food and budget

Relational Theology and a.t.

Posted on

relational theology  and art theory on gum wrapper[s] cited: juicy fruit

for the Fictional VolunTier Project

tag[s]: under advocacy, self-advocacy

tag[s]; satire

see photograph inside motif as p-graphed

IMG_20170519_162655[1]

IMG_20170519_162706[1]

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

|  self-petitions:                                          _______________                 |

| help me ad-van-ce                                 on gum wrappers               |

| my sel  f        !                                                                                          |

|              |                                                                                                 |

|              for!                                                                                             |

| | | | |  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

scissor cut wrapper[s] edge

and on printed wrapper[s]

face; (cited🙂

WRIGLEY’S

 

next placed in making

potpourri glass wait!

IMG_20170519_162816[1]

IMG_20170519_173401[1]

IMG_20170519_173410[1]

IMG_20170519_173419[1]

 

as an advanced thing ;

think of

“magic”

the t-tank further un-pent.

it’s also pent at least now

a mosaic

tag[s]: public welfare.

 

On those things title: called nuptials.

Today I had this

bizarre women dump

her child on me

in the adult section

of the library;

 

I said no; and

she almost didn’t listen

 

It sort of in the coincidence

of bizarre ; answers

a question that I

and perhaps others

have had regarding

“claim.”

 

Take a look at a portion of

the back of this of course [photograph to be posted tomorrow?]

‘scuse me this source, text

citation: LOVE STORY by ERICH SEGAL

 

discussing in something

like fiction copywriting and rather

copywriting for fiction ;

the preliminary

basics of the

love story ; and then

displaying the clichés

of love stories in general ;

it perhaps defines what

is “claim”

let’s look at the main

sub-phrase around this word:

[and also perhaps you might

want to examine the photograph]

 

“makes no claim to showing where it’s at.”

||

\/

so        no,

“makes … claim … ” “… to showing where it’s at.”

 

[t.b.c. continued tomorrow?]

as an aside: scenes from the real life: [SLEEP SAFE]

IMG_20170520_065133[1]

IMG_20170520_065137[1]

IMG_20170520_065139[1]

 

 

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to : morrow meaning trans.

Posted on

more notes for tomorrow’s

to: morrow v blog post [after Part Next.]

[seems framework for eulogy non-fic +

glum tales/states]

The Non-Fiction Eulogy of Relationships.

tags[s]: the Death project; pop culture

notice budget

is of course

bud, get;

and while one might

think of flowers; specifically

bud[s] for get following

can suggest plural ; so flower

buds such as a death ; and-or

to c… a death; there is of

course also : bud, get as

in the modern urban slatter:

of objective getting [real?]

connections to others that are perhaps

like [flower] buds; [the others]

and so; to create

the basic  artistic

endeavor of such

non-risk;

in one’s main-stream

connection to

the actual

contraption of

art; being

near buds, flowers;

even plants and or

even just flowers;

would be a reminder

of such

choice, objective; enaction.

theme: buds

theme music citation: icp – homies

tag[s]: art theory

Answer to: Why buy, work with, and-or be near that which is that.

IMG_20170518_101634
currently near the public library; and on use for perfume makings

Part Next.

Mementos from Fifth Grade: The Boring Commercial is Made Non-Boring Through Mind Channels

for The Fictional VolunTier Project

By Goura Fotadar

Date: 51717

Tag[s]: the basics of thought and-or education; advertising knowledge; education uh for children

We Need to Just Interrup-the thorough to brief overview: called proofreading and editing of cited: The Witch Goura … [the next one]

Through the concept felt and heard through at least, no only through mind channels of

Budget

And-or cited: Budget

Image of a Budget Truck (cited)

Draw a graph: a graph here means only a sequence of names and or letters connected by lines that sort of make sense. Below, Imagine and-or fill in the lines.

Editing-proofing your own work stresses the importance of B.

Mind channels

Iterate things that are; are they B.

Where B is B. {Ease Hint: Where Be is budget}

Just a stroke of Luck. No Mind Channels.

Aside coincidences: cited: jumper by third eye blind; and that movie by the same name: jumper

Part Three.

cited, to be photographs for

IMG_20170517_171818
cited: first page as described in detail below of cited: LOVE STORY by E. SEGAL
IMG_20170517_193349
cited: tron by ic [b.ideal and thematic building]
IMG_20170517_193354
cited: al-sh i som by sjh for same purpose as the last most recent past photograph
IMG_20170517_193337
art framework: books to cue consider

to do: on 5.17.17

next in cited: Love Story

diagram what happens

in the story

at the mention

of “salt” and-or “salt-like”

to further edify on its

in this fiction at-least:

shamanic

|| power ||

5.17.17 continued.

source, text : Love Story by ERICH SEGAL

cited page 2:

“eye the cheese” <— mention of

where the cheese as

suggested already

is salt-like.

what happens in story connected to salt

|

\/

further choice derivation consent

.

.

.

consent to salt

cited p.3 as

suggested already

mention of “coffee” is salt-like

.

.

.

further choice derivation

consent to salt

.

.

.

 

entry of the other

 

Looking ahead

since I’ve read this

text; more exactly in

the past circa college;

college extended.

 

Can salt have created

the experience that is

the beginning line and-or

the end of the book : as

quoted earlier;

cited p.1

“What can you say about

a twenty-five-year-old girl

who died?”

 

extending this citation in to

also the cited: The Death

Project; for The FVP:

cited brainstormers et al

this first page as indexed;

available in format in this

print of the source,

text ending in

“of” on

the cited p.1.

 

as an aside:

might be used as

a-eulogy for another

non-fictional being in

funeral and-or such death

context : how would you

modify this first

page; such :

[see photograph]

[of original]

[page]

(above)

 

 

cited p.1

(removing)(the)

“died” from

the first line

to turn it more …

achievement; and even

hope based ; then-tha

becomes

“What can you say

about a twenty-five-year-old

girl who … ?”

tag[s]: fiction analysis; life/existence non-freaky seance

To self-analyze with

this fiction application

in the context of

death and-or

in this case fictional death.

; as well as ; outside analyze …

I’m going to use myself:

as an example here

as demonstration

“What can you say about

a twenty-five-year-old

girl who … ”

of potential death;

everything that noted

had been accomplished

by the crux:

time of that

potential death in

this case: 25

{draw crux: 25}

and if you identify in

actual work derivation [as in work in your own gender derivation … hence, that meaning]

as something other than

girl; than-the/n of

course replace with

the right gender word.

 

continued … cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

of course you might

know that again the end-result

is “died.”

and notice now the

significance of the

question mark

that it may signify

also something

other than

“died” and period.

 

this then is an accidental

proof on how-to

re-translate

[earned][i.e. real]

[accomplishment] death.

accomplished

 

cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

 

[B.A. centric]

-got bladder cysts like

cancer despite a life-style

of severely healthy habits

& practices

-did too much volunteer

work

-transferred to a prestigious

university; and graduated from it.

-landed every dream in college jobs.

-grew up in the ghetto

-attended university for primarily

merit-based free college welfare cost

-changed majors nearly four times.

-had mostly male friends and colleagues at

roughly the pattern of that age-time.

-eat pre-pared food of the health-gourmet

variety extensively. [during that same pattern.]

-attended college near-to the environment

she grew up in; was from, primarily.

-landed her dream career shortly after college.

-went on many, many interviews.

-met many, many people.

-read too many books.

-believed she was nearly enlightened

through her b.a. coursework; and this is

only sort of a joke.

-rarely ever had financial problems despite

growing up dirt poor.

-had a series of serious boyfriends that had

almost nothing in actual common with her;

and her actual colleagues and-or friends.

-never ever committed crime.

-didn’t always want to publicly share

her volunteer career endeavors; and

considered even a non-publicized

resume; public.

-hadn’t finalized graduate school plans;

but got all the A’s she planned;

something like 6/8 in general major.

[but you have to factor physical sickness: severe in the missing two.]

 

Eulogy using as an example continued:

cited p. 1

“That she was beautiful. And brilliant. That she loved Mozart and Back. (And not the Beatles.)(And not me unless I’m a real/was a real brother to her.) Once, when she specifically lumped me with those musical types, I asked her what the order was, and she replied, smiling, (not “Alphabetical.”)

Them First. [as an aside look-up today’s posted fiction for a good pun.][ connected good puns-art.]

… “At the time I smiled too. But now I sit and wonder whether she was listing me by

my first name–in which case I would trail Mozart? (in accomplishment alive since I am as the speaker of the eulogy still alive) …”

theme: alive speakers

theme video citation: (I think it’s) the shins simple song? [l.u.]

“– or by my last name, in which case I

would edge in there between (the alive?

accomplishments and successes of) Bach and

the Beatles. (And of course I mean all conceptions

applicable of beetles.) Either way I don’t come first, which

for some stupid reason bothers hell out (—-) (her death came first) … ”

back to main posting …

tag[s]: computer science abstracts & basics & library science

cited p. 3

upon entry of other

through consent of salt and

the enactment of slat, no salt

where as suggested earlier through

poise [cited: poise]  no postings that

“coffee” may be something

like salt [reminder: indexer motif]

and especially as compared

against most other so far scanned

in mind word[letters] in meaning;

hence words. [in the used source text of course.]

the main narrator is hit with

perhaps another; magical and-or

shamanic aspect of salt; the

entry-way into-a needed accessible

book; and study of this book for

an upcoming exam; and than-the/n even

Perhaps the support of the performance

on the upcoming exam.

{Draw salt as an obvious as in seen, scene; entryway

to something like a book; example

cliche and obvious;

salt sprinkles ; and-or

salt motifs in front of

a door-way}

The enactment of salt of course;

is: the following haven take place

scenario.

cited p.3

“Let me explain why I took

her for coffee.”

vt

 

Part Four; not quite but as another aside:

to seize fiction and to

introduce into it while

it’s in your mind;

real, reel, life

see gum wrapper

can also be

art

this is a theme

park;

each cited: m & m

a door-way

or like it to

box: activity ; and

the used gum[even more]

title + salt

cue considerations

in cover knowledge

cited:

(1) The RAPE OF NANKING

by IRIS CHANG

(2) AL-SHABAAB IN SOMALIA by

STIG JARLE HANSEN