.

or if it can’t interlude into your/ the maker/

the maker type’s art.

So in last séance; perhaps:

in the “fear of a homemade flyer”

is really the “fear” of

showcase singular

and-or solidarity

art. ; which

of course means.

[ART]

label: The Significance of Art


of course to capture [ART] in describer;

to look at: the scene or art; as photographed

in the source, cited: text [again] Norman

Rockwell A & I ; date: 4.29.17 [secondary source citation in this posting]

with the term “Rockwell” one-me in this case

defining myself : through the image:

ART: is reminded of; ( i.e.  I am reminded of me through this image ; i.e. the definition in

practice of ART 🙂 of cited: Rockville/ Vernon I believe

it is called; and time such as captured in at-least the

cited: “The Four Interviews” of being on pilgrimage,

there.

At the house; there; which was presumably

a house; but something of a make-shift shelter;

with an actual shelter right next door; was perhaps

the 1st time in my life; you’d love to hear?

caught stealing: no! I don’t com-mit [sp?] crime;

was the 1st time in my life then; of my falsely being

persecuted for crime; and in this case: likely others’

crimes; I was cooking much like the man is

who is working on a horseshoe; and dressed

similarly to him; and as opposed to

that metal and presumably trunk platform:

was a high stove; and the only thing I

could reliably cook in was an all silver

metal cooking stock cylinder platform pot; and

you in security would wonder where was my cooking

food coming from while homeless? With frequent shifts

between homeless shelters; the renewal notice

tag[s] ” performance act; security procedures

for my 1st time with the cited: ebt card; never

arrived to the new address; and so it was cancelled

unfortunately. No money & no cited: ebt would imply

I was stealing food; unless of course as either and-or

homeless, functional and an actual spiritual-type:

beggar; the obvious solution when not thinking of crime:

might be: well, they, he, she; whoever begged for food;

but actually as the scene of art might apply;

there was something of an

open kitchen; just

not completely open.

and certainly in this scene; though inside

contrary to what others may think; the view

is an opening; and-or you might even call

this an open scene; seen. This then as otherwise

seen is one advantageous technique of artography;

for it allows any nth of viewer a psychic like recollection

of what happened; what could have happened;

and what might happen [future]; including

fiction. Theories of Criminology

tag[s]: criminology training.

IMG_20170428_172214
cited image from secondary source citation see above for name of source citation

As a training model;

just as an un-willing to reform/progress

criminal fixates on you, the onset, or

whoever; why not fixate on them in some spare

time; and we such have reliable like psychic

predictions butwithout real life/existence marginalized

of what might happen in crime; and-or how to

prevent it.

[some dates might have been left out or not go in dated order: date: 51217]

In the application of safety to

“flyer” in this fiction text; and also

of the seen flyer as photographed

in its scene; even a flyer

of recent but not complete

recent news like content;

may be in the essence

of safety; a

safe measure;

IN this case: the safe measure of

a flyer would create safety, how: ?

this is a semi-basic moon of outline

but at the same time it’s important.

Applying this fiction analysis; folks are afraid

of such in application; perhaps additionally to other hypotheses

described; because they don’t desire safety, ?

In order to not weasel out-of the potential

safety occurrence [sp?] connected to any

ol’ flyer and really despite content; using the

art conception of a flyer as a type of flag

even if you didn’t stand for what the flag

identified as a form of cause and-or cause

worship; as a thing it might bring about the

occurrence of safety; and no offense to weasels.

 

as an aside theme: isn’t this also

a model of string theory; and whatever

that means: importance around means;

this model as photographed brings together

circle-type structures of different sizes; with

at least temporarily strong enough string in this

case to stay.

As a main application it is one sense an

alternative flyer and-or a flag.

 

IMG_20170512_173922

IN a shape of a heart; and almost in a shape of a 2nd heart.

near books; almost seems to state: the love

of books; and not even yet reading! ; where

in popular use: heart means some version

of love; … creates the occurrence of

safety. [and the last part is only on hypothesis.]

[at this point.]

tag[s]: the magic of fiction

at cited p. 12 of primary source citation, text:  “Here is the church

Here is the steeple

Open the doors

There’s all the people. ”

 

IMG_20170512_173902

Remove the steeple since it’s not a church in structural design; and you now have … [in safety] : people-folks that are safe & those that are not [safe]: such caught.

 

43017

I thought about just finishing here: by looking

again at the picture.

If money is real even a small stack of one[s]; is quite a bit

for whatever dated time this almost ancient ART glance;  looks:

the over-lying crime scene; combined with

the beauty of the box; boy, [x, y]

especially in comparison

to most of the rest

of the scene; seen

faces;

source, second and the cited image from it as included in photograph as one of the above photographs: of  cited in name abbreviation again: “forging … h-shoe” in ” n. rockwell”

theme: I don’t bless you

 

[box is boy boy is box]

established especially likely

by the youth of the boy;

but certainly demonstrated

by many faces of age

as compared to the box

except of course the

perhaps girl in red

hair ; which we just

can’t be sure of

the age of; The stack of

ones maybe for the

“contest” and-or for

the boy; to take

all horrible forms.

& because of the ART:

certainly especially may be

the opposite ; on even the

functional homeless scene;

the assumption of consent

to prostitution from one’s-self

is excessive; in of course

ART-scene ; a stack of

ones hardly has any worth

unless you’re starving.

Though I’ve never prostituted

myself; starvation seems

more antiquated than even;

prostitution [ done; to cure it or to cure other at least basic needs, necessities]; and unfortunately both are part of the modern

time; but certainly not ART

but if you, anyone ART

prostituted yourself for food’s

cost; than-then that would be

holy prostitution; would it not?

Talking into this

blase self [ART] & art –

scene discussion ; and

to solve what might

be more crime before it

happens; in the ancient

almost ancient past;

the lens application of

severe college: and undergrad

shows us that perhaps

the boy is starving ; explained

in sooner posts ; such as

an artistic theme: scoring

a goal near a post; anyhow;

maybe walked to what

appeared clearing/clearly a feeding

kitchen; discovered a

synonymous epic but without

food; and so some of the

on-lookers might expect

that sale [non-food] [to food];

and of course this is

crime

/ [a promised basic needs advertised and-or spoken based on real knowledge provisions; and so never to appear] \

and but what is further

crime in-charge is any

such set-up; but when

you consider on-looker

you have a secondary

group classification:

primary : age ->

points us to

mainly the

boy, beauty

secondary : on-looker ->

[t. b. c. ?]

 

 

 

 

 

The lack-luster commentary on the posted reading notes; from

Posted on Updated on

The lack-luster commentary on the posted reading notes; from

posting part of ; as posted on 42517 on this blog.

for The Fictional VolunTier Project

Untitled

tag[s]: for the Death project too

by Goura Fotadar

date, typed up: 51217

 

Sure there is support for the conceptual-belief

that once “in-the-ground” ;

you no longer exist;

but if you are a supporter

of existing such as

in death; and-or if

you really like ghost

stories; well, then

death, after death

is still existing; and what

then is no existing?

such as [ex-eter]

|

\/

ex -is[ting]

again

ex – is [a habit; a call; a bell?] —-> a qualifier of what used to be … [each be qualified]->

as it has become no longer [is])

like a code;

as in basic

computer science;

but to answer question

perhaps counted

enough

times and

there will be

a clearer

picture of

existing …

however

no longer [qualified as in counted goners]

almost seems to

undo what means existing

where in population notion

existing means

for example

not being

a goner!

 

but in qualified

i.e. analyzed

version : existing

means

counted, recorded

goner

 

so contrary to popular didactic

no longer existing

means the opposite

where [no][longer] are stables

of what popularity

herd. tells you.

plantlife

 

but if you wanted to vary

[no] to know

then / than

know longer =>

would

imply

knowing longer -> long – er -> direction long

[each qualified

goner]

|\/

knowing each

goner likely

longer than you

should which contrives

away from the

respect of

tradition:

Death.

|\/

and

here

as a

supposition

death is

hardly ever

popular

even

when

famed and-

or attempted

at famed.

[[ The Fame of Death in Respect! ]]

 

 

Attempted Illegal Homicide: by false persecution …

Posted on

Attempted Illegal Homicide: by false persecution of theft. and-or false persecution

Untitled

for The FVP

by Goura Fotadar

dates starting and outlined in this posting as continued : 5.4.17

source, cited: text; THE ALMOST MOON;

alice sebold

dedicated to fire-try.


from p. 5 (cited):

” ” She steals,” my mother said.

My back was to her. I was looking at a vine that had crawled into the huge fir tree in the corner of the yard …

“Who steals?”

“That bitch.” ”


Using a replacement model; solving first

the false accusation / persecution of theft.

[1]

” ” She steals” ”

[2] What; Jan stole your shirt … -> said: say:

expect …

[3] “” [You] bitch. “” & much worse.

 

5.7.17

The point is who is Jan; and

why does the accuser in this example pf

vortex-sight; whatever actually happened;

is predilected [what does this word mean?] for somebody in this case

using the text’s original language: “She”

has not and-or does not often enough

in pattern steal; and remember the case

in example indices that the falsely accused

in context; because the context stealing

must to sum: extent matter; has not ever;

and may also never steal; in such case

as the latter[s]; it does not matter who Jan

is; only that she by name or he by name

has identified the potential of no stealing;

and based on the actual reaction of the accuser

we have an actual test; a gauge of whether

who is accused stole in that context or not. I think,

anyway;

tag[s]: knowledge of criminology through fiction, even.

date: 5.7.17

in the context of general false

persecution; the replacement model; in such

brief text is much harder to apply; but

instead of “steals” from p. 5 (cited): it would

of course be something else.

” ” She [isn’t American],” my mother said.

My back was to her. I was looking at

a vine that had crawled into the huge fir tree

in the corner of the yard . . .

” Who isn’t American / Who’s not American? ”

“That bitch.” —–> and a second

theme: nationality

theme music citation: She’s American – The 1975

run-through:

replacement model 5.10.17?

adjusting it to the new false

persecution, from still cited: p. 5

[1] ” ” She lives in my country; no, our

country, and she doesn’t deserve

it. ” ”

said/ say: [2] What Janny isn’t from around here; but you communicate

with people who are foreign [to here]; all the time.

. . .

theme : a ‘|’ and an underscored  “_” and another “|” is obviously: a hang up =>

which is the same as : hu.

expect : something along the lines of what could variate into a mimic : of [tohere]

[3] ” ” Will [you] listen! or should I tell. “”

we now have to perform a something such as a math translation: to the

scenario based on perhaps this context: [especially in the 2nd case scenario]

next (1) or (a)

stealing has facets of contextual

meanings but stealing something

has-as a shirt which has the option of not

necessarily being expensive and-or costly

within the context of recent-past here’s

modern culture; but when applied to

something like nationality depending

on the most updated law involving

immigration the hypothetical Jan could

have an all-out soon-to-be

man and-or woman hunt after her.

(2) or (b) The 2nd case scenario doesn’t

necessarily state that hypothetical

Janny-Jan is wherever *P illegally

[aside: il : le: gally hahahaha!]

in terms of: nationality status;

rather it is more of that level set-up.

Thus it is false-persecution in something

of either more advanced; and-or

else than theft; involves set-up

and how we know this is because

of its possible consequence;

tag[s]: criminology cues advanced in basic analysis of pop. fiction

(3) or (c) In epoxy; what might seem like

minor and possible false assault;

yes; here assault is a synonym for persecution .

can be contribution to something much larger

in false standing away from : non-contribution

to your frying; crime. When perfected the justice system

can even catch you for crime by what

you say; what you meant ; and how much

you meant what you say; in case not

[aside: The Theory of contribution & non-contribution]

in the most latter; well then you’d still be

in non-contribution away

from your crime-ing. It would

likely also in the first former’s

latter determine if you qualified

for reform and-or progressive

“pen” and-or prison or not.

 

Just to state the obvious what is: a minor crime

in false accusation can turn into something

grander in meaning of size only when; and-or

when applied in pattern use to larger

potentials. I think but I’m not sure;

that’s almost like basic c. physics. Yes,

quite a different subject matter.

theme: we all started as rejects when there was no subject.

theme music citation: December , Collective Soul