The Death Project art
[also in this form: The Dead Lady]
Today’s art notes in brief: How to stop odor invasion at local Soup Kitchens
for The Death Project in The Fictional VolunTier Project
by Goura Fotadar
tag[s]: criminology and art, future and publications on cited: Amazon , trash art, the day of italics, the death project
- What happens if somebody sits next you as you are doing a murder investigation or several; and smells really bad; more than a normal body could, … and you are deployed as homeless; so your eating options are not many; … what if it’s not just a regular militia deployment; but an advanced militia deployment which lasts in phases until regular society stops lying to a certain level of component; that could take forever; while you continue to clean up their mess, and they pretend they’ve always been doing that: cleaning up their own messes
- Somebody else hands you an orange; and of course it’s the component of non-stench, …
cited: for the next rum’s theory, whenever that comes to work; and cited: voicethread
You squish her the lump refuse form down; and she has turned into a dead lady mummified; who killed her among pepper and salt packets and orange peels just in now my usual cited: rum’s theory tradition, … She is both a casket and a mummy; heirloom-ed by a vine growing near a federal building? known as the post office; you smoke near her, and people still want a piece of her, after and past her death; soon she rises dead and rides on the bus; maybe it’s the bus driver that killed her?
theme: piece of, her
theme music citation: Britney spears, piece of me
- See slides 31-40 for speed exhibition made: put together quickly, while mostly at the soup kitchen prior to meal; from this link (cited: voicethread) https://voicethread.com/myvoice/thread/8849244/63190734
[also in this form: The T]
for The Fictional VolunTier Project
By Goura Fotadar
Date typed up: 4218
tag[s]: the death project, investigations continued, fiction or not, the laws of dead
theme: the virtual image to the side of my head
theme music citation: frou frou let go
[How is this part possible. You are on Earth;] … and you have an assigned house; that you haven’t yet earned and haven’t yet earned in your long er future. You are not sure who the real owner is; and so it’s almost like stealing. The house is very large; and likely too large in the future of modern culture for one person that does not also or at least work in it; or out of it.
But you still have a job. The job offers compensation. The first person that hires you at the job is the opposite of your gender and after you get the job; or it’s your job; so after you start your job; that person disappears. & is not replaced right away.
In Investigation Units: On surveillance tapes; the first thing I would do, since everything else like this so far is hanging aire; is locate where the … that first person hiring is [or went to, was].
Regular awareness: when you get hired; the person[s] in the hiring process; has-have access to all of your information if even they are illiterate; and singularly or singular [one group] plural-ly, especially if you didn’t buy your house or its contained equivalent [that is no other group other than yourself yet in your working time has this access].
Next, the main person: you; … gets a same gender boyfriend; which isn’t abnormal then or minority relations then; and that he has nothing in common with; his boyfriend doesn’t work, money in access doesn’t exist; his boyfriend doesn’t have a place to live and this is before homelessness has turned to a social cause to clear especially problems of entropy and its mandated ethics.
He stays over some times, and is especially affectionate. Hint: when you [the main lifer] tell him your name he doesn’t seem to understand, but he seems to understand you in other ways.
One day you meet his dad; and he rapes you when the lights go out. The lines are gray [back then] because rape is your form of sexual practice; except it’s not exactly rape. So what does that mean.
Shortly after, you are dead.
Usually as of now, in prediction models of the future: you are dead in an unjust way, and then before you die you start to be raped because you will die; but the death in an unjust way never has to come, and so this is one way to stop being raped.
The day you die, you are wearing a very flamboyant outfit in flamboyant coloring its part of your compensation at your work; clothing and such; and you have been to work. But as all the clichés say you leave early. There is a celebration.
Your death was planned; it’s better put: but I don’t want to take away your power over yourself: your murder was planned without you noticing. The perpetrators all these years later remember you though none of them are particularly attentive to others and in general.
They were so far, collected: Your boyfriend,
Some lady who you saw on your way to work a few days a week; who knew your boyfriend
Your boyfriend’s dad
Your sister who said he was your brother; that you couldn’t recall prior to your death
[and so far other, several other characters]
Research Interests: Memory after death of victimization; what is in significance changed immediately. Of course you might want to define the size of static immediately, first. [or something]
Ethical Interactions of Investigation:
Primary Investigators receive visual recordings that are mildly interactive with their reality function to assess and examine more details of your life prior to your murder; and they then collect pertaining to each investigator relevant observations and data.
Future Continuing Conversations …
How the dead [in dead body or perhaps more sensibly turning to dead body ] through victimized murder are treated after they are killed by their perpetrators and does this transfer to a new recollection?
More evidence for … you have that feeling.
Pretend all the variables in this death project exercise are fiction
tag[s]: the death project, interesting patrol notes, and writing assessment completions.
The David Bell & Lily Hawley, Incident
for the death project in/of The Fictional VolunTier Project.
By Goura Fotadar
[also in this form: Bell]
Upon the incident of a flyer labelled “David Bell” with this information released to the generic public it was scene in the public setting where the flyer with David Bell was released in knowledge to the public; the Hawley family from Uranus, showed up in relational time connected to the release of the flyer: and then started acting peculiar.
Though it, the scene is in a public setting: but privately owned; the Hawley family showed up piece-by-piece pretending not to know each other; but each distributing a projection onto the other un-related to him as if primarily it is/was his wife.
When the other projected upon this way, doesn’t respond in a familial-type relation; because for example: it’s not related to the projector and-or unfamiliar with; each Hawley demonstrates threatening behavior. To use Father Hawley, also known as Chrissy Hawley; publicly, as an example: if one in such a David Bell triggered response denies Chrissy Hawley his hallucinated, non-usefully and projection relation:
Chrissy Hawley begins to stalk them; calls a pseudo police of his relatives on the person[s]; pretends they have warrants out for their arrest, tries to rape them; forces them to undergo virtual torture of carrying excessive weights on each of their limbs and belongings; essentially forcing them to pull and push every body in the world’s belongings and bodies around; as if the person projected onto were a trans-mutative escalator; and-or an old school slave.
Of course what is claimed by them to be an entirely racially Black-Jewish family by itself: the Hawleys; dna tests verify the addition of also other non-navajo & non-asian varieties in this family; is known for the murder of their daughter Lily Hawley; who was murdered at one of her friend’s houses on Earth by two boys; both of she planned to have sex with in a highschool type orgy. It turns out the two boys were her two friends that were presenting as girls to Lily and used a virtual program to conceal their gender to Lily; with the consent of her parents. Lily, who was reported to be 15 at the time: her death; but looked much older non-virtually, was hit over the head by one boy; when the other lost his temper as she was smoking a cigarette and grabbed her wrists in a violating way, so the surveillance videos demonstrate.
She died shortly after being hit; and afterwards both boys sniffed her underpants; it turns out when questioned by a false police force; they believed that killing Lily would result in them becoming a new gender : non-virtually, female. Neither was arrested; but both were charged a singular gender unjust homicide; and including Lily the entire segment of that Hawley clan is charged with unjust societal rape.
It turns out that one of the boys was and still is named David Bell.
At present David and his brother are stalkers of the cited: C.I.A. around that public released trigger scene; and believe though charged that they in actual: killed the leader of the cited: C.I.A. because she is betrothed in rumor to somebody (as named in at least Saturn) from a different Hawley rumored Black-Jewish clan. Their interaction cues are then used to penalize more unjust crime.
Perhaps the reason Bell & brother have not been arrested; is because it’s believed by the rumored betrothal party also known as the head[s] of the cited: C.I.A. ; that Lily Hawley’s existence just wasn’t particularly anything.
In asteroid and or astro physics you might: still Lily either through virtual semblance and-or in the moments prior-to and-or built by the prior-to actions of her life [prior-to] [her murder].
Mission State. [for the next upcoming publication]
[also in this form: Mission State]
for The Fictional VolunTier Project
By Goura Fotadar
Date typed up: 2,17,18
tag[s]: for upcoming publication, the death project art, publication connections, art notes
Of course the aim is to ensure any publication,
is completed as to complete
enough. The engine of art takes in my usual demonstration of let’s say existence state, personal;
or state; trash and perishes into art. And what might these have at all to do with this publication: guava; and not another mine of: candy like juice of that variety: uhm, my favorite. To do with this publication; well the culture of c-ettes is contained at least some: wear; and not contradicting some research.
I read back in college: woah! That was long ago … I just started smoking (minus a couple of c-ettes in my before life) (though I can hardly remember those early year, s; early early years ; and who knows if I did then) (so early regular to now) despite, just starting to smoke, and not having the cash for c-ettes now; when-then, I’ve struggled with cancer-like my (hole) life. My brother [of this publication]; started smoking around approx.–>entry; and didn’t have this.
donated, sponsored ciga-boxes filled
are my coffins
The death (cited) project art
for “regular” love and replaced with non-incestuous brotherly love.
Hence heart crossed to a new horizon to my brother, and brothers
[actual = actualized]
then left covered up; so
Un-recognized but likely as trash; uhm, for protection in expressed in sentiment.
theme: where is the art? Well, this public computer has a gadget attachment issue; and so maybe you’ll see it in the publication,
When it’s out or maybe I’ll post it later
[and also in this form: The Egg]
for The Fictional VolunTier Project
by Goura Fotadar
date typed up: 112517
at that cited: palo alto museum on thanksgiving; after church service; and charity meal; couldn’t find online that it was closed … and it is so doing a review dad means look-over from outside. The egg-shell like “pottery”
tag[s]: holiday tradition, the death project for the fvp, auto-man mind channels, study notes et al
is reminiscent of some of my own l’arte. No, offense? There of course seems to be [no,] almost debris in the egg-shells of “pottery” If you grab one, might that be stealing; and I believe that’s part of the point.
The front door-way looks very elementary school office.
But the weight of the collected debris like side whiff; instead of something mud-filled? No offense, mud; points to the sturdy-ness of covering i.e. spaces of shelter: and those include outside vest-like, rest-like spaces, and of course work-spaces.
The memorial of bricks; almost a fan of trigs from many proximate non-sliding landslides; another reminiscent from even a recent past holid-y.
Of course as one-of-the few hanging roofs long enough for the rain’s yield; in the area; depending on the actual age of the proximate standing structures lending discovery to what ming might have been the weather here.
Whether to sprinkle or not; can’t you imagine the group perhaps not attached to one another on such a sprinkler’s roof, underneath the weighted new dirt. Of course there’s the loom of the fluid while what’s connected to egg-shell, is formed; of course with the artist-creator’s face hidden in my snap-shot; there’s a focus of gender and perhaps birth; and perhaps even union: the shape of the looming model-form of course is often associated with female … form and what about at this stage of its forming the absence of fringe might point to what specific genda.
In the office window
Glass is the sky-view; not I think photograph-able through this lenses- and across of course is another scrape view of trees. But on check they sky-view 1st referenced has shown up in another caught image. Like fish. And I forgot that upon request: I also included
My cigarette temporary l’arte vase. Since I’m new to smoking; in this lite, anyway.
scar-fed to warmth
Part next Outside. 11.22.17
I haven’t yet read the inscription; but in the sway of hood; it speaks of fashion; as in a fashion’s hood: the obviou- shelter including tree-houses, as; something like a terminator apocalypse [sp?] and raindrops such as the song. .. s
there’s a real? nest nearby, like my old shared no quiet? Neighborhood, and would just one occupy this shindig; I once maybe not alone searcher-d for it on my alma mater’s [undergrad] campus; it had been [ad]ded? but not scene? there.
will I read the inscription under scattered/know by scattered, leaves.
Get it, before
Instead of the 2nd museum; this two-day vis-à-vis [reverse meaning] from the library. From the cited: source; on page 5; it’s like cited: c.i.a. operations; hint on the use of drugs; and their breakdown … had to take a brake for …
after thanksgiving meal.
Then was given thanksgiving flowers and stuffed one of my scent bottles with its few Now out-another reminiscent temporary l’arte project inquisitive theme: what’s the difference between spraying yourself with this; and clean?
As usual empty can: filled with rest of flowers.
+ stems; for the most part: buds + floral parts first; and then stems; as usual use stems for stuffing.
[fiction posting / \, back to fiction-posting]
In its first stage:
It’s a treasure
Heirloom; or trinket.
Wrap the stems
In in given napkin like an extended symbol of death;
theme: what happens if the chime is extended.
a different version of the cited: statue of liberty
The temporary l’arte the Christmas cited: miss America holding; cited: cherry vanilla crème soda; before going in the trash;
tag[s]: structural l’arte
Special notes [of studying at this STAGE the not included here yet source, citation, but upcoming soon,]
Stronger for the building; and weaker for the body Is it in the sur-real, in metaphysics? That if body were like a , buildings “additives” wood to mean only more strength, … structure, et al
tag[s]: construction, movement art.
Lolo, look next, there’s sky in the scrape too, can you se’a it. It’s now a ship, ship navigator or what I call gator on the se’ a and my gosh, is the brick[s] the new sky; on re-interpretation, why no-t
for The Fictional VolunTier Project
and in this case also for The Death Project as part of the FVP
by goura fotadar
[and also in this form: D]
poetry from source citation: notes from the dragon-faerie song on p.15 of Lotus Magazine
Issue No. 2 -2017
For this analysis: labels: as photographed and included above from citation: bracket: what might be the 1st stanza
bracket: what might be the 2nd stanza
I believe it’s about
why first it uses
from the “whistle”
of life; in
of “ “
what might be the
1st stanza, see
how to be?
or what it’s
like to be on
to your version
theme: versions of rest [housing, not housing, …?]
theme music citation: adam ant wonderful & Madonna this used to be my playground
of “ “
the what might
be 2nd [see picture]
the poet’s “ “ [disclaimer: if even if derived away from actual reality/ experiential reality of real]
perhaps a side
might be howis this
a both, a
“more than vanity”