books

Based on Something Like Age

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

IMG_20170615_135706[1]

IMG_20170615_140659[1]

 

 

date: June 2017

source, cited: PACIFIC COAST TREE FINDER

A pocket manual for identifying Pacific Coast trees 2nd Edition

by Tom Watts

 

theme: “purplement”

 

notes from 14, or

relevant to 9th grade

To solve the cited:

blue tree problem;

for which I’ve seen

advertisements; but

stated differently;

and also connected

to fiction conceptions

of mine, at least;

the perhaps; blue

tree; missing its

view; or

sight of such tree;

or at least the hue

 

pardon theme: there’s

of such shrubbery

turned tree?

 

the solution presented

in perhaps the obvious;

still de-lineation that

trees and-or shrubbery

with blue; must?

qualify as blue? trees.

First; the obvious;

quotation, I mean ?

from cited p. 1 of

this book, source

The definition to perhaps better comprehend

the existential view=able state of appearance “shrub” … :

“shrubby trees”

 

“These are trees that often grow as shrubs and become trees only on sheltered slopes and canyons.”

tees r

theme syncing form:

“canyons” looks + sounds

so much like cited:

“crayons”

In an interesting art

figment; r “canyons”

is in the

one sense a:

[collection due to plural

of] “crayons”

so with; each set

of crayon[s]; we have

the at least linguistic

existence of “canyons” …

r “canyons”

“canyons” ,

“crayons”  [breaks down to at least;]

=> r canyons

it’s obviously in

addition to complex math

a childlike learning

recognition of the

power of art in

likely the genres of

draw-sketch +

color[in].

If you use? a, the, set, of

crayons [cited];

you will at least contribute

to the existence of

“canyons” ? as a

question since

this isn’t fiction but

rather functional magical

thinking; especially and likely

not just; appropriate for

tees, r —-> “trees” or

rather less abstractly for

children and adults. In this

discussion of genre-species;

we once again in our need:

utilisations distinguish ourselves

from for example plants-trees-flowers

and animals; and then

switch in development especially

within species of commonalities

and non-commonalities perchance

based on something like age.

In any case; we

have the relevant knowledge

-in-terms of diction collections

of that stated at near

beginning of what could

qualify as blue tree.

from cited p. 30:

“If there are bluish

berries and red or brown bark,

go to … ”

“If the bark is

brown, and the berries bright

blue, it is ——> ROCKY

MOUNTAIN JUNIPER
JUNIPERUS SCOPULORUM”

 

 

 

 

 

Short pages of “purplement” for The FVP

Posted on

dates: 6.5.17 – 61317

tag[s]: fiction excerpts from novels of the future in excerpt here; the death project; the news, and civil rights; literary analysis, culture discussions

Part One. Short pages of “purplement” for The FVP

IMG_20170613_143756[1]

by goura fotadar

I was thinking about;

as in all of but not just;

my fiction; the bar of the

draw cardes, post; and

the arrangements ; the cost of;

minimal would idol go-to in

times of low-coste; think of so’s

brand pandles; eating even more

food; and how flowers don’t. I’d

been vaiting for it for grandiose bibes;

and treats of mides; and blows of

shadow. Once at least; I’d seen it;

at a stage-front that was non-hoax;

and the ox was at the stage with

green stellas. She was a different way

when; dimples on the tilt; the image

of the inside the fixing of precedence;

and the bakes of no! pale. We were

non-bites; and finally I knew it was

a he; about his wife that he didn’t

like; Boy! was she gone.

Part Two. Non-“purplement” or something

IMG_20170613_143759[1]

In a review of liquor and

flowers; I had started reading “Lotus

magazine”

IMG_20170605_202552[1]
cited: L … magazine
I wanted to discuss at this

 

point; I’ve just now received the “Issue No. 1 -2016”

the poem on page “9”

IMG_20170605_202632[1]
cited: the poem on page 9 from cited: L … magazine
that

 

IMG_20170605_202637[1]
aside 0: personal notes of real crime analysis and reports received and albeit civilian status
starts and finishes without severe

reading glance; at that vocation.

“bitchin’ ” is not the main narrator, male, i.e., male-identified?

others that are

“poor”

at some others

“have”  “kitchen … [s]”

not both? see the “yellow

cookie”

as the “window” ‘s

entire being ; and you

have a baker , … , a pastry lover …

on “dizgotic” I hardly                           | date: 61117

know what dizgote means

w/out a dictionary and a summative

analysis of it, the word; but I wonder

if she were pregnant; and obvious, I don’t

mean the narrator; as described but I’ve

read-glanced ahead: and you have to wonder:

“Snappy” it’s only to say the reference the

obvious that you can as one likely knows

analyze in parses or in parsing as in code;

cited: coding courses in community college;

something you haven’t read entirely through, yet;

as an entry into reading it : sort of like

the fine printed way to understand the over-all

enough-needed function of a vortex.

tag[s]: non-function structures; on-them.

as an aside;

the death project, more source texts as identified

from “ch. 2 of funeral homes”

p. 11

of “My final Wishes” by Bradley H. Davis

is a title so much “Li Qing Zhao’s Kitchen” p. 9 of “Lotus Magazine”

prom: of p.11

“Upon death, the first thing that has to be done is to choose a funeral director. ”

under: “Funeral Homes” “2.”

theme: prejudice

is like unjust homicide

 

Miss Ms. Goura Fotadar

wishes to acknowledge the

receipt of your

request of a ban of

her from the Menlo Park Public Library (only) [sited, cited:]

on Alma Street from

today June 12, 2017 to two days after her 36th birthday June 14, 2017.

She appreciates the repeated blandishment

of her identity, gender, race, sanity, non-criminal, etc. statusi and work

 

by most patrons and volunteer-employees of this

and such practicing libraries. She considers

this extreme harassment

under her social cause

of safety through homelessness

and non-cash paid work; to further support this cause.

She requests that such

harassers not be

reciprocated for any

of her works and

identity; and she petitions

for the firing of all

pertaining library employees;

and volunteers.

She notes that out-spoken

un-defended prejudice

and gossip in this

country is illegal; and

that; likely despite

being at a knowledge

stream such person(s)

are unable to comprehend

the civic nobilite ;

that though you do

not like her; this

is certain; not her

problem.

dedicated to the service

      of J. J. L/F

citing p. 344

of  The

Amy Vanderbilt

Complete Book

of Etiquette

by Nancy

Tuckerman

and Nancy

Dunnan

 

Title: Where N/a, Na can get you. R.D.

Posted on

for The Fictional VolunTier Project

flowerpictures.png

by Goura Fotadar

date: 6617

tag[s]: mind channels

date worked on : weeks ago

source, cited: GSA TODAY,

October 1993

cited: page 255

[l.u.]

Is it still

|

\/ ?

Sodium Big

cited: Big Red [gum]

 

Is it Iso[s]celes that

connects to

“Society”

13, 5, 7, 1993

13, 5, 7, 13, 99 [13]

5, 7, 99

57, 99

2, 12, 0, 18

tag[s]: histories [ … ] dilemmas

 

February 12, [19]18

Gosh that long

ago?

Sodium was … ?

and did the:

“thirteenth”

exist then.

 

— —- —– —–

on check; Yes Na is still

Sodium! cited: 462

IMG_20170515_181843
cited images from source cited texts
IMG_20170515_181847
cited images from source cited texts

of

cited: INTERNATIONAL ENCYCLOPEDIA

OF

SCIENCE AND TECHNOLOGY

IMG_20170515_183104
cited images from source cited texts

 

As an aside while looking

up NA & in high

school review

 

I came across

“the law of conservation

of matter”

which in the bell

jar

signifies past death

you still exist if you

“matter” ; and of course

in mind channels we have:

“the bell jar” by “sylvia plath”

i.e. about that [which that.]

& connecting to religion;

why not the

bell jar in this

picture is certainly

something like a model

of pregnancy; and

is sodium like the

Baby or baby carrier ?

theme: Na? to the womb /

no

wound?

 

see image of

cited: p. 87

IMG_20170515_182802
cited images from source cited texts

[photograph.]

IMG_20170515_182809
cited images from source cited texts
IMG_20170515_182812
cited images from source cited texts

tag[s]: theophysics

 

next citation:

cited p.724 of

“TANAKH

The Holy scriptures]”

IMG_20170515_181827
cited images from source cited texts
IMG_20170515_181805
cited images from source cited textx
IMG_20170515_183107
cited images from source cited texts
IMG_20170515_181805
cited images from source cited texts

“Can a woman forget

her baby, Or disown

the child of her womb?”

 

where the woman is the

bell jar; the child the candle;

and the outside of them:

a set of elements?

Don’t forget … The indexer Na.

 

 

Side art notes; and the mini-dissertation on Salt Upon suggestion

Posted on Updated on

Side art notes; and the mini-dissertation on Salt

Upon suggestion

 

cited: brainstormers et al

Date: 51917

for The FVP

 

Point One for part one: Side art notes || upon suggestion ||

theme: Gimmick tricks on how-to skateboard

in art

Untitled

Hypothesis: A piece or real art over schematic or rough sketched or wavy sketched art ; transforms both to real art either together; and of course the latter also alone. The former of course has already won that award; and any real work awarded of course cannot lose such work. Metafaces of Enlightenment

Using main frame brief art: of today’s cited fiction posting.

Part two. The mini-di

Date: 51817

Tag[s]: for esp. cited: c.s.u. educational, needs

The salt shaman continued

Source, text, cited: Love Story by Erich Segal

So; on cited page 3

If both “coffee”[s]
“and a brownie

With ice cream

(for her).”

First of all it is

Unclear; if

Both “coffee” [s] are

For the narrator with

Only the subjunct

Meal for the other;

But in any case

Where the latter in

Combination only

Or not is like

Salt;

Certainly the former

Is; and past

The already counted

Consent as in last

Posting; is

This further

Consent to salt: and

Whether since we don’t

Know for sure whether

The mini-meal and-or

Refreshment[s] in this case

The salt is actually consumed

Or not; we only know that

The salt enactment

Is complete from the

Former consent in the

Order.

 

Most would argue … that

Any meal-type setting

Is an opener;

But perhaps it

Is it as salt:

After the order:

The other introduces

Itself to the narrator

And discovers

The narrator’s family

Heritage

Cited p. 4-5

But on cited

p.5

“    “Jenny, if you’re so

Convinced I’m a loser,

Why did you bulldoze me

Into buying you coffee?”

She looked me straight in the

Eye and smiled.

“I like your body,” she said.”

Where salt is not

Water but in water; “coffee”

Is salt; buying “coffee”

Even when “bulldoze(d)”

Is consent to salt.

“coffee” like salt? Like salt-liquid

Is salt we’re looking for

Something that translates the

Liquid …

Or to liquid

“She looked me straight

In the eye and smiled.”

“ … Look me …” always implies

Mirror and mirror

Always implies water

“straight” implies

Examining image

“eye and smiled.”

Means also I and “smiled.”

Recognition of self-image

Implies with the other

Recognition of another

Image that has

“ … looked me straight …”

Quality of water viewing.

See cited: Sylvia Plath’s mirror

“ “I like your body, “ she said.

The other views “body”

Outside of itself over salt;

Is again

Most aptly

Captured by a

Body of water;

And or liquid.

[other notes: salt near body; “coffee” near a body, actual ]

 

In fiction analysis of

Salt in this text then;

This is the description

Of entryway to outside and

Inside yourself view; comprehension

: in other words; this

Text analysis seems to imply

Do it over salt, salt-like ; and-or

 

Do it with salt.

 

Perhaps one inconsequential

Proof : for long

Days or nights

With salt-kind;

i.e. such as

coffee.

Theme: who kneads

Lust; when you

Can image comprehension;

Instead.

—Reality checks.

As an aside: of course;

This is fiction analysis,

And if wanting to apply

This motif to real life;

If you ordered a book

Instead for yourself;

And something like that

For the other:

Not being salt would

It provide the

Tag[s]:  & policias of l,ibrares

Same-type

Of opening;

Opener?

Perhaps if you

Got really close to

The salty? Salt-like

Pages.

Maybe this is one real reason

Some? Library workers?

Never want to anybody to eat

Or drink in the library when

Wit: books; they might be

Attempting to control socialization

And from previous posting

Salt, salt-like’s entry-way [if even fiction][in the reality check?]

Into actual knowledge. Ha!

& in the knowledge stream:

Library. That’s a real time –

Out kicke.

Tag[s]: the culture of several bay area libraries and some of their staff; but not all of their staff.

Part Three. More perfume and garbage notes.

It larger thing is turning into a potpourri bottle or something; or potpourri paper weight or something;

And the other other two are also being added to as photographed.

Oh perfume notes and art notes of garbage: what will happen next.

Will I rub you and view you and you at the same tryin.

and then of course I also rubbed the leftover “grease” of the flower all over my face and stuff. Oh no hygiene.  || know ||

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IMG_20170519_110618

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Untitled

[is it a banner]

 

 

The turning significance of food [part three, final part?]

Posted on

for The Fictional VolunTier Project

Untitled

by Goura Fotadar

date, typed up: 5717

tags: fiction art notes; too

also from a following, and already p additional q cited; source text, : The Metropolitan Museum of art Howard Hibbard

 

on cited: p. 445

we see a protective glimpse

of forest

as the animal

is eating its

meal; perhaps

also a slight joke;

\

\/ the art on cited: 445 especially ; on bloody display.

IMG_20170503_134506
cited: images as identified in this posting [l from cited: gg, r from cited: mma]
but using cited:

garden gate’s

“butterfly”

imaging +

imaging description;

the food is being protected

by emulating jungle form

in appearance; in other

words; the food of the

one animal may or not be

a 2nd animal; and it is

in such jungle; jungle

like forests that animals

roam? at least during meal –

time; to disguise their food

as themselves; and is it

in the jungle ; jungle – like

forest where we all receive

food from ? In any case:

the forest is the first

layer of food concealment

and-or dining concealment;

and the 2nd is of course

IMG_20170503_134520
cited: p 445 of cited: mma
IMG_20170503_134514
cited: as last posting back of and or “butterfly section” of cited: garden gate

the image of the food looking

exactly like the consumer of

it; and this Would be

contrary to

popular belief systems at

present; such as presents;

that animals are eating

themselves and-or one-another

for nourishment ; and certainly

we have many documentaries

showing us such “truths.”

In an imaginative :

exercise is there anyway

to guess what the

animal is eating imaginatively instead. The forest

jungle; almost seams

seems with a burgeon

of land-fill plant else;

but more importantly

using the Sky as

the primary temperature

influencer; as with the

“butterfly” in/on cited: garden gate

 

the opening of placement

animal-eater is perhaps

the temperature of kitchen

draw l’arte: temperature of kitchen;

and when you look carefully

at the animal; you remember:

what you know about its

form: the quill like needle

like fur ; the flower

like eyes and

ears ; the stem

like mouth; th’

tree like limbs and

such ; and you see

a clear emulation :

of the forest; forest jungle

from the animal – eater; [cited: little riding hood or whatever; recollections of; anyhow]

we then have to imaginatively

wonder : does the animal

only look forest connected

to eating. In this art image :

as usual the moon and-or sun

is pupil to sky-eye; and

[to draw back from

animal focus;

perhaps]

 

each slide almost

blade banner looks

like an up-coming actual

that : lettered sign; to/

instructing of somewhere .

and back to animal

and-or

simulated animal

matter; the eated has unusual

the not so much for

animal path-like markings;

and we ponder the e/a ‘ffect’

of perhaps the path-ways

walked by even the animal-

eater; in imaginative-exercises;

on the food and-or kill’s

body. Do you find that;

that this is a meditative

exercise; turning yourself

and-or your food into a

form in your mind that

offers it + you protection

as the cited: garden gate

suggests; on a deeper

red-ing [no typo here; for edifying purpose spelling change] ; and

in perhaps or not

the unfortunat – ancy

of the blood in this

art; the killed’s head

gone ; is blood

like the

heated?  temperated

“nectar” ? of

a flower.

So is the “butterfly”

a legal and

permissible,

permit-ted killer? at meal-time

at least. cited: garden gate

 

theme: “stacy”

theme music citation: The Ting Tings – That’s Not My Name

 

The Turning Significance of Food [part two.]

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date typed up this group: 5617

 

theme: carmen-sense

car/men-sense

car/men-sen/se

|

\/

theme 1: it looks like a house:

Untitled

 

tags: safety tech; food with-holdings Study : Field, Economics Bio

|\/

Basics: aside

the desk with back especially as a flat screen;

but not just for surely even the air is

backing; can be thought of like most

vehicular navigations; such

as the car: and the

obvious ; with flipping

pictures; held up

even temporarily with hand

signals; creates the flat-screen;

if you want to introduce

computation you might cue the

t. b. c.

pictures + time like

a cited: pp + microsoft? and]or such slideshows;

and of course on the brow of cited: garden gate

IMG_20170503_134514
cited: back cover of source, text 1: garden gate

‘1 ; you must include a view of

what: you might cue into

hand switch; for these basic

counters of cue would be practice

for how long one – you/or they:

theme: visit; [cited;] san francisco public library

theme music citation: beyonce formation

sfpl

might have to emulate/copy form

of the place in where one-you/or they:

ate? Of course this is also combat modality;

armed or not. But why not be

aware that it’s also ART.

The kettle is so much like the

form of a gowned woman; fragile or not;

 

but skewed to perhaps standing. Is there

an answer to if women sit or stand

more often [theme: of’ten?] gowned.

And in form art;

the kettle would you

say is stood.

cited: p. 472 &

cited: p.494

IMG_20170502_185839
cited: page as described from second cited source below identified
IMG_20170502_185904
cited: page as described from second cited source below identified

[self-notes: look at

cited Tiffany

& co art

on cited. p. 495]

IMG_20170502_190058
secondary source text cited as identified below

secondary source, cited text: The metropolitan museum of art Howard Hibbard

 

“”Freed””

Posted on Updated on

more reading notes continued, too

for The FVP

sighthelp

by goura fotadar

date: 42617

on cited: p19 of cited: s,t by zs [swing time by zadie smith]

“”The Communist Manifesto””

to

“”This is my bible “”

to

.

.

.

“, he took it to every dance class, … “

it’s a children’s d.c. and

somewhere again is the mention of

children but note especially on this

page that like in many stories of fiction;

worth-nothing; she has seemed to to

some extent; 5he as in the main

narrator;

replace, ed her mother in her

parents’ relationship.

.

.

.

“It sounded impressive—-

it was meant to impress my

mother——— …”

 

Earlier in the text; I believe

we came across the conceptual-belief-of society

of this mother reliably or not depicted by

the narrating daughter of

something such as: women must

have husbands.

as as aside: to match 42517’s or something

posting theme, I think

and additionally to other notes on this

on cited: 15  “”Freed””

Where replacing your mother

in her marriage likely isn’t the

experience of; and so form, from

former notes and cultural

suppositions, general;

“”Freed”” by dancing

contextual to this portion of

text; is opposite to

replacing your mother in

her marriage; and the

person doing both is

working against an

idea: yours? of

itself? [from

former u                                          [s] [as in plural more than one u or not]] [proof]

but in use of depending

on display narrator is

the text:

on cited p. 11

… that there was no

“Tracey’s father,” at least not in

the conventional, married sense.

This, too, was an example of

bad taste.

from the 2nd source book

in this situation; again

the citation:

Norman Rockwell

A & I ;

with this image; [the three renditions of it here, as photographed]

IMG_20170425_175134[1]

IMG_20170425_175138[1]

IMG_20170425_175143[1]

certainly in old-folksy

convention’s tradition

a child w/out marriage

and-or no

marriage for the

women, could mean

that to them

see art

image.

 

no bravery

says the bird,

no fashion

says the gown

and hair at

perhaps just perchance

and no song + no song study says the

bird and not the expression

without a father for the

child; and-or a husband

to your mantle?

Perhaps not less important

to this text; and certainly

not in general; with the

image in-mind and

theme cited: the next witch goura;

is how does one become

fashion perchance [where perchance is “autodidact”]

as the text uses

word: “autodidact”

cited: p.19

I watched my

autodidact mother swiftly,

easily, outstrip my

father.

so replace mother &

father to . be ” ”freed” ” in

the facet of fashion; and-or start this process.