religious conna … of / with cultura

The, of the, Eating-other

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The, of the, Eating-other

a past, Egg la mode. The Code of Hospitality may be not that easy to manifest.

[or in this form: To post to the fvp]

by goura fotadar

dedicated to k.v. rec.

for The Fictional VolunTier Project


tag[s]: social welfare eating, philanthropic existances and their educations; translating class systems into one continual class inter-experience or unified class eating, culinary theory!

theme: the real gratuity, theme: man, I [fest]

theme music citation: gin blossoms found about you

I have to say, that past-a almost like a salad was, fine cooking.

{I’m not sure of who noticed; other than the main cook; and I’m not sure if even others could figure out how who the main cook, is; of the group serving the food. Identification of the main cook, should be obvious to the well-eater by the waterpool, collection: the meal}

[how and what qualifies fine cooking, and who says]

The, Who-ever cooked the noodles of the pasta; cured them and I know that’s not the right? word; that’s … [that is] used them in the most appropriate temperature and made the meat non-noticeable for a raison d’etre; and of course only noticeable if that version of meat: triggers your actual memory.

Of course there were raisins; and I can’t since so close to raison d’etre recall how to spell those things; the raisins, were to spell you [the external eater-the eating other] possibly into the funnel of sight of raison d’etre; yes, from a, this meal.

For food; is must be basic at analysis to come across; at least at ‘tis both deep yet and beginning stages of knowledge.

If you’re American or just familiar with Americanisms! The obvious, the lettuce of any salad, can always be used as condiment extra to such past-a; because of course it edifies the pasta into further form.

The quarantine of apples a,head of time with or followed by coffee; cleanses the palate to opaque to portending taste [and this has gotta be the best aspect-facet of portendings]; as at least was cliché in practice but not perhaps with apples; so it’s a new old swing of interpretation; and I mean the apples as being of old. They were the yellow barely red so more of gold fleck variety not quite yet full ripe.

If served a cooked egg [h.b.], mandarin orange [and I mean the color], green melon, and dressing; you have the high-end past-a dish, the lettuce and meat, and pasta swung together past a, cooking, short on storage space: and the pieces of mandarin, egg [egg scissored into tinier than chunks if even possible with your fingers], and melon, bit into the cooked with added dressing past-a dish; it’s a picture-able experience only when the noodles are so well tempered; but of course I didn’t photograph then, I wanted to keep it all for myself, in that way, then. Maybe next time, I’ll be willing to share. [The image of this fine dining experience]

theme: eating is really a, the one-of the metaphysical process[-es] to experience.

With lemonade, afterward-to reverse: alongside: a piece of the melon, and cited: soul pieces & rum’s theory, a few peels of the mandarin orange in the lemonade: and it’s complete to drink with such cooking. I can taste the oil of lemon, it exists yes; or is it just a metaphysical imagination.

At a middle stage; the dish twisted into a finesse of savoring has turned into something you might also additionally bake; with what’s left of the side piece of bread and some extra? herb. Which one; I was thinking dried green; like an older oregano; and not fresh oregano; but that’s just me; it could be different for you with this same fantastique set of meal. Think, like a dish set.

Key points, from this dish:

green melon and lemon-something points to sophisticated cooking talent and you really should eat it; if it actually has those ingredients

-a signa of something in the food …, actually seen, [and not just some external version plagiarism; remember actual emulation is not plagiarism [on the external part]], a signa in the food points to the main cook’s vision in the experience of eating for the eating cook and-or the eating-other

– for the eating-other: the challenge of putting it all together: even when it’s already prepared and ready-go, what completes it to version, complete to eat as is without any more additions, for now




The Blue Rubber Gloves have to do with your stuff getting trashed. Just an observed guess.

Posted on

The Blue Rubber Gloves like a fiction title. The Blue Rubber Gloves have to do with your stuff getting trashed. Just an observed guess.

for The Fictional VolunTier Project

tag[s]: criminology and criminology art


part one.  81317

Location: a 50 [mile] radius from/pertaining to Menlo Park [CA]

I forgot to include on this day; after my stuff was trashed; that the cops also brought blue rubber gloves up to my face/skull [again] a repeat from sjpd but those set weren’t brought close to my face; whe n I asked them why they had brought those blue rubber to my face; they ignored me and refused to answer; the day before; uh this happened, then my stuff was trashed.


In the middle; as already described I was ticketed; and but the cops told me I was actually under arrest; but failed to actually arrest me; will there be a follow up to their repeated attempted violent arrests of me; going on way too many attempts from them to me … ; while I’m not actually committing crime; [and they like; are; like so like]

Highly especially inebriated police departments as briefly evaluated nation-wide: sjpd, palo alto pd, Atherton pd, Menlo park pd [and will others consistently join the list?} Fingers  crossed for the actual real police and not these fake, posers of law enforcement.

theme citation: my so called life

theme music citation: [again] another day in paradise phil colllins


The guy/ a guy of city of Menlo park also told me earlier this year; that he was going to trash my stuff; I submitted a complaint; and uh, it looks like he proved true to my word.


Oh one more report: the guy, or one of the cops; faked crying too; and told me that I had no empathy.


Part Two.  Bible scent quick diagnosis


Observing Church notes, on 81117

cited: Isaiah 5:7 p. 569 18-29 or look at this updated reference check cited:

theme: it seems also connected text line[s] a  religious proof for good scentery in [b] art also; cited: b.a.r.t.

A flip and quick examination:


but does “rich robe”

just mean


and w[h]ether




Reality Diagram[]s: How to wear the wrap-around

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Reality Diagrams: How to wear the wrap-around

for The Fictional VolunTier Project

By Goura Fotadar

Date: 52717

tag[s]: accompaniment, fashion, editing, reality, theology of self

O. How to Wrap You / Them / Her/ Him  {in} {Into}

theme: fitting in

theme next: notions of popularity

Almost seemingly casual; when it starts the wrap

In font you squeeze it in a tie snug and almost too snug

You forget your sense of smell;

And how is that relevant

cited: mind channels

Is a refreshing reminder of cited: snuggle washing detergent/laundry detergent

[Reference, cited:]


Which has a particularly memorable smell-scent.

When your body or a pat of your body is tied [ w] rather rapped in

Such clothing;

Even framework; if you forgot for a moment what the clothing is or that you’re in; encompassed in it; that of significance meaning.

I.E. the clothing is hear; here framework; the so obvious for even a fifth grader;

The wrap is in clothing;

The perfected fit?

The following adhesive functional movement?

The stained metabolism?

Is clothing in a culture of […] part of the form of .. . Of you, of the wearer.


theme: wrap god

theme music citations: rap god Eminem and god tori amos


Pop Fiction, continues; & The Flower Theory

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Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors


Part One. The text as an art lesson.

in reverse order







of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”


after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already



more reading notes for The FVP: The Flower Theory


cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es


esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]


4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”



or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.


— then from this other source, text:

source, text cited; cover / top

cited: p. 352 , The New York Times,

from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare


age, rare: Ian;






and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific


(belonging to incident)



suicide implies ?


will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.





On Culture: through lens Food Disguise

Posted on Updated on

for the blog, fvp on


33017; posted to on 33117


source, cited text: San Francisco Chef’s Table

by: Carolyn Jung.

cited, source text as identified above (from … cst)
[to support the next, cited: rum’s theory]

on page 83 (cited (of source text)): [see photograph]

bread as a disguiser of meat in

phonetic appearance;

they sound alike and meat to

mushrooms, eggplants, and the others?


Sure-fies it to art-form:

but think of the sport-like offense

to this, statement ; from my collegiate’s

collegiate culture:

on cited: page 83, contn. : perhaps it

accurates better the misconstrue-ment of “Rebel”

“It’s rare that baked goods garner a cult following,

but The Rebel Within sure has.”

cited: The Cheeseboard:

for the love

of bread and

cheese, please!



source, cited: ERTE




cited: source text cover; as identified the source text, right above

The phenom[e] ‘O’  (slanted arrow to) The dis-illusionment of/by viewing-to

pornography -P


at cover alone:

clearly from-it

you must wonn-der

(two wins]?

and [o] already


never about the

non-clandestiness [sp?]

of unkind to you-

others; for

the striking of a decorative

pose is a personal, private

decor if even composed in

public ; it from the cover:

includes stares/stairs /and-or hoax background;

memorable costume-where! (ever) ; and a cognition

of you as two into one; quite the ‘O’

this is near

closing; but recommended

to look at the-

the inside

‘O’ and-or ‘O’


cited, music: annie lennox  no more “I Love You … [s]”

food cultural epigraph

Posted on Updated on

for The Fictional VolunTier Project

date: 31917

date, typed up: 32017


tags: petition for enough food, actual wealth, high recovery in haute season

cited, theme: the random art saying book as on cited: amazon kindle

An actual cited: cvs, is excellent;

if you sign up as a member,

and they don’t mess up

your membership;

you can purchase

enough food in $5.00 or so to

fill you up for most, but not

all of a-day. In the tradition:

of haught-iness; astacks

of cited: m& m’s ; kit-kats,

popcorn, and other non-cooked

by you items: coke (cited)

+ a variety of teas. & yes

these are food recommendations;

for those that don’t have

access to kitchen-cooking.

Suches items can fill you-up;

keep you from starve version

of fasting; and give you the

excess energy you need; in-the-actual

homeless scene : to provide non-criminal

Security for at least yourself , work

the excess of non-living-wage

work-producing hours; walk

those long-distances for food

charity & access to safe-enough

work-space public spaces; and

of course provide the energy-support

for other activity : such

as meditation-al personal work.

But traditional haughti-ness

tells you; that it’s high-end fish

you should be eating; so, hope that

you receive that in your food

charity donations.

The intellect of finance

doesn’t necessarily contradict

high-end fish consumption; Why you work

for no living wage : you should be rich; as an elevated even

mainstream niche.

It does however pointe : as in a flip of

the feet in ballet on a bar ; I think

it is ; but if they re-defined it to

something Less since I was 2 ; that would

be hilarious. theme: oh the hills of hum our;

roll our laughs. 

out that stacks-and-stacks of

affordable food are a worth looking

at serious knowledge stream; that

on testing, recommended ; at least

fill you with energy.

And the food wrappers themselves

are quiet an art-form : a cultural

epigraph in art-form.

[jokes but not quite] citing : andy rooney 

on 60 minutes.

[in tone?]

Cultural Art Comparisons on Poverty-3117 wrok-ed on; [worked on]-

Posted on

date, typed up: 3717

{about photograph to perserve confidentiality; my finger just [ cant can’t to ] click fast enough} the scene of venue-istic danger; a new hypocondr …


Research Reading on Poverty for The FVP


cited source text : Address Unknown Kathrine Kressmann Taylor [right beneath book back]


arrow to on Reading Diagrams

Unfortunately : the book appears mildly broken

arrow to relative  book check

tags: research for the cited: vhp;

the fvp, obvious; the sophistication of reading comprehension; aptitude accounting

from a quick flip to : p. 77

theme: we must? cure poverty. [acts of social justice and sacrifice cited: lasallian methodology: a no choice of action ]

theme music citation: go deep janet jackson



“You speak of the poverty there. Conditions have been bad here this winter, but

of course we have known nothing of the privations you see in Germany. ”

(2) Art + poverty  ? from p. 115 look at the diagram

{Draw so far a common motif of telegram, and a foreign-language translation.}

the diagram of the short telegram :




“Cousin” -> “2” (new, assumed?) “boys”



“success” -> “as” the next major -comprehension diagram


almost doesn’t


“delayed” -> “difficulties”












“final” -> “discretion”



“God” -> “hand”


Part Two. It’s a translation, duh!



editing eye-i;

the reader’s diagnostic ‘i’


More, of : it’s in a completely foreign to me script: but

of course at even the Kg level it’s important

to see what can be seen before the translated

more text is re-looked at:

Cultural Art Comparisons


(1) The cover is imaged in a way that is also of strong connection to thispresent

as in (the geographic location I am in) culture; but there is


a war’s art connection to the cliché patriotism mimcry-in-sync affect to:

[look up spelling, again]

and then of course there’s the cultural clash asserting itself: there is on-this

cover a clear reversal of the connection to crucifix … [spelling, continued]





theme: the tow , two lines meet perhaps from; cited:

the flag of  & cited: jesus crucified on-the [cover]


cited: the source text this is as described, identified above


[more to come?]