free speech, non-racism, safety

How to keep “it” safe.

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How to keep “it” safe.

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for The Fictional VolunTier Project

Untitled

 

Exercise: Is This Portion Fiction or Not.  A rough draft.

Theme: Homeless life

Tags: understanding authentication better or for the first time [better]; understanding the query of problem: shelter; theories of non-crime; advocacy: is the real deal; when is plagiarism plagiarism; queries on identity formation in non-fiction.

Level: Easy, basic.

 

Here’s using myself as example and my work such; example representation:

The Person / People report such and provide an example; the display of the example once you become and-or are familiar with their work is different from its usual display: manifestation. They say it’s to spread its wings wider; and you’re still not sure or are you [… if this is true]. What’s the process of being sure that it’s true , for you [… and not for them].

[next] Pages from “& thass y …” by goura fotadar

[this fiction work labelled to some extent roughly; right above in quotes; is again fiction] is used as art manifesto

Man-If-Established [o]

Tags: emphasis

Theme Inquiries: Emphasis Implies Truth; Emphasis Implies only fiction. How dumb are … .

 

Safety in the outdoors is much different and-or in the outside redefined and-or translated here to prevent tarnish; to include the outside.

[Define Inappropriate Authority.]

Most officials of inappropriate authority cannot comprehend the functional adventure in resting, retiring and sleeping outside.

Side Copy: Mission Statement: Real Adventure Precludes Spirituality. Look Up The Definition of Preclude; No Look Up the meaning of Precludes.

They don’t miss the view of the sky; that they claim you can’t see outside anyhow at night; and also they have an open-drop or such window tops no panels on roofs or is it rooves. So you consider retiring outdoors at during the day; if public space affords such freedom expanses of schedule for you. They think you are a public hazard for resting outside; and they are much more hygienic for resting inside. But if you’re not just [as in only]; but especially if you are part of any modern homeless movement; and this of course the officials; inappropriate authorities

[no that’s not the definition of officials, official that’s just the contextual meaning here]

might not understand does not imply that you have a safe choice in not being homeless outdoors. How might you use common conceptions of danger I think mistranslated from resting indoors to facets of resting outdoors; such as sleeping under the ground,  against the walls; and covered away from most; that view and-or open in view from, to outside consumers of your rest;

 

experiences of , such as … that are still afraid of and-or uncomfortable sleeping in tents; and this isn’t

A criticism;

Clobbered up like that sometimes lends itself to something like news stories;

Reminder? : the, this writer seems to think that experiences affect the news; and=or change [more so: effect?] the news, case example:

“A homeless person was thinking that he Alice Q was safely asleep in a bush; and there were an onslaught of housed people who do not support homeless rights; and so think it’s just to pose and receive benefits as homeless people; they see that it is [in] their right[s] to trespass on the homeless resting anywhere especially hidden in bushes in this case; and since they are actually they believe paying all the bills for the homeless; they are also glad they were able to get Alice Q stabbed nearly to death. As the local police in badges have stated: “there’s nothing you can do when the homeless believe they are standing for social cause; we have just right under oath to remove them from all of their locations; because quite simply we work and have worked so much harder than them. That’s the only reason they are homeless; and they by the way do nothing for a living; except drink. I’ve already advised them to consider selling their bodies like the folks we have ‘undercover’ posing as homeless and posing as staff to end charity toward such homeless. We hope to deport them to our countries of origin and away from what is obviously not their home country: the Free United States of America.” 

thinker: is this culturally racist and-or |just| culturally proud.

And the point is homeless or not when there are … like this speaking for … how would you protect your even hallucinations of what might happen for are hallucinations always a falsity of what might could happen in the bush and-or against the wall or on that slab of concrete the only place or one of a few around where you feel  safe enough sleeping / resting / retiring around. Including the indoors by-the-way: where maybe if you were lucky? Enough to live for some time; Oh those luckies who live indoors; that’s why all they do is stalk us in our rest spots. Good logic. Really you should win a medal. Is that medal the restroom; especially the public restrooms.

pr

Is this a proof for the possible application of safety in art; or excuse me; art’s safety; in at least attempted safety.

 

 

theme: resting outside is a public hazard according to how aptitude qualified authority

theme 2: Oh shut up! Everything you say or think is fiction and that’s a crime. Or no that’s not right, that’s the truth. [And two are the only options; only two!][?][for everything; only two options; you have only two options.][?]

theme music citation: Homewrecker Marina & The Diamonds

theme illness citations: Post Traumatic Stress Disorder / Post Traumatic Disorder [levels of cited: DSM …]

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I just saw. [Products, citations, and ads.] & the existence thing in reading.

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date:42517

I. I just saw.

Prior to the next set of reading notes; which are for sure upcoming;

I wanted to share an interruption I experienced while in a conversation; while right after it;

concerning safe groups and civilian patrols. It was so juxtaposing and dangerous; I attempted to end the interruption; but instead it kept interrupting me; and not quite going;

cited: past commercials/ads of the/for the energizer bunny;

I turned on music; and found the answer to my query: which really all people especially those resting on the street; if even not quite in direct view; and-or in direct view: should have on them; well, those that qualify for things of such nature and-or their akin nature: [things:]

safe groups and civilian “safety” patrols. [Who is assessing meeting qualifications for such things.]

The advent of the cited: rape whistle is an absolute necessity; but and we wouldn’t want it to fall into the wrong use; hands. Currently the only rape whistle I have is my voice. Fortunately, as this commercial or this movie’s ads demonstrate at least one of them: the rape whistle [cited:] joking manner or not in commercial; is here in advent, already. May we be freed? theme: freed theme music citation: hans zimmer now we are freeUnfortunately, I can’t remember the name of the movie? But of course this part of this posting is of course about the thinker; the thought conception of rape whistle {cited:} mostly; anyway; here’s another brief ad-logo type commercial on cited: rape whistles.

cited: CWF Rape Whistle on youtube dot com as accessed on 42517

here’s the current link: https://www.youtube.com/watch?v=o92M92omEH0

II. The Shelter Conception Re-non Modified.

My favorite perfume, a one-of; has been predicting itself upon my psyche as the next The Witch Goura; comes up to publication; fingers crossed in safety.

has perhaps not a new look but a new door-grabber; as the door on it; is even more pronounced on the what I saw yesterday; it’s a reminder of security of course; but also the art piece of doors; for surely as all actual construction workers must know! a door is a frame; such in computer science languages; and such as in frame that picture. Can you frame that scent better; rather than; it’s one of my favorites. Well then there’s one use of copy:

[Copy for fire safety, especially; a rendition almost of traditional perfume commercials of the ’90s especially.]

It reminds me of real grandmas, real mothers, real women, and even men. It reminds me of boys on darts of daisies like are in so many perfume commercials it reminds me of being near animals; and I guess then it doesn’t remind me of the Sky. Something I think often about. Do you look at the Sky if you can when you enter the frame: door; [inside; through windows; and outside; well through outside views.]

It doesn’t remind me of young women exactly unless they are mothers; and-or girls; which is around when both times; when this was my used favorite scent. How applicable.

and of course on the actual bottle shown here; the door path packs; are like bricks a pointing for me in the next witch goura, again.

but the so obvious: perhaps: I guess: fire -> bricks

and where is perfume to fire – -> bricks is something to consider. I suppose.

citedelizabetharden

and [the, an] outdoors homeless advantage: no door, no fire? contrary to movie representations of homelessness outside; in esp. I think the ’80s.

III. Reading Notes continued:

heathrow

page 17 from cited: source text; “S -T” by “Zadie Smith”

“29 Exeter Road”

“a whole house”

’29” is obviously an “a” or even that, this, the

“house” is “Road”   —> how:

u: hose or:ad

|

\/

u => or? [how?]

but in cliché art: the hose as   -> where cliche in this notion means cultural

in p. hose [panty hose]

has almost long

been [date this?  more common: ’50s?

cultural

use and-or art

invention of culture

when it was

common]

the gauge of common-ality; certainly

reaches if – ever in: past the ’50s to

the ’80s or whenever that movie:

cited: Pretty Woman was big;

in any case … ; has almost long been

ad; in/of ad[s] & even

ad[art].

so

ad => hose  {check}

U —-> or [how?]

[h] aside : u sounds a-lot

like ow

[and that’s a mistake]!

so u ——–> or

u is or when there is

an actual other close-to u in [worth, value? etc.]

so u is or i.e. u = or

only on case of

exception; unless you

are less than exceptional;

and in that case:

u = more often;

either:

in case of u = < exceptional u = or [more often] or   in a simulated evolved ethically? perhaps society u = or even when u is exceptional because the other is of akin worth to you; but in general and when lucky; in past societies  : u = or | \/ only equals on ex-ception   so the original analysis is highly important because when evaluating ” … u” to “…or” ; you may not correctly understand that in an unexceptional [on average occur-rence] society; u does not equal or & perhaps then; not every incidence of systemized form-identity is even 1st deserving ; rather put: earning of the title: u and better maybe put? you!

“29 Exeter Road” “a whole house” whole ->Exeter [?]

w’hole -> Ex – eter

|

\/

I’m not fluent

in french

but I think

eter is something

belonging to it must

be obvious : be / existence

[so]

w’hole -> Ex – [some form of be/existence]

Ex now perhaps equals w’

and hole now equals some form existence of be / =>

=> how?

if you go back to the original; because

w’ -> can imply many things,

ideas;

presumed

w’hole implies perhaps

with hole; which

implies perhaps knowledge

of non-missing which

implies perhaps brought to cognition of

a hole [being with a hole] in for example

a sweater; your psyche? ; or even your

body; this might imply that the meanings

of whole and hole were differentiated prior to

being such worded [lettered]but who knows?

tag[s]: rudimentary knowledge thinkers.

so with original

w’ implying

here with contextual

externalization : with

with hole => Ex      sum [no some]              form of be -ing/existence

|

\/

so? whenever you are

cognized to know you are with

hole you have the experience

of ex[used to be?] [as in

no longer][is] [existing]

||

\ /

that sounds even past death;  cited: for The Death Project

to what would be the right

term for no longer existing? [t.b.c.]

 

I’m sorry … ? the post continues; Declarations Protocol; and Defining Punctuation

Posted on

date, typed, up: continued 2.22.17

for The FVP;

tags: analysis continued

tags: fashion edifices; and you didn’t know it was l’importante; sow the discomfort?

tags: art and editing notes past applied to context; oh experience

tags: advanced safety notifications where and how to notice when; sane cue practice plah it’s just art

by me, of course: by Goura Fotadar

theme, memory: mid-atlantic views

but tied in the umbrella bag (cited:) your checked out book; books will not get wet; unless the library’s … want water spilled at that level near them? (safety testing) ; as a

(an aside: if your specific owned book in this case, is too large for this bag; well then use the bag as a book cover; it turns into a quite not so quiet piece of retrofit art; what does that mean in art?)

view re-scrutinizer ; cited: song with lyrics ” … the gold old days” reminiscent of  community college days; a view you might not be able to proliferate onto but sea; is much like the experience of sea surrounds at [fiction theme insertion: take a break from their! mental states] to the left is an almost tropical meditation garde of florida, new guinea, and more of the mid-atlantic ocean view; without that water here of course; how hear catching. (left arrow, to: next page an, editing insertion/)

[art to notice: mental, states]

TAGS, CONTINUED: fashion, -knows!

Heading, Identified: Declarations Protocol and Y? Apt. Lies – in – Truth

more, how-to: I was being proliferated onto ( in manners (arrow to last heading, identified)) greeted by people I’ve never scene-seen! who aren’t just being friendly (safety, first:) when I ask them if we know each other; they say no, and start assessing me for suicide; that used to be my job; and experience dealing with the suicidality of (in others)

theme, clinker: what a dial!

; does not mean one is suicidal : I’ve never actual: been suicidal! but if you need me to lie – in – truth, I can (again?) ; who am I declaring this to? (theme: and what are your real qualifications!) cited: for The Death Project, too! (for the FVP) anyhow; while this menace was hap-pen-ing ; men-nance/n’ace?

 

note: view builders: ( latter (slash) how un-holily ominous) (dark clouds start to gather; but that’s interesting!)

with/out applause; citation: (music) lady gaga applause = (another brake?) I came across this book by cited: Katherine Taylor called cited: Valley Fear; a how-to, continued [false assessment protocols are at least civil rights, in-fractions (remember those, how fun!)-infractions; duh!?! so actual that–5th grade] … and after briefly scanning the back; I stared at the cover [get down! at the public library, modern day war-fare has tracked itself into non-criminal civilian life, too; how patethique’ and main, stream, too.] [any, how: I noticed: it’s a “novel” has many mostly deep hue real-looking grapes of blue-purple variety on this cover (get dow!n) and noticed the contrast between this hue and the skin-like-earth fragmenting beige of the rest of the entire cover (get back and down!) ] so tags: art notes so, tags, continued: thank you! Thank you cover designer for your safety training: there’s no time to recite the all-letters of your cited: varsity jacket, the “grapes” could burst ” ” get back and down your skin could shatter while the earth-ground-surrounding does. theme : god! that’s major.

on 2.21.17, typed up today: 2.22.17

tags: reading diagnosis

tags: bold that type and then don’t bold that type in the same publishing; publishing/editing/proofing solution conundrums; how do : decide?

To solve the “safety” problem I decided past 3rd grade; to look again at the cited: The Baby-sitters club; when for a time-being “things” “life” were-was “safe.” Because I don’t have the carrying space to check – out, today; so I happened  on the luck of thought; to non-randomly come across this rendition [theme: connecting psychic thought] : which is a comic strip version of one-of the cited: series I’m sure I read; as a child; I mean one of the books . I barely noticed the cover until now; but inside I noticed of course; characteristics; and notes of the beginning pages of the art:

here they are from quick memory as likely

tools of learning; that I can remember

(1) the chiaroscuro [art, basic theme; but not necessarily basic l’arte] points out the seriousness of actual baby-sitting and is a reminder of : of the omen-like backdrop of the non-comic version of the series that I consumed as a young child mostly but not only; from the beginnings of my elementary school library.

.

.

.

adult notes: from, an adult

perspective how-would you use

the model of baby-sitting -> to

 

create “sustainable” “safety”

in practice

.

.

.

using the; -this series,

cited: ; model would / might stress

relevant points :

a) create – engage to

sum of  [obvs. insert symbol of the sum] extent a safe group:

that works.

In psychic tools; if who

you know to enable safety

is nowhere nearby ; create

a mind’s click through imagination

to them.

b) keep some record; if even Lost

at some-point; that the safe

group is real / was real –

function-had functioned.

 

 

back to text, comic examination:

(2)

though I didn’t notice the cover

of the book at-first; what I

did notice were the deep body

expressions of the art images;

like you might know each character

personally ; and so within the

view of “safety” by just

looking-studying their artistic

portrait in this comic strip.

(3) The background-existence

as something noteworthy and

un-controllable

theme: (how healing is mis-interpreted)

I’m obsessed [sp?] with my

looks; I need to keepglossing[word specification in-context idiosyncratic: one word here]  my lips; what might the repeated and-or frequent application of lip-balm be use-ful for. [Hint: at least ?, (no bottom dot serious illness?)]

[Draw the top of a question

mark with the bottom of a

comma; a cited: hydra

of punctuative mark being]  [ theme: oh the arts of punctuation adaptations] [cited: t-dia’s reminders]

makes me think about the

actual fire department at least (that new? punctuative mark)

(4) How effectively one, a-one, etc., a-learner [ A Sound Theorie with accent mark on i] learns through recording type information

… and that’s the gist of

what I want to note: here on the

quick of memory …

we’ll see if space-movement

alots a[ll]ots the check-out of

these[two] text[s].

.

cited: The B-SC

 Claudia and

Mean Janine on 2.21.17

 

 

[finally, the notes update roughly are up! thanks public work spaces, freedom]

 

 

 

“Served” for my work

Posted on

Also see the eviction notice:

https://voicethread.com/myvoice/#thread/8018255/44599480/45257861

(and note the police are here, gotta return to the rest of my work day; but resource; update: made another shelter/call request: and uhm; there is further confirmation that there is no shelter for a person like me! bummer? so many places I have now checked …)

A demonstration of the: my “sane” agitation; after threats of …