economics

Pop Fiction, continues; & The Flower Theory

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Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

IMG_20170414_161258
cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

IMG_20170414_161249
identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

IMG_20170414_161241
source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors

theme

Part One. The text as an art lesson.

in reverse order

|

|

|

|

|

\/

of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”

_____–_______

after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already

[red]

“hood”

more reading notes for The FVP: The Flower Theory

frontingflower

cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es

Untitled

esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]

 

4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”

t-ril/by

tr-il/by

or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.

 

— then from this other source, text:

IMG_20170415_144715
source, text cited; cover / top

cited: p. 352 , The New York Times,

IMG_20170418_181935
from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare

social-ism

age, rare: Ian;

social-ism

social-[Ian-ism]->

age|rare|social|[I-an|ism]

|

\/

and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific

evented-time]

(belonging to incident)

|

\/

suicide implies ?

group;

will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.

 

 

 

 

The Earth to Food, (series)

Posted on Updated on

for The Fictional VolunTier Project

by Goura Fotadar

date: 5217

 

I. Notes for the … FVP

source, cited: Garden Gate (magazine)

from p. 24 cited:

“Painted tongue,”

“Salpiglossis sinuata”

  1. Is connected to “Petunia” the aunt you Love.
  2. Is originally or S. American; I need to look at a map. [updated: S.]
  3. Emigrated / Immigrated to G.B. either by force or not;
  4. As an immigrant ; it belongs to a more ancient immigrant story; than for example: a more [theme: move] new immigrant story.
  5. It has been supportive of diversity; and vice-minus; verse.
  6. It has a chosen and-or selected; confirmed growth pattern as a-[n] non-immigrant perhaps or not.

 

II. Fiction to post here; why and not on the fiction-art blog?

Untitled

fiction: theme 5.1.17 [under art statement, but fictional art statement]

theme [non-fiction this line obvious] music citation: Yeah Yeah Yeahs Maps [again?]

She was

literally sitting

withagrease

stain from her arse; and not

from food; and nothing had

moved.

from f-n juneback.

From “The Wave”

 

III. In photo editing errors; starts-end? a series; of Earth -> Food:

earthfood1

earthfood2

earthfood3

earthfood4

earthfood5

earthfood6

the next stage: night; and the next next stage: morning;

IMG_20170501_211112

IMG_20170502_070820

 

Label analysis for The FVP

Posted on

The new definitions of;

no! label analysis for

The FVP

by Goura Fotadar

date: 42717

“ECOPOIESIS” source, cited: GSA, TODAY, November

1993 p.279

let’s why not to be absurd:

arenditionmars

say; economin economic[s]

po’ [poor, poverty]

IE => i.e. [that ist]

SIS => [not sissy; sister]

so about “mars” ?

is the economics

of poverty; that is;

sister; next define

sister in terms of

economics and or this

portion / article.

sister -> such as fiction posting for 42717

cyst, er [the direction toward developing being with cysts]

now this has turned to basic economic[s] theory.

[the] economics of poverty;

that is; the

direction toward

being with cysts.

however perhaps not contrary;

to sophistication of belief:

the economics of poverty that is;

[is understood] by directing

oneself to be with cysts.

So any work related to cystology?

if that’s the word.  [update: [referenced dictionary through google search says cytology as of 42717] ]

The Horror at P.L.(s), continues.

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

3.23.17; and other more recent:

an

[add-to] crime report [notes] [to post to the fvp]

as photographed; horribly so experienced

at the cited: menlo park library at the

photographed station [one of my favorites

to use] [as mentioned]

IMG_20170323_115805[1]

as I was checking for my soft-copy of something

I’m working on; I came across another public

display porno-graphic video. Probably, I need to

do more to describe my observational experiences

with folks intentionally watching pornos in

public spaces; for example:

 

[Explain the noise of reading;

“t”

tee, T – line

in cues]

 

Switch- a tation with: no? pornography

continues; as soon as I check

the download[s] for my work-

related download[s]; it has

appeared; see photograph

vanity-non to health theme [wit: jokes]:

with that glowering hook;

rub that packaged o.o. + others

from olive pack near your

work tired-eyes.

then; I deleted it.

IMG_20170323_122146[1]

[I think these are from the same deletion sequence]

on cues; on the cited [ ^

                                   |

                                   To

                                  Checkout

                                   Desk ]

Sign:

is the shape of a long desk

|

| and a line of people

——————————————— [drawn:] long desk

—————- with people behind it :

it promises you a serious “aura” if

you get in

from the bottom of the sign; and the at-least common intellect;

IMG_20170323_203426[1]

perhaps correctly assumes; that the way

to gain knowledge

might be from what’s available: [tags: another photograph?]

what’s unclear is how you might

determine this from the sign;

without seeing it; since

it’s pretty far into the

building; if the sign

or one nearly exactly

weren’t in front; you might see a long, and

or line; likely perhaps? a  t -line; and

would this be enough for you to believe!

that something worth-it-for you is-was inside.

It might depend on who is in line. Applied

to the porno-scandal at a different library, public:

and in repetition ; might suggest the same?

as opp. if you come here again! theme: I will?; theme music citation: Only If For A Night Florence + The Machine

[I as in whoever is some of staff; who is in this

level of repetition approving this if not directly than-the/n

through sentiment] [and likely it’s not all staff

at all public libraries; ] … [ so if you come here again! & :]

diagramforthevblog41317

The Whoever

Supervising regular library, public use

will rob you / take of you —

your worth; if you return.

[as if it’s their house.][and as if this were legal in the clause: now it’s their house.]

 

 

 

Before Gender Strikes! [Hopeful complete 4]

Posted on

for The Fictional VolunTier Project

IMG_20170326_154712[1]

by Goura Fotadar

date, typed up, further: 32917

theme: or you figure it out

citing, yesterday’s source texts and-or source, citation (1) The Female Man by Joanna Russ

source, citation (2) The Wonderful Wizard of Oz (OZ SERIES BOOK 1) by L. Frank Baum as available for -free on the Amazon-Kindle

(cont. posting)

IMG_20170328_125836[1]

IMG_20170328_125844[1]

now within that

is the new def.

of width equal to roughly

IMG_20170329_115238[1]IMG_20170329_115246[1]

IMG_20170329_115253[1]

 

 

 

 

IMG_20170329_115303[1]

=> width times

possibly some

very small portion / part

of with

=> dispenses with is in this

case a negation

as suspected of dispenses –

IMG_20170329_115310[1]

 

-> “the modern child” ” … and (un)gladly”

… => so seek the

actual negation of

“dispenses” possibly look “dispenses”

for a(n) for

antonym

but since the internet is down (at the time this was conceived in July of last year?) , (to look appropriate antonyms) and I imagine a soap dispenser

=> “The modern child”   “… dispenses (not)”   “all disagreeable incident.”

IMG_20170329_121534[1]

 

So where the soap dispenser

is operated

by the volition-choice

as fluctuated by

“morality”

training

of

“the modern

child”

 

of

“the morality child”

 

and the soap is replaced with

“all disagreeable incident”

(some of)   “all disagreeable

incident”

does pour forth of

dispenser; this

almost if not completely in one

version answering number (1)

“morality?”

 

 

a taste of rum planes

Posted on

p.145-46, etc.  source, text (cited) : REAL SIMPLE meals made easy 

IMG_20170320_193955[1]
image 1 from cited: source text above 
IMG_20170320_194003[1]
image 2 from cited: source text above
 

tags:

real food’s

art notes

 

cited, theme: rum’s theory of course! (amazon kindle)

 

I was looking at the

Image of the salad on p.144 [see above for cited images]

and this may be obvious but

looking – examining it from the planar – view

the thing-eating item looks jungle ; a place

to sleep in the outdoors ; but you would

want more dry long-term plate upon

your back; and there’s the contrast of

 

the two perhaps once we moved into the

depths of perspectives ; in your mouth

the moisture on the jungle is bene’ ;

but at rest in the outdoors; excessively long

and upon your back isn’t so much. It’s then

the key ingredient external; not ignoring knowledge

that the greens hold their own : internal moisture.

At close look alse [editing note: no typo why the ‘e’] the salad looks almost sea;

the chicken also shrimp; and then turns Land: bacon.

 

the key whet;

looks oil; and not

soy; or vinegar (arrow down to) or even the ginger’s juice

which

would surely

absorb.

IMG_20170321_103655[1]

 

That’s   the solution to

comfort in the outdoors;

rest, especially:

if it must be wet;

make it oil that falls from the sky.

IMG_20170321_103700[1]

More Notes on cited: Prop 52 with missing art/images of last post(s) & of course novel theory with the addition of incompetent … in “uniform?”

Posted on Updated on

by Goura Fotadar

for The Fictional VolunTier Project

date typed up: 3217

aside : the security skew: theme: oh whose leg/foot is that. (next to my donated stuff!)

img_20170224_1420031

part perfume-ry

img_20170224_1427311

 

date, written 11.3.16

to post …

11.4.16

toposttothevblog3217

theme :

I should

be more

clear ;

I guess

(

  1. where are they treated ; in separate hospitals ? )
  2. & what are (those)  ” … health care benefits.”

cited: Easy Voter Guide as Source Text

let’s say or take

medi-cal is the grandson ; theme: “deserving?” 

federal government & private hospitals   things to

think more about :

program ( that “… provide health care benefits “) is the grand-son’s production

are part of the mono – ply of the grandmother on the

ownership to some extent portion – parts a la societe’ to create a more prosperous grand – son

and perhaps the grandmother is the federal government.

arrowdiagramforvblogpost3217

 

& Part Two. Novel Theory; dedicated to my br. ‘s death; and to the severity of talent at my undergraduate educational institution. theme: are you o.k. ? 

It’s so basic yet so         complex

  1. Writing Plans

My writing purpose; while in this Fellowship is to work more thoroughly on “Purplement,” a novel of mine-this time; adding to the parts of it; that were not along, with other of my works, confiscated; from my work-live space shelter; in that one [portion] of properties, my relatives owned.

The New Age Holistic

In-specifically, to work on this novel; its areas of art fiction; separated in two parts:

  1. The Analysis of Art Pieces in Fiction.
  2. The Depicting of Art-Like Code Structure in (Fictional) Text.

{italics} in it The Basic Publishing (or = / (in here)) in it The Basic Publishing

“Purplement’s” is set upon stage publication; in just writer body-works of through blogging basic enough publishings; and excerpts {italics} basic enough from it already published in such. It opposes independent publishing holistically as it is meant to be a mainstay; where mainstay can mean systemized completed piece, al. The work included in application; is demonstrative of how a piece of a larger work might become systemic once (the) larger work is completed; has become a holistic. Alone the excerpt can be used as independent written material. Hence, the term-aim completion: used; as might be referred to a new age health’s style approach; Holistic.

                                                                                                                                          The Obvious Artist

The novel and eventually all writing material can be more than present foreseen (-ably) classified into a facet; even category of art – form; the novel (-er); the writer even; an obvious artist.

Scenery as Fashioned[1] to Identity (further)

The purpose further; purpose of art fiction in a novel: is to further structure; the inside/ identity-novel; a fashion-identity[2]; similar to scenery[3], in-the-world; such as, trees (structure); developments (structure); and forth on.

 

  1. The Fellowship Contribution

In so albeit not straight; obvious; the acculturation of generating as displayed such category fiction; to build a stemming of it in the writer’s work body; and perhaps eventually in some percentage; could be small of the populous; at least; locally. The purpose of use of system in especially the veneer of “Purplement” to categorize the fiction into art study fiction and-or art fiction or more appropriating; art explanation fiction. But unlike other veneer physical art; albeit some of it at least; the novel is entirely different or can be. The novel-time; the inside of it, matching-at: socks and feet; at least, matching its veneer. Much like a school of prestige where the name of honor and-or elitism matches the internal learnings of the department from which a predominantly studied. Or departments. The Fellowship then is the local design of system which gives the writer more time to complete “Purplement” holistically; to meet its current goal of past years, finally identified to display the knowledge of art; purposed through fiction and if even that is controversy in meaning; what is fiction if it cannot be art. There are however no such issues of this novel’s (novel and esp. novel-time) identification. The existential goal of the novel, than past completion; is to certify that fiction, especially; (but certain as elsewhere’d here in “plan…”), all writing must always fall into a/under: category of art; where it currently-always, does not wear (-where). The Fellowship’s further then; will be to have at-hand, a system that can purpose further; the culture of novel, into the identity of sure-fire, art.

 

 

(C. Background of Present-Writing Related Sequences & Hindrances Over / come.

Says a Writer’s Life None-Worthy

(A few weeks ago 😉 while working, on the first version of this: “writing plans;” my relatives attempted, to have me, institutionalized; and perhaps apparent by my being able to freely complete this “writing plan;” they, lost at that; attempt. Their belief was / is; that my living, as a working writer; and in-other related, work-avenues; was / is definition of past-capacity functionality. In-more words; something; along-the-lines, they and-or akin; wanted the fulfillment of (the) power-of-authority, over me; my-work.

Last-in years and not year as might have been expected from the singular; I’ve worked to accumulate; a large, enough body-of-work; to apply to Stegner Fellowship[4]. Returning; to collect my-things; from the temporary, work-live space, small; my relatives had lent me, while accumulating Sum This: work; I found that most of my work-related and such possessions; had been grabbed and-or confiscated. Though there-are / I-have most (not all) digital records; of the production of my-work; in the past; two-years; of that live-work space, per my-access: it’s still an enormous loss. I no longer have the computer; even; from which I produced the works; mine, of that-period; albeit, it just under, two years. )

 

 

[1] side notes : {line to side notes (1), footnote 2}  (2) fashion as opposed to fashioned

[2] side notes: (1) fashion, identity as opposed to fashion-identity

[3] vehicles: {arrow to side notes (2), footnote 1} seen in-the-world may not be scenery in-the-world; in this world, anyway.

[4] {italics?} a footnote to the italics a basic comment on italics use noting that one cites a reference and-or note i.e. a citation and-or information to look further and the other use here is to add a marker of stress; i.e. something worth noting so that both do not belong to the same substance in so far here this writing existence or how about at least not yet

 

 

aside: hopefully no-more incompetent hence so false authorities will “bust my chops” in the center of the night’s morning for working really hard for nothing i.e. where nothing means only no money (for now). How I adore? having the violence of flashlights twitch-flashed in my face as I continue to work full of tired; and while not producing crime. God! But they swear my real name is Sarah Parker and I’m from Santa Monica; sounds lie-like a bad song. Like I didn’t work to create my identity own, real. {Being Homeless Outside of Rape and Violence-Driven Shelters is not a Crime! You are commiting civil rights infractions, without any consequence; and so, so many of them.}

aside: music cited: Miguel Simplethings