political theology of literature

Reticence

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Reticence

handwriting

by goura fotadar

for The Fictional VolunTier Project

dates: 72517-72617

I. Summary Analysis

a) from / of p. 1

[1] source, citation text: (OH BEDIZENED ONE! … ) VOL. 1, ISSUE ONE, 2016, LOTUS

IMG_20170725_175317
cited: picture of cited source text [1]
IMG_20170725_175339
same caption relevance as above cited text cited image as referenced

 

b) sequence regurgitates of college not quite but like trauma … so

college trauma-like:

” As the New Year draws near, it’s a hilarious day in California where all the banshee women and the frail-voiced poets are getting the better word, … ”

… “… draws near”

imagining a curtain [everything else is then stage] and with curtain;

does it matter? [how much] what any external to non-stage-non-curtain is.

 

The act about to come is:

-> “… New Year”

the setting is a high-energy or “hilari[ty]”

the emotion: it’s rare or hasn’t been the most past case that they have been “getting the better word, … ”

 

the

know : they are then

a connected

group by either

not having

” …[gotten] the better

word … ” or

by “… getting

” it now.

 

pull out of stage.

—– —– —-

relational dynamic:

the connection:
” … all the banshee

women and the frail-

voiced poets …”

here; it says and [;] and-not

or:  [“ban”] [“she”][“-e”]

“-e”

experience [of]

“ban … ” “she …”

 

& perhaps? “and” a

connection to “… the

frail-voiced poets … ”

 

since they cannot “voice”

to stop the

“ban … ” “she … ”  [please: I hope ‘ou understand “ban:” “she” as an item]

-> it gives us a hint

of the livid and perhaps

unpleasant experience of

being a ” … banshee” and

also to the affective effect

of poetry; likely also known

as power.

without “voice”

is to “voice”

or can be

in “poet …” ry

and so “e”,

“ban” “she”

is confirmed thru

text; to

be no longer?

unpleasant.

[include photograph][of text].

 

II. The answer to the

quandry [quandary] [sp.] of career

counseling must-haves.

 

[2] source, cited: pattern,

orla kiely ; from

introduction …

IMG_20170725_182927
cited image of cited text [2]

[a] “absor[ption]” an example

thru experience of what you

want to do …

 

[b] “[work] … experience ”

you must qualify …

… ” … likes and

dislikes, and to understand

when an idea was good, when

to stop, when to go on … ”

 

[c] Reticence

of owning work!

; your own work.

 

“What I like most is

that my work is

identifiable; it has

established its own handwriting

and stands out as mine.”

 

[art: draw “handwriting”]

The Salt Thing

Posted on Updated on

date, started: 5.15.17

Library & Literary Relevances

for The Fictional VolunTier Project

by goura fotadar [obvs.]

brief scan of cited source,

text: LOVE STORY by

ERICH SEGAL

 

cited. p. 19

cited. p.13

Salt as

an index,

locator

|

|

|\/

as the

word alone?

instead of \\\\\\\\\\\\\\\\\\\\\\————–

noticing what could be salt.

 

if we were going to

notice what could also

be salt; and-or

salt-similar :

 

on a continued, rough; and

semi-quick scan:

 

cited p.19 —> again

name of doctor;

is salt-like

 

cited p.20 “Novocain” is salt-like? how

cited p.20 “steak” is salt-like?

 

cited p.21 “It was beginning to hurt like hell.”

 

cited p.21

continued

with the earlier

backdrop of

“salt” “nutritional”

advice; and

the silence + attack?

after this last

cited line; in

this text “salt”

and-or salt-like

 

might have a magical almost

addictive quality.

 

In other words:

from the interaction brief

on the top of

cited p.21;

“salt” – like when un-responded

to : can or perhaps does

escalate matters.

In an almost shamanic, shaman

response; “salt”

and-or the mention of

something like salt;

if un-responded to,

salt …

exacerbates?

 

[excuse the change of order in numbers; as the book has is being flipped through:]

 

at the top of

cited. p.3 ; or near

the middle.    tag[s]: research reading

[editing notifications & considerations: period or not after cited? in this specific posting. and when not. and how long will you remember when not and when to.]

 

Is “coffee” like salt.

and on earlier cited.

p.2 at the start of the book:

 

“the cheese”

though qualified in

a (non-cited italics)

different way. Is this

still a “salt.”

 

on cited p.13

almost as if qualifying

salt to this

not surprisingly

shamanic – level

the main character /

narrator

almost such declares

indirectly the use

of “salt” …

 

theme-learners

Parodies can still prove

Satires    importante

indexing uses;

i.e. point ’em

out, too.

 

aside exercise:

How do you recognize yourself;

how would you map yourself

draw

I really hate bad smell[s].

Define what “bad smell[s]” mean to me. [means to me.]

[i.e. & to you?]

 

cited p.13, continued …

” “Yer not eatin’ enough salt.”

Maybe if I humor him

he’ll go away.

“Okay, Jack, I’ll start

eating more salt.”

Jesus, was he pleased!

… ”

escalate

about the trash receptacle: re, mind [manners] = potpourri temporary

0theme0 trash collection as art

it reminds me to spit in a bottle upon others’ : cited brainstormers et al

suggestion ; and not [just] upon others

it includes the pieces of outsides [leaves in varying stages and twigs like my poetry]

to remind me how to compost;

and it of course is an additional trash collector in stage; as in stage phase

reminding me to grab and trash the notes I no longer use or need;

it also has decent scent since inside it’s filled with not just spit but leaves, and twigs; yeah; and the container of course reminds me to drink enough hydrating liquid and-or prepare still in the homeless life. cited: rum’s theory series on amazon

remind

 

IMG_20170517_121156

 

 

 

 

 

[More Defs. on Wear; The System of Where: A navigational tool that works in e-a ffect.]

Posted on

  1. Built in the system of wear is the system of where;
  2. Convention would had you believe that where determines wear.
  3. But Intelligence of convention or else; would have you determine the effect to be caused in where by at least; wear.

jeans

for The Fictional VolunTier Project

by Goura Fotadar

date: 5817

Part one is above [for … ] Part Two is Below.

Case Scenario: Vanity;

Case Scenario: [Sub-Tag]: Jeans

date: former present time

I am most comfortable in most social situations;

[the phrase segment above; is not the entire statement; please read it through before “gunning” to any un-holy conclusions and un-clothing us all; again. No! that’s not a manifesto on how you might have the power to un-cloth[e] [how awful!] all.]

and this includes isolation socialization: when I’m alone and-or effectively alone; wearing jeans; because these were the only type of pants I could afford in higher than usual frequency past the age of 11 [until -?]. For some reason then; at the department and-or such store; sweats-sweatpants were more expensive than jeans. At present: outside of my grueling work hours; and study-maintaining my near perfect grades in graduate school: I spend grueling also; hours working out my body; it’s the only way I can relieve the egregious stress my lifestyle choices as an adult have included into my Way of Life. I know from even the personal stories of my workout instructors [but not just; there’s also personal experience of course outside of this example]; that working out and its effects on the body-form are seen even today with the still popularity of cited: Hollywood –esque culture; are seen as symbolization: identification with vanity. The problem is that I haven’t had a chance to re-evaluate my habit of wearing jeans often? Additionally, as likely can be guessed in order [to] maintain a fixative conventional atmosphere in the convention of Country Costa County’s culture; where I produce a lot of volunteer and graduate school work; [I work outside of county for money at present; in a neighboring county; where I actually grew up; impoverished.]; I have to wear jeans in the conventional sold style which is that they hug my body quite closely; not quite hiding my work-out body. Either I could hire an additional tailor; prior to wearing these where jean pairs [and or jeans]

[this the bold right above is a title: such as like as: a fashion label]

; where [no, wear] these jeans in a looser variety in a [no a] different social situation[s]; as I wore them as especially a teenager but not only; in higher loose pants then called something like the “sludge pile” of jean wear; when not worn that way; they were worn in highly used and even torn style; this is turning into a long statement on the wear of fashion in the target of Jeans as Pants; but it’s instead on the psychology of the socialization of fashion: utensils; and I really mean that; like  a spoon you wear often; scuse me use often. I couldn’t possibly wear highly torn and or baggy jeans to my social situations now; outside of my workplace; where in the urgency of long hours of crisis work; we can wear nearly but not; everything. It’s time for me to take my career more seriously inside of graduate work; and comprehend that despite of childhood trauma where I had the most ineffective of single parents; who literally could not keep down a job; until of course I started working myself; clothing was part of this enormously un-affordable case load: including food, and health care, and tutoring; and coaching. Of course; my single parent and that s.p.’s friends-relations were too cruel to actually sign up for welfare and let the actual children benefit from it. In any case; it’s important that past passed trauma; that I really comprehend that I’m no longer a dirt poor kid in some ghetto portion of the county I grew up in; I am now instead employed for that county; and [in] the areas of: in connecting [both, to] law enforcement and social welfare; though of course as described primarily in life-saving crisis response; that instead of wearing form-fitting jeans in my current work-educational connected professional socialization groups; I might consider identifying more pant varieties in my not too shabby clothing budget as of course other outside of jean; pant options. As a side note: thanks to the area of training in counseling; there are a lot of flares going off; reminding me of also my past work in high-end fashion albeit temporarily after college. That work was highly educational for me and allowed me time to complete my first novel after college [undergrad.]; furthering my then career goals; that novel I at this time have still not sought out a publisher for. But pants first.

wayoflifeart

“”Freed””

Posted on Updated on

more reading notes continued, too

for The FVP

sighthelp

by goura fotadar

date: 42617

on cited: p19 of cited: s,t by zs [swing time by zadie smith]

“”The Communist Manifesto””

to

“”This is my bible “”

to

.

.

.

“, he took it to every dance class, … “

it’s a children’s d.c. and

somewhere again is the mention of

children but note especially on this

page that like in many stories of fiction;

worth-nothing; she has seemed to to

some extent; 5he as in the main

narrator;

replace, ed her mother in her

parents’ relationship.

.

.

.

“It sounded impressive—-

it was meant to impress my

mother——— …”

 

Earlier in the text; I believe

we came across the conceptual-belief-of society

of this mother reliably or not depicted by

the narrating daughter of

something such as: women must

have husbands.

as as aside: to match 42517’s or something

posting theme, I think

and additionally to other notes on this

on cited: 15  “”Freed””

Where replacing your mother

in her marriage likely isn’t the

experience of; and so form, from

former notes and cultural

suppositions, general;

“”Freed”” by dancing

contextual to this portion of

text; is opposite to

replacing your mother in

her marriage; and the

person doing both is

working against an

idea: yours? of

itself? [from

former u                                          [s] [as in plural more than one u or not]] [proof]

but in use of depending

on display narrator is

the text:

on cited p. 11

… that there was no

“Tracey’s father,” at least not in

the conventional, married sense.

This, too, was an example of

bad taste.

from the 2nd source book

in this situation; again

the citation:

Norman Rockwell

A & I ;

with this image; [the three renditions of it here, as photographed]

IMG_20170425_175134[1]

IMG_20170425_175138[1]

IMG_20170425_175143[1]

certainly in old-folksy

convention’s tradition

a child w/out marriage

and-or no

marriage for the

women, could mean

that to them

see art

image.

 

no bravery

says the bird,

no fashion

says the gown

and hair at

perhaps just perchance

and no song + no song study says the

bird and not the expression

without a father for the

child; and-or a husband

to your mantle?

Perhaps not less important

to this text; and certainly

not in general; with the

image in-mind and

theme cited: the next witch goura;

is how does one become

fashion perchance [where perchance is “autodidact”]

as the text uses

word: “autodidact”

cited: p.19

I watched my

autodidact mother swiftly,

easily, outstrip my

father.

so replace mother &

father to . be ” ”freed” ” in

the facet of fashion; and-or start this process.