The Death Project art notes

a fallen rose bottle [not done]

Posted on

for The Fictional VolunTier Project

grief

tag[s]: The Death Project , The Death Project art, flower stuff, art applications to … v., v. enactment, and v. c.

dates: 6917 – 6817

by goura fotadar

for safety;

today instead of

creating rose water; something

so love-ly but coveted wrongly;

just, a fallen rose bottle;

the fallen of course is

the roses found in this

record; and the bottle

is an empty bottle whose contentx [s]

were drunk. As usual pilfer the

rose petals -> and leaves, too [and whatever [of flower, ?] else, also.] [too, also.]

and place in bottle.

the in teresting thig-n is

that the bottle was not

washed out past the

drink and of course

being a soda bottle   which is

something like

baking soda [?][.] the pleasant

o-d-or [the baking soda or soda [remnant smell] covers up the pleasant o-dor, to create a more subtle potpourri type scent?]

theme: gum stuck to injuries

chewed obvious, provides

remedies? to foil

and rubberband or

to cover

another way?

think about the thorns; as

the [flower: rose,] sticks come free in

the pilfering of petals; will they,

if kept long enough; break through

the thickness, texture of the

bottle [if it’s not added to, in exterior facade?] … in the stem: is urgency?

how. as it’s placed in the temporary?

center of bottle it’s nearly impossible

to place any additional petals

and other flower parts in;

see photograph; the pull to

continue placement of flower parts requires

[parts]

a rapid snap-shot; of the

placed stem; and until likely it

may eventually move out of the

way. In an interesting

correlation the bottom

of the bottle is

as other [x … y … other

unknown types]

might have noticed; shaped

like a bud and-or flower

catastrophe ; and here catas-

trophe just means form.

as you’re restoring your

energy {I mean I’m tired then; when this physical part is being worked on] to take the photograph

place the fallen flower

specimens that you don’t

plan to place in the bottle

down your shirt or rub into

your arms; such as a perfume

rub.

On observation this set

of roses at least; is so visibly

seen as a scene spider web inside

bottle. [goth, morbid art? in this phase at least; phase art: what do you se-a]

hint: to make your gum flower

last longer … stick arose

petal in the chew.

death project, art notes [the chime]; the flowers as might or not have been alreade mentiona [theme: ready machines, machinings, theme music citation: jason derulo whatcha’ say] were found! fallen and so something like dead; the bottle is a death specimen in the obvious that it’s not alive; and together they are a unified death art; as opposed to flowers that might have been something like … still attached in a greenhouse or something. notice, the conceptional look of this soda bottle and its closeness to the, a cliché vision or sight of a greenhouse; on an expansive view or on an expanding view … how you might envision in thought a greenhouse if they, it as a concept still exist[s] and when they did when viewing this bottle in the process if it doesn’t reach further art cover up; a metaphor for make-up as art also; this part: the obvious as is commonly used on a gone celebration, recent; and in lingo “the fallen” refers to the specified deceased but essentially all such. The rose then and any flower; is perhaps a past, passed [here: both apply] death sentiment as often seen, scene in such death-like faces; the hope of what else might be achieved passed the death; the existence of flower; in metaphysical interpretations of this here: l’arte.

IMG_20170608_200210

IMG_20170608_200143

IMG_20170608_200131

IMG_20170608_200135

IMG_20170608_201258

IMG_20170608_201259

IMG_20170608_201315

IMG_20170608_201325

 

Pop Fiction, continues; & The Flower Theory

Posted on

Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

IMG_20170414_161258
cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

IMG_20170414_161249
identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

IMG_20170414_161241
source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors

theme

Part One. The text as an art lesson.

in reverse order

|

|

|

|

|

\/

of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”

_____–_______

after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already

[red]

“hood”

more reading notes for The FVP: The Flower Theory

frontingflower

cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es

Untitled

esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]

 

4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”

t-ril/by

tr-il/by

or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.

 

— then from this other source, text:

IMG_20170415_144715
source, text cited; cover / top

cited: p. 352 , The New York Times,

IMG_20170418_181935
from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare

social-ism

age, rare: Ian;

social-ism

social-[Ian-ism]->

age|rare|social|[I-an|ism]

|

\/

and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific

evented-time]

(belonging to incident)

|

\/

suicide implies ?

group;

will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.

 

 

 

 

Trauma Model: Pearls are like Death Salvagers

Posted on

Untitled

The Death Project for The FVP

dates 5317-5417

source, cited: VOGUE THE EDITOR’S EYE

IMG_20170503_182245
cited: from this text as photographed
IMG_20170503_182258
cited: from the text photographed as identified above ; you-and or one can see the pearls to the left at least in this photograph of the photographs in print
IMG_20170503_182407
cited: from the text photographed as identified above

 

strategy: basic needs not

met = death such as non-legal homicide

when in truth there is enough for

all deserving. Examples o. b. needs: health care; consumptive food; basic temperated shoes, clothes, luggage + storage ; safety in rest spots; work space and advanced enough work tools …

the photographed set from

text; is hard to see but the

slight movement in posture  [not enough movement to sustain life or something?]

seems to imply death;

and to save life, live

scene reminder; first cognition; with out text reading

in letters: and-or to salvage death; the scene shots dire in life and-or expression

by corner cue; lack of; the only thing that gleams

besides the face of

photographed are the

pearls; can’t hardly

be seen;

theme: seen

them\e movie citation [again]: Can’t Buy Me Love

and so even with the

brooch; for surely even in

Death; you can’t erase face;

you remove the pearls some-time

after wear: and you:

save life

and-or : its equivalent for the

deserving dead. A thing

of magic, I suppose is

the pearl[s]. Where/ wear

would you place them next; in a museum.

The sport of slight movement shift. [end post here.]

tag[s]: mort. explainers.

 

 

death id for the fvp; an art diagram

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death id for the fvp; an art diagram : The House, Undone
by Goura Fotadar
[edr.posted the part completed so far on 32317]
in memoriam of vicente
theme: will I get back to it. [an ideology of life; translated to living [of death] [or death of living]]
tags: the modern art frameworks of thanatology
secondary tags: the modern art frameworks of thanatology while homeless-outside version for spiritual-social cause
tertiary tags: the purpose of real investigation in justification …
binary tags: eugenics games of art idealism
tertiary tags’ theme: non-criminality
theme music citation: britney spears criminal
[front house hanger signa] warning: please be forewarned that this posting includes a familiarity and comfort with
the deceased; and-or death, that may  be unsettling for some consumers; be aware of this warning as you consume this posting.]
[more specific id design; non-updated at-this time: in our modern day: a virtual screen
upon the face, of the deceased including images; that flashes with this information; and recollects in flash as needed to the purveyor]
[id design, them-the deceased for: virtual flash museums of the deceased
faces, physical form; including voice-conversation replays, if possible: memory re-plays
and-or estimated accurate recollections,basic and essential and important identifying facts of the deceased ]
tags: art diagrams for the death project, the death project art
theme: death is so … []
theme music citation: britney spears lucky
theme art piece [further design]: a unisex choker so re-re [times, dates, years]
1. purpose: primarily to protect the identity of the deceased; to protect the identities of those
correlated with the deceased; whether alive or dead; secondarily; to commemorate the deceased, those that were living in a way of value to those serving the commemoration[s].
2. Recollections actual of basic-ish necessity of now deceased identities.

a)name in your most recent life in this world:

b) names of yours, you know for sure: in your past lives [lives preceding and not necessarily in date but in serve consequence since your last deceased life; i.e. most recent deceased in completion life.]
c) Circumstance of deaths, as recalled: beginning with most recent, to least recent [of this world] as can be as accurately recalled.
theme: example did you go missing?
theme music citation: Britney Spears If You Seek Amy
d) [The Eating Room] So puke: but hopes and dreams that were left un-completed at your, death[s]; i.e. from the memories of the deceased.
e) [The Dining Table, for tea only] Eugenics theories, if they exist; that might exist and in connection to the deceaseds’ memories and memory buildings.
art notes: what is memory building / building memories.
[In back  to forward order]
thenextslideforthefvpposting32317
thenextslideforthefvp32317memorybuilding-1.png
theme: identies of the deceased, and so …
theme music citation: eminem my name is
memorybuildingnextslideforfvpposting32317
memorybuilding3forthefvpposting32317
memorybuilding2forthefvp32317
memorybuildingforpostingforvblog1

Abstract Art Theory: An Unusual Consenting Process & Reports Un-Filed.

Posted on Updated on

for The Fictional VolunTier Project

tags: The Death Project, The Living Project, The Intermediary Life-Death Project, art theory of use in at least a modern society ; abstract art theory; brainstorming notes of the almost bizarre

IMG_20170319_124059[1]

date: 31817 [thought of]

preliminary abstract: 

IMG_20170319_124102[1]

formalize living off [of] work consent document

arrow to

and-or accurately predicted-consent document

(for dead, alive and-or intermediary beings => anything produced producing entropy)

secondary clause:

IMG_20170319_124114[1]

are you living off [of] somebody else’s work[s]  -bodies elses’ work[s]; is there no consent that they have appropriated some of their earnings to further your existence [but you know they consented to this appropriation]; and-or are others you know, know of; living off others in some way without the work-produced,-producing others’ consent, actual consent [held at gun-point and forced into a consent; does not here; equate to actual consent and-or effectively held at gun-point; does not here; equate to actual consent]

final clause (for now): Get An Effective Psychic.

If you can’t reach the work-produced, -producers; and without so endangering their existence; get an effective psychic; and create an actual consent form; Mr. So-Not would like others to benefit from their work labelled if others fulfill these requirements; the benefit of this work can be used within the freedom of anything except … and so

 

Part Two. Sceneries from Last Night’s Civilian Security Patrol.

IMG_20170318_193328[1]

at a park in palo alto across from cited: bloomingdale’s [sp?] open parking spots but a car’s driver et al [punc?] is likely not being just adventurous when avoiding an actual parking spot; and look here:

IMG_20170318_193334[1]IMG_20170318_193342[1]

the bathroom women’s is barricaded off nearly by two vehicles; and oddly so?

IMG_20170318_193346[1]

the approximate time gauged from the sky;

IMG_20170318_193355[1]\a not too full parking lot;

now a vehicle declares itself  [notice the red lights on] more fully against the closer capture shot of cited: bloomingdale’s waiting as if for? while the other two cars remain blocking/barricading the women’s bathroom; and the other remains parked out-of-bounds and only important when un-necessarily so out-of-bounds

IMG_20170318_193358[1]worsening matters might be that one field is un-occupied by a large group; [why might this be the case; that matters in crime might be worsened by this?]

IMG_20170318_193401[1]

proceeding into the bathroom; I found it mildly trashed; and some left-over equipment that was still there despite it being empty upon my entry into it. The comers and inners of the bathroom upon my use of it, failed to recover the equipment [though, of course; they might not have been the owners of-it]. Now to avoid committing crime; did not check the bag; can only hope that it was appropriate to the park sporting accompaniment.

IMG_20170318_193639[1]

IMG_20170318_193646[1]

IMG_20170318_193651[1]

IMG_20170318_193654[1]

IMG_20170318_193659[1]

and the light situation near the next spot [cited: menlo park main library’s parks’ areas]  on last night’s civilian patrol: is strange; to say the least; when it’s not effective, only though; and this is the definition of strange that you may want to correct; whoever you may be.

IMG_20170318_200036[1]

with various vehicles as usual their lights on and not moving; with driver + etc. waiting inside; posing as homeless folks; except for the lights on for extended periods; and the eventual in-between run-ins into nearby houses; essentially they wait around and stalk all  actual homeless people around-nearby.

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Art: The Police Department Buildings Actual & Product Connection

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Art: The Police Department Buildings Actual & Product Connection
The Artistic Diagram Commencement for Real Work and Not Some Hoax Pretense of Weakened Pow! cited here: Pow as a depicting cultural, perhaps intercultural phrase.
tags: art career connections and the death project
tag theme word: identified

notes for the v blog posting: from cited: bodytime dot com from this webpage; more eact, exact: https://www.bodytime.com/chinarain.html as accessed on 31317

[photograph the image when can]

If you have any memory of the cited: rain 
scenters;
they would point you to the police department; actual and not false; police department
uhm I mean; [art movement architecture benefitting theme: enter the block; any to get out of the rain!]
in artistic conception; each police station; actual even modernistic style; I can only attain their physical status from memory; here; since I”m not referencing a pictured image here;
is a block visit into a new reality more severe than for example the visit to your local public school; just because; and maybe only slightly more severe than the public library as an image block
and interacting space identified even segregated ; and don’t you think this imagery in its block style perhaps even more than other cited: body time offerings captures what it could mean to be an officer-cop;
your work permeating in a scented way the whole of everything you are an effect qualified by the essence of a scenter-set such as this.
In the background you might not miss the case; symbolizing perhaps rest and final rest: such as, death; and the frequent interaction in this work; with death-like states of qualification: violence, and all-violent connectors; phase us into death as a cognitive existence; certainly this is not surprising. With the connotation of smell; so basic; we wonder that in death is scent past crime novels and movies and heresy clauses; an appropriated existence;
and if even a permeator as is likely obvious and just described.
In  more specificity to this product and career diagram, art connection; on utility of placement; what do you suppose th
dedicated music connected theme: can you see the mountain inthe double leaf like wing set? 
what do you think it means that these scented pieces of art product and perhaps I should delve into a deeper analysis here in art product form more; here; or soon;
?
; hat each piece can possible fit into this mini casket style urn-ist almost case. Symbolised with our now traditionally seen hieroglyphic stem art not missing though the falling or hanging air still of leaves; small as compared to the stem-ery twine themselves almost like an identifier of lesson on how to place these inside and also how-to interpret their use perhaps necessarily the obvious.
& don’t forget to mention the significance of the words: (cited:) “body time”
[Part] Aside: Did consider these forms to be forms-alternative of art. 
Date: 31317
Suggestion from cited: BodyTime in Block Theme to with the cited: The Witch Goura [next one]
By me, Goura Fotadar
for The Fictional VolunTier Project, too
tags: police art already realized [in alternative form?]; and so more organized and furthered
cited [image of]: bodytime dot com [cited; china rain] as accessed again today: 31417
IMG_20170314_122036[1]
  what do you suppose qualifies each piec’ of these products an encasement of scent in this case-set of blocks external and singular: i.e. the case and each; constitutes art. The Flower formation nearby; and as footed and not atoped is apropos of what. a Tree; and a shedding bush perhaps; a seemingly transformation phase.
So we have on quick analysis face, label even within face; punctured color form; a singular scent cause [like a shared family name[s]]; a distribution of light variation in lucid quality  perhaps an ability to see essence of what is it piece [each still individual and-or unique-ish]; and of course  a way-method to form oneself as we and-or you apply to yours -form in the appropriated provided-purca quantity.
cited: brainstomers et al [punc.]
Is in the more simpler translation each piece and more even-so connected to this series publication as cited above; and upcoming: is a building and-or an individual organization functioning sort of alone; and then together in: case the inter-functioning of the entire group of organizations; like a matrix or something you know the number matrix; and then the case-ing of the individual pieces the clasp on case : the support of those that are outside of the organization[s]. Each building/piece qualifying and-or describing the substance of that specific part of the larger group organization; the plane’d flowers could certainly signa death or the basicity of death-like interactions. & I think there are four flowers for four individual buildings/pieces [matching] these bottles in number.
Then cited: “Body Time” cul-de-sac broken down in many ways.
But in context here: [and all caps? as cemented might be applied here] BO DY TIME
OB. D-Y TIE’M
and that’s one relevant effective phenograph; and this of course does not mean necessarily that every police member, actual and all actual supporters must expect to see such: days and years of commemorating [more of?] the work-related? deceased; but rather, it might mean that again, death is significant and so obvious to this line of work; an essential method of being? and so encased in this scented urn like depiction.
To do another deeper study: we might want to might into all the definitions, connecting of obituary.
[art demonstration: notice of death] [for the Fictional VolunTier Project]
artdemoforthevblogon31417
[Music Suggestions, regular-to-almost-pop cultura]
1. theme: when did we meet
theme music citation: Wish I knew you, by The Revivalists, on Men Against Mountains
2. theme: What gender were-are you
theme music citation: Woman Woman, Awolnation, Run
Part Two. A ‘poor’ girl’s story with cited: china rain, and the significance of the actual p.d. and theme: when did we meet.

Death Art Notes in {brief} ; the death tin

Posted on

… that I’m not too tired to access

by Goura Fotadar typed up 3417

for The Fictional VolunTier Project

img_20170302_1916231img_20170302_1916551img_20170302_1916591img_20170302_1917221

the rest should go another, gallery of this so far art piece: or else it just gets to be too much!

I think this is the public link {below where I added the rest of what I have of this tin’s voyage into objectification-righteous and not objectification-non-righteous [aside theme: are your folks keeping you from making art and like you actually want to do that; here’s why; I mean above’s why; they can’t do without un-righteous objectification; so no says the ascetic; [so, again] they are not holy. sorry? but like you like like still like have a chance at that holy or art. holy and-or art. what a blessing! ]  further; i.e. images of the art piece} : cited: voicethread

https://voicethread.com/share/8849244/

written up, with more detailed art notes of its making [coming soon!], just when I get the energy to sort through more of homeless notes, this portion on 3.2.17

on the death tin

as photographed:

all those we-aks

later: the cliche’ swan

has still not dried

[reality-based skit fanatic: don’t forget to make

a petitional handout [no me, not you don’t me forget]

for the fictional voluntier [project] additional short arrow down to

about: ? including residences, too. Leave me-us alone, residences! when I wasn’t homeless; I never! abused homeless people on-the-streets. you jerks! ] [can we call a justice clause.]

arrow down to and the nail polish ink

has started to spread past

all of the layers of

wrap:

it’s like a dead mummy;

what could it mean?

well upon obvious existential-examination : of l’arte death

piece in a-, new interpretation :

[minus of course studio space ;

and art, and other-

things of physical storage ]

is in itself an absence

of verification; well almost

like an incomplete

in acceptance from

something for some reason

asked its opinion about it;

like a stage of Early Death:

but when applied inversely

 

this stage of death might

be useful as a

cushion;

theme, art: I’m gonna build with my mind a new world ; like a stable-blue-volcano 

theme, death for? : any closer to my back seated in a public chair with that many repeating; is a hate crime waiting to happen. [to who, again; because I don’t commit crime. even if you lie about that. it hasn’t actually happened.] [can we call a justice clause.]

and

it doessmell

good.  { I don’t know are cushions supposed to smell good; ? rather I was talking about the scent implying death-like life; hence something [like] if not same as exi-stential experiential states of non-being in its case}

The spread of nail polish ink

in the outdoor storage

of backpacked

compartment ; if even

covered in the rain :

is a sign of either disease

fiction, theme: a friend is a friend regardless of its species if even you are same species; unrecognized it still shows stage non-fake of friend. {or different] }

arrow down from sign to   in art

in art   or life or

diseased life ; but

certainly even death by disease

theme : and his name was …

disease …

he thought that was

a … compliment 

 

theme : it’s always ?

              greek and latin 

aside -theme:    in reverse 

                                  & upside

                                down [?]

[upside down, will have to draw it at some point question mark] is hi?; 

no perhaps 

better is

[;] [. ,] [but the comma reversed][ is that also a mirror?] [is a mirror also] be?

for this assigned reference 

here, anyway,.

The thing [art tin, see creature appeared indoors, deep indoors]: has given

birth to life,

anyway.