political theology of literature

[(then) while in the severity of pain of men-ses][part one or something]

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[(then) while in the severity of pain of men-ses][part one or something]

for The Fictional VolunTier Project

(also in this form: While in the severity of pain of men)

by Goura Fotadar

Date typed up: 111617

 

Source, citation: Lotus Magazine, Issue No. 2, 2017, pg. 8, The Iguasu In My Mind

 

11.2.17

“iguasu” – the hint in

the title reveals itself

as the most coherent

term in the poem; where

that coherent means:

the thing, idea of primary

significance

on relative to posting word

analysis: igua su

ig u as u

gi u as u

u gi as u; at first it

sound so/or rather looked

so unfamiliar that it

was unclear if could

be analyzed clearly in this [analyzed here means diagram-ed] [or is it two m, m (s)]

language: and unless it’s

referring to a, the g.i. (tract)

it’s referring to a, the g.i. (track)

notions of alternative

entries forget that there

are or might still; be

functional paths or what

are called tracks; and

if “she” “her” is

the 2nd significance

in the poem: the “she”

g.i. conundrum; as a revisit

in culture: can it happen

as a “she” “her” track.

[t.b.c.]

reign

 

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Aside, in this Case: platter

Posted on Updated on

Aside, in this

Case: platter

[also in this form: aside]

by Goura Fotadar

brat

for The Fictional VolunTier Project

Date typed up: 11/15/17

Connected Source, Citation: Lotus Magazine, Issue No. 2, 2017, “The Tortilla Curtain”

 

tag[s]: group sanctions, aside for poetry analysis and such et al, nuanced transportation rights i.e. civil transportation

 

As an aside an almost such as the: library

“Billboard … “

COMMUNITY is almost a comprehension

of COMMUNICABLE

O MC [from latter] cited: muni?

(and variance meanings of

‘muni’) cable

|

\/

|

|

|

|

|

|

com per hen is on ->

and what is

com, o, mc

o, mc? and in

reference to hen as a mc

 

2nd split

The first part matches above [I think]

Series [as in before the,]

|

|

|

you have to give up

your speak albeit

temporarily (o, mc) to

escape the regulare

schedule of cited: muni

to cable; in order to enjoy,

benefit from the library;

where “The Billboard-“

is hung; even if you (silently)

watch cable like types at

|

|

|

|

[after above line of: reference to hen as a mc

]

and

o mc per hen is on

[makes a lot of sense]

[comprehension]

[comprehension makes a lot  of comprehension]

 

aside, platter cont.:

(watch cable like types at

) the library;

and how might you come

to the actualization

of the notion: of opposing

communicable and

where from COMMUNITY

the actual label of

“The Billboard-“ well

In the aside context of

“The Tortilla Curtain”

It is of a more sense.

To avoid disease in

a group hopefully not at

the mark yet of community

in size you might

want to consider

what seems to sanction

Itself in community-

Like size i.e. what

might be communicable

Esp. in the context of

This poetry with food-like

Ability? Or rather

Vulnerability for/of

Contagion; and of

Course apply the

Opposite. [as has

Been done thus

Applied, in the

Semantic]

 

11.2.17

pgs. 6-7

On second-overall

Reading, or is it third:

The differences

in “Curtains” are

Also perhaps differences

Of; variations of

Cultural identities in

“American” heritage; i.e.,

perhaps obviously.

Then if only “the

hungry animals” and

“the poets” survive to

the surviving “American”

identity

We see a-new

past [in the anew,

Studied look at the

Stanzas] what

Might be a description

Of the cited: Great

Wall, the

Continuation of scenery

from one-looking vortex

To the other; and we

Might now be at

American landscape;

At the time of birth;

Before you might achieve?

Your own “passport-“

and where in

this country, then; and

Really then as in next

might you most

likely or rather in

Context of time, see:

“The Tortilla Curtain”

Perhaps the

Hint is: a cultural,

Now locative type

Notion this line

And its subjunct:

“From white bread

and Hope”

and is the

famous location

in Arkansas

or Oklahoma;

worth looking up.

 

 

“Grow(-ing)” “of Shame”

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shame

for The Fictional VolunTier Project

[and also in this form: here we now see]

 

by Goura Fotadar

date: 117117

 

Source, citation: Issue No. 2, 2017, Lotus Magazine, The Tortilla Curtain, pgs. 6-7

IMG_20171107_113734[1]
my notes as posted here on cited: source, text pages
IMG_20171107_113740[1]
my notes as posted here on cited: source, text pages
 

10.29.17, 11.1.17, 11.2.17 [see photographs]

here we now see

the kitchen

as a stage.

from the commonly used notion-

comprehension:

of “curtain”

with …

“tortilla”

 

Methods, ways to

Cook and

Prep-cook.

 

The prep-cook,

Combines to prepare

a dish, a meal?     We know

At least

One ingredient,

Segment is,

Is like: “Tortilla”

 

 

How to cut?

[as cooking technique]

 

[as a cooking

Technique, still]

What cutting could do

[incorrect] if done-so

[like a training

Method to surgery,

Combat, construction, even,

Gardening,

repair – construction,

beauty-constructions,

then to activities

That have cutting —

Like power: driving,

I imagine or its-thats version

most vehicles, cloth-making, clothes-making

Construction, other product-making,

Procuring/construction, working- out/ , teaching work-outs, et al.]

 

A

S

 

A

L

M

O

S

T

 

A

 

S

A

F

E

T

Y

Alert?

 

Sounds tribal.

 

Though

Sounding

Hopeful

Well almost;

The consequence

Of the

Wrong

Cut;

 

Oh of

Course it

Says it’s [?] from

California

 

 

(1)

So what

Doesn’t happen

To the animals,

Contrary possibly to

Culture notions, happens

Instead to the families

During mealtime: huh!

A sense of lethal food

Dictated by “The

Tortilla Curtain” such

As poison.

(2) and as after-thought,

We scuse me

‘The Tortilla Curtain” intakers

Are instead

Eating splotched

“families.” Hence

This above usual?

Perhaps version gore

of “baptized”

 

In the end

“The Tortilla Curtain”

Through such declared?
doesn’t provide real

Food, meals and so is the

“Grow(-ing)” “of Shame”

 

 

The reason

perhaps that

the warning

comes from;

The see-able

To the potential

Victims: families;

From “The Billboards”

Is it hunger that

“can block eyes,”

Or is it something else, less virtuous; that won’t block “The Billboard … “ !

 

and here’s an

Answer: to the

Almost privy Q;

Do the poets

Survive as

Perhaps do

The animals;

And maybe

As surprising

To regular

Culture notions:

i.e. how could animals

who are often a

portion of the me[el]

ingredient be surviving

and also how might

“the poets” who

i.e. in regular

culture not earn

 

be surviving into

mealtime; and the

so described

lethality of

the meal.

 

 

[t.b.c.]

Social Dynamics through Art

Posted on

[and also in this form: 103117]

for The Fictional VolunTier Project

By goura fotadar

Date typed up: 11217

103117

 

Source, citation: Lotus Magazine, Issue No. 2, 2017, pgs.3-4

[2nd poem segment], E.A. Gordon, 6,971 Steps

 

Tags[]: analysis for The Death project, too

Untitled

 

Of course about

Death;

Soon about

Life, also?

Since about the

Passage of movement.

In “hike”

About gender through

The comprehension of

“group”

Versus “one”

Type variations

Considers, tag[]s:

Social dynamics through art

 

And of course in gender what me might see, be described to;

May be pun to true

Meaning of.

within the first

Two commas

Are parts of gender

Exhibitive nuance:

“semen” “war” “truce”

Upon “ … sly betrayal”

We enter “hike”  “…”

Where we first have:

A proposition of

View from  s.d. perspective

And perhaps from

This perspective

We have the entry

Into the top: of this

Poem:

Who comes

With is it

Like alliance

To “a grave”

cited accompanying music:

Grimes, (-human) kill v. maim

Human behavior, Bjork

Rag n’ bone human

 

and the opposition of

“human” to “woman”

i.e. suggesting

based on what we conceive

in culture of notion: “woman”

points “human” as being of to it; opposite.

It is perhaps noteworthy

Why this might be a primary

Method to measuring “woman” [cultural notions and perhaps in opposition to contextual, this analysis]

As another séance in this

Poem:

“To hike is to be

Comfortable in nature, a one-to-one

Relationship.” And still:

“To hike alone without

Preparation is to be a

Woman wandering, either

Lost or batshit or both”

Lookup “batshit” and

How odd so; since

In case of “human”

“nature”

Then; “is … comfortable”

Either as “woman” the “hike”

Is not “in nature” or “human”

Is really to it “woman”

a different species.

In the case of “batshit”

though often

Heard of

With reference to

Crazy when

Broken down to the obvious:

Bat shit; it almost sounds

Like or rather the response

Of fear at scared. Of course

Within the derivations of

Scared and fear; in any

Case; “to hike alone

Without preparation”

 

Derivations

Of Look-up

Can also

Include

Recollecting

In process

 

Is conceivable with reference

To the perhaps new frame

Of bat shit; which of

Course could mean

Batting poorly, also. In any

Case running to a trail for a “hike”

Might make belief if

In a severe or even varied

State of scare and-or fear.

And with reference to,  here “woman” may be

The species that experiences

Such; whereas either

“human” is socially dynamically

Protected against

It: in reverse:

“that is, the normal kind”

“To hike in a pair or a group is to be the pack kind of human,”

Or perhaps to reserve the moment

Of a “hike” for preferences

Of “comfort—“ ; in

Any case; such perspicacity  [sp?]

Is what differentiates these

Mythical versions of “woman”

And “human” if even

Based on the regular

Derivations of these

Perhaps at least contextual

Now cultural terms. In any

Case the sense of fear or

Scared as in bat shit

Might mean directs us to

The beginning of the poem:

And of course

Since it comes form

“woman” we finally have

The reason for the perhaps

Opposing woman nuances:

“semen” et al. In any case it is likely “a grave”

Of “woman” do you think

Due to that “woman” version

Of “hike” or do you think

The “batshit” of its any

Variant meaning is

What is caused

By the “grave”

Of “woman”

11217

 

 

The Brown Bag, Snake for dinner? and that tool, also.

Posted on Updated on

once

for The Fictional VolunTier Project

 

by Goura Fotadar

date typed up: 103117

 

Source, citation:  E.A. Gordon Things I Didn’t Know Before I Started Sketching p.3, Lotus Magazine, Issue No. 2, 2017

 

[and also in this form: The Brown Bag]

103017

connotations,

To infidelity,

Especially as in “landscape”

On the other side.

 

If “sign”

must direct

One way

Or the other;

For the “permission”

To be optional;

Sorry,

An option.

 

As in, a candle

And so everything

That is not candle in the “space” :

now permeated by it;

Now lit by it; now so

Shaded by it; and even that

Portion stored by it: is

Apparently the

“ … negative space”

and so in opposition

The candled is ? positive

“space” ?

 

The Brown Bag related yes on check of “Simp”

 

As a related aside:

with the

Option of

An over

Zipper;

What

A nice

Rest-sleep

Option

For even

The

Outside

Homeless

Situation:

“space” –

Wise.

Perhaps

Then than

In this

Context,

The “hammock”

Is a type

Of “candle”

 

The derivation that the

“hammock” then is

Like the candle;

and of course

Everything  (that) is not

“hammock”

affected

Is then derived as

“negative space”

 

In third stanza,

Sounds like

The scent

Of a candle

Product citation: illuminations (candles)

 

Connected to title of this segment/of work ,

so perhaps the candle is as

Cliché has perhaps told; the draw-by-side: tool;

to “sketching”

then presumably?

Prior to sketching is the

making of the candle, candles even;

and is then an allusion of, to order while such.

 

In fourth stanza,

Of course then, this

Is the uniting

of: the

Process

Of

Making

Candle.

 

103017

In stanza (4)

The first sentence

Line: points to:

“the sun”

As a cooking

Oven that too gets

Drained; and when

We think drains; we

Imagine sinks and diameters, and within the

Line-sentence is the process of cooking:

Oven /-

“the net of branches”

The making /

placement

of the stove? (/-)

“brown forest floor”

close enough

To its after-line

“hammock”

implies almost

Brown bag

And what is it

About  “… forest floor”

That implies that

Type of bag?

[something to think about]

 

Reticence

Posted on

Reticence

handwriting

by goura fotadar

for The Fictional VolunTier Project

dates: 72517-72617

I. Summary Analysis

a) from / of p. 1

[1] source, citation text: (OH BEDIZENED ONE! … ) VOL. 1, ISSUE ONE, 2016, LOTUS

IMG_20170725_175317
cited: picture of cited source text [1]
IMG_20170725_175339
same caption relevance as above cited text cited image as referenced

 

b) sequence regurgitates of college not quite but like trauma … so

college trauma-like:

” As the New Year draws near, it’s a hilarious day in California where all the banshee women and the frail-voiced poets are getting the better word, … ”

… “… draws near”

imagining a curtain [everything else is then stage] and with curtain;

does it matter? [how much] what any external to non-stage-non-curtain is.

 

The act about to come is:

-> “… New Year”

the setting is a high-energy or “hilari[ty]”

the emotion: it’s rare or hasn’t been the most past case that they have been “getting the better word, … ”

 

the

know : they are then

a connected

group by either

not having

” …[gotten] the better

word … ” or

by “… getting

” it now.

 

pull out of stage.

—– —– —-

relational dynamic:

the connection:
” … all the banshee

women and the frail-

voiced poets …”

here; it says and [;] and-not

or:  [“ban”] [“she”][“-e”]

“-e”

experience [of]

“ban … ” “she …”

 

& perhaps? “and” a

connection to “… the

frail-voiced poets … ”

 

since they cannot “voice”

to stop the

“ban … ” “she … ”  [please: I hope ‘ou understand “ban:” “she” as an item]

-> it gives us a hint

of the livid and perhaps

unpleasant experience of

being a ” … banshee” and

also to the affective effect

of poetry; likely also known

as power.

without “voice”

is to “voice”

or can be

in “poet …” ry

and so “e”,

“ban” “she”

is confirmed thru

text; to

be no longer?

unpleasant.

[include photograph][of text].

 

II. The answer to the

quandry [quandary] [sp.] of career

counseling must-haves.

 

[2] source, cited: pattern,

orla kiely ; from

introduction …

IMG_20170725_182927
cited image of cited text [2]

[a] “absor[ption]” an example

thru experience of what you

want to do …

 

[b] “[work] … experience ”

you must qualify …

… ” … likes and

dislikes, and to understand

when an idea was good, when

to stop, when to go on … ”

 

[c] Reticence

of owning work!

; your own work.

 

“What I like most is

that my work is

identifiable; it has

established its own handwriting

and stands out as mine.”

 

[art: draw “handwriting”]

The Salt Thing

Posted on Updated on

date, started: 5.15.17

Library & Literary Relevances

for The Fictional VolunTier Project

by goura fotadar [obvs.]

brief scan of cited source,

text: LOVE STORY by

ERICH SEGAL

 

cited. p. 19

cited. p.13

Salt as

an index,

locator

|

|

|\/

as the

word alone?

instead of \\\\\\\\\\\\\\\\\\\\\\————–

noticing what could be salt.

 

if we were going to

notice what could also

be salt; and-or

salt-similar :

 

on a continued, rough; and

semi-quick scan:

 

cited p.19 —> again

name of doctor;

is salt-like

 

cited p.20 “Novocain” is salt-like? how

cited p.20 “steak” is salt-like?

 

cited p.21 “It was beginning to hurt like hell.”

 

cited p.21

continued

with the earlier

backdrop of

“salt” “nutritional”

advice; and

the silence + attack?

after this last

cited line; in

this text “salt”

and-or salt-like

 

might have a magical almost

addictive quality.

 

In other words:

from the interaction brief

on the top of

cited p.21;

“salt” – like when un-responded

to : can or perhaps does

escalate matters.

In an almost shamanic, shaman

response; “salt”

and-or the mention of

something like salt;

if un-responded to,

salt …

exacerbates?

 

[excuse the change of order in numbers; as the book has is being flipped through:]

 

at the top of

cited. p.3 ; or near

the middle.    tag[s]: research reading

[editing notifications & considerations: period or not after cited? in this specific posting. and when not. and how long will you remember when not and when to.]

 

Is “coffee” like salt.

and on earlier cited.

p.2 at the start of the book:

 

“the cheese”

though qualified in

a (non-cited italics)

different way. Is this

still a “salt.”

 

on cited p.13

almost as if qualifying

salt to this

not surprisingly

shamanic – level

the main character /

narrator

almost such declares

indirectly the use

of “salt” …

 

theme-learners

Parodies can still prove

Satires    importante

indexing uses;

i.e. point ’em

out, too.

 

aside exercise:

How do you recognize yourself;

how would you map yourself

draw

I really hate bad smell[s].

Define what “bad smell[s]” mean to me. [means to me.]

[i.e. & to you?]

 

cited p.13, continued …

” “Yer not eatin’ enough salt.”

Maybe if I humor him

he’ll go away.

“Okay, Jack, I’ll start

eating more salt.”

Jesus, was he pleased!

… ”

escalate

about the trash receptacle: re, mind [manners] = potpourri temporary

0theme0 trash collection as art

it reminds me to spit in a bottle upon others’ : cited brainstormers et al

suggestion ; and not [just] upon others

it includes the pieces of outsides [leaves in varying stages and twigs like my poetry]

to remind me how to compost;

and it of course is an additional trash collector in stage; as in stage phase

reminding me to grab and trash the notes I no longer use or need;

it also has decent scent since inside it’s filled with not just spit but leaves, and twigs; yeah; and the container of course reminds me to drink enough hydrating liquid and-or prepare still in the homeless life. cited: rum’s theory series on amazon

remind

 

IMG_20170517_121156