fashion, and fiction building, and protests, and worth-it effort

Well; why and why; and why.

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A Typo-graph of Homelessness, especially; outdoors
an exercise for 14-year olds, not clearly defined;
for The Fictional VolunTier Project
by Goura Fotadar
date: 62817

Well; why and why; and why.

cited: more clearly; upon my art posted to the f blog; getitfree and v.s. as cited through getitfree

the Derivation of Member in almost or something like all clauses which here are also cases.
You only want a member in your bed;

in case it’s not just you; and a member of what;

also note; why and why; and why.

member implies (=>) actualized in some thing; some facet; some application.

and not just a blase connotation.

E,the Economics Policy;
when there are only two choices;
and neither is quite the capture right; and note: these are instructions
on how to shoot a picture; usually the ad: ult would tell you to guess which one of two makes most
sense; and of course most sense when neither is capturing right; is both;
but that extra information isn’t quite provided.

And perhaps the best version here is a nuance: exit;  {Oh my gosh; then exit is still only a nuance.}
if you neither own nor rent; your residence:
for living there for free; in a residence almost implies a sense or an actual sense of ownership;
but if you don’t live in a residence; do you live anywhere;
you might stay somewhere: outside; in an economics social welfare nuance then;
neither question is applicable unless you provide a not quite accurate address; but one where you might receive to and from;
and if you provide one you can acutely receive from in such circumstance of non residence;
well then it might be a P.O. Box; and if you are outside without residence homeless;
well then that might be your only acutely accurate address; and if you are not 14; over to an adult; you may not be able to provide that as a mailing address in the cited: DMV register of identity, because it might not be approved for such purpose by cited: DMV; and every non-reformed crime perpetrator would-might demonstrate glee at the lack of “power” your either reformed and-or non criminal accord, has. And that just can’t be the case;
and so in one exit of the two choices you have the Out: of outdoors homeless with perhaps an exasperated and less than expired i.d. But don’t worry things might get better. It might translate better.

[Basic Starting Q. Are P.O. Boxes Non-members? to which and what group[s]]
So model:
what you see;
what you associate it with;
and the four or five things that come up legally with this association.

same as last captions citations; roughly without my art first included … and of course the scribble is mine in this case; so obvious.
What is Main Frame.
In translation work; what you see is something like a perfume piece;
for some reason: I’ve picked up since college that cited: Victoria’s Secret is correlated
with pornography; and I don’t see this piece this way at all;
I see it as one might see an art piece; even a jewelry; piece;
with brand variants of stucco inside it [jewelry piece original]; and of course in functional translation
if you could figure out how to recover this free piece; with internal free pieces;
to a-your accessible enough accurate locale; also known here as address;
the entire band jewelry would be destroyed as soon as you opened the piece;
or rather something like destroyed; and so
[the] l’importante most factor here; and this is only a slight, a joke;
is the translation of this art piece to a jewelry piece; that consists of a multiple
of at least stucco pieces; and an easier break in translation is to wear [where to]
a plain jewelry piece; while you process the thing; and an ubux or a ubux;
is where the jewelry piece original match perhaps has at least a toyingly flap
non-toyingly; i.e. not, stucco ornate addition or what might be called instead moving stucco; because you’d at least figure out all the derivations
of how to open the main free piece.
and notice now the main free piece as turned into a main frame; and in this quick Right Up;
of the importance of effort into address provisions; and less so the jerk’s patronizing and not patriotic smile at the cited: DMV.  And here jerk doesn’t just reference: male, only.
The Opponent’s Banter:
Sure you may have lavender in the outdoors;
but is [it] a replacement for bed[s].
The Response:
That’s kind of the point;
in addition to rest and perhaps even work;
what else is the bed a motif for
. . .
On the box, scent; or art; and-or both;
the thing is a think of beauty isn’t it;

in stripes.

Do you imagine the ties are lace and or velvet.

let’s match it in an almost contradictory pink.

Pop Fiction, continues; & The Flower Theory

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Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors


Part One. The text as an art lesson.

in reverse order







of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”


after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already



more reading notes for The FVP: The Flower Theory


cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es


esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]


4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”



or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.


— then from this other source, text:

source, text cited; cover / top

cited: p. 352 , The New York Times,

from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare


age, rare: Ian;






and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific


(belonging to incident)



suicide implies ?


will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.






Posted on Updated on

more reading notes continued, too

for The FVP


by goura fotadar

date: 42617

on cited: p19 of cited: s,t by zs [swing time by zadie smith]

“”The Communist Manifesto””


“”This is my bible “”





“, he took it to every dance class, … “

it’s a children’s d.c. and

somewhere again is the mention of

children but note especially on this

page that like in many stories of fiction;

worth-nothing; she has seemed to to

some extent; 5he as in the main


replace, ed her mother in her

parents’ relationship.




“It sounded impressive—-

it was meant to impress my

mother——— …”


Earlier in the text; I believe

we came across the conceptual-belief-of society

of this mother reliably or not depicted by

the narrating daughter of

something such as: women must

have husbands.

as as aside: to match 42517’s or something

posting theme, I think

and additionally to other notes on this

on cited: 15  “”Freed””

Where replacing your mother

in her marriage likely isn’t the

experience of; and so form, from

former notes and cultural

suppositions, general;

“”Freed”” by dancing

contextual to this portion of

text; is opposite to

replacing your mother in

her marriage; and the

person doing both is

working against an

idea: yours? of

itself? [from

former u                                          [s] [as in plural more than one u or not]] [proof]

but in use of depending

on display narrator is

the text:

on cited p. 11

… that there was no

“Tracey’s father,” at least not in

the conventional, married sense.

This, too, was an example of

bad taste.

from the 2nd source book

in this situation; again

the citation:

Norman Rockwell

A & I ;

with this image; [the three renditions of it here, as photographed]




certainly in old-folksy

convention’s tradition

a child w/out marriage

and-or no

marriage for the

women, could mean

that to them

see art



no bravery

says the bird,

no fashion

says the gown

and hair at

perhaps just perchance

and no song + no song study says the

bird and not the expression

without a father for the

child; and-or a husband

to your mantle?

Perhaps not less important

to this text; and certainly

not in general; with the

image in-mind and

theme cited: the next witch goura;

is how does one become

fashion perchance [where perchance is “autodidact”]

as the text uses

word: “autodidact”

cited: p.19

I watched my

autodidact mother swiftly,

easily, outstrip my


so replace mother &

father to . be ” ”freed” ” in

the facet of fashion; and-or start this process.