book ideology

Remember to re,new book,s

Posted on

for The Fictional VolunTier Project

art

by Goura Fotadar

tag[s]: death project art

theme: emblematic re-occurrences

theme music citation: Stand By Me Ben E King

death art: from public visitis to sites;

imagine in convention: to have somebody’s name, who is deceased in a color that;

marked on the urn; that would be the destruction of this art? or would that be art.

or ownership art

the theory of non-possessions memento art

[still]

frameworks too of reality seen change; or reality interaction

Untitled

Untitled1

 

date, typed up: 52217

cited, source text: Henry James The Turn of the Screw & In the Cage

IMG_20170520_161025
image of back of source, cited
IMG_20170520_161031
image of front of source, cited
IMG_20170520_161033
image of front[d] of source, cited

date, composed: 52017

What I know for sure about;

of what I’ve read of

James; he has

made your vocab.

larger.

 

Remember to renew books.

 

from the back:

fear perhaps ?

“afraid” & “ghosts”

is this an almost near

pre-cursor of that

movie (citation): The Others N. Kidman

 

cited p.138;

 

scan to through by

flipping to 4 or five locations;

finding a passage that has current

relevance ; like a psychic index

theory; other notes: to consider;

theme cited: brainstormers et al

fire is like five

5

 

since I’m currently examining the front

of cited “love story” I decided

to look past the front

and the reflection

back as a standing

pointe; theme: how to move;

and came across a passage

on this page; that has high

current relevance to issues of

s.c. [social cause]

ghettochildhoodart

cited: p.138

IMG_20170522_113151

IMG_20170522_113202

IMG_20170522_122134

IMG_20170522_122144

[but first just by a stroke of luck; the book was left

here where

I would sit.]

The passage:

“time”

house:

“every opportunity”

“inspect … documents”

“… documents”   a way to “… see every one at … ”

house: “every opportunity … ”

so? have a ” … flock” and will not be ” … disappointed.”

a quandry

to “… disappointed …”

tag[s]: art’s fiction theology

thepassage

IMG_20170520_161013
image from passage from cited: source text as identified
IMG_20170520_161018
image from cited: source text

 

 

 

 

Side art notes; and the mini-dissertation on Salt Upon suggestion

Posted on Updated on

Side art notes; and the mini-dissertation on Salt

Upon suggestion

 

cited: brainstormers et al

Date: 51917

for The FVP

 

Point One for part one: Side art notes || upon suggestion ||

theme: Gimmick tricks on how-to skateboard

in art

Untitled

Hypothesis: A piece or real art over schematic or rough sketched or wavy sketched art ; transforms both to real art either together; and of course the latter also alone. The former of course has already won that award; and any real work awarded of course cannot lose such work. Metafaces of Enlightenment

Using main frame brief art: of today’s cited fiction posting.

Part two. The mini-di

Date: 51817

Tag[s]: for esp. cited: c.s.u. educational, needs

The salt shaman continued

Source, text, cited: Love Story by Erich Segal

So; on cited page 3

If both “coffee”[s]
“and a brownie

With ice cream

(for her).”

First of all it is

Unclear; if

Both “coffee” [s] are

For the narrator with

Only the subjunct

Meal for the other;

But in any case

Where the latter in

Combination only

Or not is like

Salt;

Certainly the former

Is; and past

The already counted

Consent as in last

Posting; is

This further

Consent to salt: and

Whether since we don’t

Know for sure whether

The mini-meal and-or

Refreshment[s] in this case

The salt is actually consumed

Or not; we only know that

The salt enactment

Is complete from the

Former consent in the

Order.

 

Most would argue … that

Any meal-type setting

Is an opener;

But perhaps it

Is it as salt:

After the order:

The other introduces

Itself to the narrator

And discovers

The narrator’s family

Heritage

Cited p. 4-5

But on cited

p.5

“    “Jenny, if you’re so

Convinced I’m a loser,

Why did you bulldoze me

Into buying you coffee?”

She looked me straight in the

Eye and smiled.

“I like your body,” she said.”

Where salt is not

Water but in water; “coffee”

Is salt; buying “coffee”

Even when “bulldoze(d)”

Is consent to salt.

“coffee” like salt? Like salt-liquid

Is salt we’re looking for

Something that translates the

Liquid …

Or to liquid

“She looked me straight

In the eye and smiled.”

“ … Look me …” always implies

Mirror and mirror

Always implies water

“straight” implies

Examining image

“eye and smiled.”

Means also I and “smiled.”

Recognition of self-image

Implies with the other

Recognition of another

Image that has

“ … looked me straight …”

Quality of water viewing.

See cited: Sylvia Plath’s mirror

“ “I like your body, “ she said.

The other views “body”

Outside of itself over salt;

Is again

Most aptly

Captured by a

Body of water;

And or liquid.

[other notes: salt near body; “coffee” near a body, actual ]

 

In fiction analysis of

Salt in this text then;

This is the description

Of entryway to outside and

Inside yourself view; comprehension

: in other words; this

Text analysis seems to imply

Do it over salt, salt-like ; and-or

 

Do it with salt.

 

Perhaps one inconsequential

Proof : for long

Days or nights

With salt-kind;

i.e. such as

coffee.

Theme: who kneads

Lust; when you

Can image comprehension;

Instead.

—Reality checks.

As an aside: of course;

This is fiction analysis,

And if wanting to apply

This motif to real life;

If you ordered a book

Instead for yourself;

And something like that

For the other:

Not being salt would

It provide the

Tag[s]:  & policias of l,ibrares

Same-type

Of opening;

Opener?

Perhaps if you

Got really close to

The salty? Salt-like

Pages.

Maybe this is one real reason

Some? Library workers?

Never want to anybody to eat

Or drink in the library when

Wit: books; they might be

Attempting to control socialization

And from previous posting

Salt, salt-like’s entry-way [if even fiction][in the reality check?]

Into actual knowledge. Ha!

& in the knowledge stream:

Library. That’s a real time –

Out kicke.

Tag[s]: the culture of several bay area libraries and some of their staff; but not all of their staff.

Part Three. More perfume and garbage notes.

It larger thing is turning into a potpourri bottle or something; or potpourri paper weight or something;

And the other other two are also being added to as photographed.

Oh perfume notes and art notes of garbage: what will happen next.

Will I rub you and view you and you at the same tryin.

and then of course I also rubbed the leftover “grease” of the flower all over my face and stuff. Oh no hygiene.  || know ||

IMG_20170519_110617

IMG_20170519_110618

IMG_20170519_110622

Untitled

[is it a banner]

 

 

to : morrow meaning trans.

Posted on

more notes for tomorrow’s

to: morrow v blog post [after Part Next.]

[seems framework for eulogy non-fic +

glum tales/states]

The Non-Fiction Eulogy of Relationships.

tags[s]: the Death project; pop culture

notice budget

is of course

bud, get;

and while one might

think of flowers; specifically

bud[s] for get following

can suggest plural ; so flower

buds such as a death ; and-or

to c… a death; there is of

course also : bud, get as

in the modern urban slatter:

of objective getting [real?]

connections to others that are perhaps

like [flower] buds; [the others]

and so; to create

the basic  artistic

endeavor of such

non-risk;

in one’s main-stream

connection to

the actual

contraption of

art; being

near buds, flowers;

even plants and or

even just flowers;

would be a reminder

of such

choice, objective; enaction.

theme: buds

theme music citation: icp – homies

tag[s]: art theory

Answer to: Why buy, work with, and-or be near that which is that.

IMG_20170518_101634
currently near the public library; and on use for perfume makings

Part Next.

Mementos from Fifth Grade: The Boring Commercial is Made Non-Boring Through Mind Channels

for The Fictional VolunTier Project

By Goura Fotadar

Date: 51717

Tag[s]: the basics of thought and-or education; advertising knowledge; education uh for children

We Need to Just Interrup-the thorough to brief overview: called proofreading and editing of cited: The Witch Goura … [the next one]

Through the concept felt and heard through at least, no only through mind channels of

Budget

And-or cited: Budget

Image of a Budget Truck (cited)

Draw a graph: a graph here means only a sequence of names and or letters connected by lines that sort of make sense. Below, Imagine and-or fill in the lines.

Editing-proofing your own work stresses the importance of B.

Mind channels

Iterate things that are; are they B.

Where B is B. {Ease Hint: Where Be is budget}

Just a stroke of Luck. No Mind Channels.

Aside coincidences: cited: jumper by third eye blind; and that movie by the same name: jumper

Part Three.

cited, to be photographs for

IMG_20170517_171818
cited: first page as described in detail below of cited: LOVE STORY by E. SEGAL
IMG_20170517_193349
cited: tron by ic [b.ideal and thematic building]
IMG_20170517_193354
cited: al-sh i som by sjh for same purpose as the last most recent past photograph
IMG_20170517_193337
art framework: books to cue consider

to do: on 5.17.17

next in cited: Love Story

diagram what happens

in the story

at the mention

of “salt” and-or “salt-like”

to further edify on its

in this fiction at-least:

shamanic

|| power ||

5.17.17 continued.

source, text : Love Story by ERICH SEGAL

cited page 2:

“eye the cheese” <— mention of

where the cheese as

suggested already

is salt-like.

what happens in story connected to salt

|

\/

further choice derivation consent

.

.

.

consent to salt

cited p.3 as

suggested already

mention of “coffee” is salt-like

.

.

.

further choice derivation

consent to salt

.

.

.

 

entry of the other

 

Looking ahead

since I’ve read this

text; more exactly in

the past circa college;

college extended.

 

Can salt have created

the experience that is

the beginning line and-or

the end of the book : as

quoted earlier;

cited p.1

“What can you say about

a twenty-five-year-old girl

who died?”

 

extending this citation in to

also the cited: The Death

Project; for The FVP:

cited brainstormers et al

this first page as indexed;

available in format in this

print of the source,

text ending in

“of” on

the cited p.1.

 

as an aside:

might be used as

a-eulogy for another

non-fictional being in

funeral and-or such death

context : how would you

modify this first

page; such :

[see photograph]

[of original]

[page]

(above)

 

 

cited p.1

(removing)(the)

“died” from

the first line

to turn it more …

achievement; and even

hope based ; then-tha

becomes

“What can you say

about a twenty-five-year-old

girl who … ?”

tag[s]: fiction analysis; life/existence non-freaky seance

To self-analyze with

this fiction application

in the context of

death and-or

in this case fictional death.

; as well as ; outside analyze …

I’m going to use myself:

as an example here

as demonstration

“What can you say about

a twenty-five-year-old

girl who … ”

of potential death;

everything that noted

had been accomplished

by the crux:

time of that

potential death in

this case: 25

{draw crux: 25}

and if you identify in

actual work derivation [as in work in your own gender derivation … hence, that meaning]

as something other than

girl; than-the/n of

course replace with

the right gender word.

 

continued … cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

of course you might

know that again the end-result

is “died.”

and notice now the

significance of the

question mark

that it may signify

also something

other than

“died” and period.

 

this then is an accidental

proof on how-to

re-translate

[earned][i.e. real]

[accomplishment] death.

accomplished

 

cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

 

[B.A. centric]

-got bladder cysts like

cancer despite a life-style

of severely healthy habits

& practices

-did too much volunteer

work

-transferred to a prestigious

university; and graduated from it.

-landed every dream in college jobs.

-grew up in the ghetto

-attended university for primarily

merit-based free college welfare cost

-changed majors nearly four times.

-had mostly male friends and colleagues at

roughly the pattern of that age-time.

-eat pre-pared food of the health-gourmet

variety extensively. [during that same pattern.]

-attended college near-to the environment

she grew up in; was from, primarily.

-landed her dream career shortly after college.

-went on many, many interviews.

-met many, many people.

-read too many books.

-believed she was nearly enlightened

through her b.a. coursework; and this is

only sort of a joke.

-rarely ever had financial problems despite

growing up dirt poor.

-had a series of serious boyfriends that had

almost nothing in actual common with her;

and her actual colleagues and-or friends.

-never ever committed crime.

-didn’t always want to publicly share

her volunteer career endeavors; and

considered even a non-publicized

resume; public.

-hadn’t finalized graduate school plans;

but got all the A’s she planned;

something like 6/8 in general major.

[but you have to factor physical sickness: severe in the missing two.]

 

Eulogy using as an example continued:

cited p. 1

“That she was beautiful. And brilliant. That she loved Mozart and Back. (And not the Beatles.)(And not me unless I’m a real/was a real brother to her.) Once, when she specifically lumped me with those musical types, I asked her what the order was, and she replied, smiling, (not “Alphabetical.”)

Them First. [as an aside look-up today’s posted fiction for a good pun.][ connected good puns-art.]

… “At the time I smiled too. But now I sit and wonder whether she was listing me by

my first name–in which case I would trail Mozart? (in accomplishment alive since I am as the speaker of the eulogy still alive) …”

theme: alive speakers

theme video citation: (I think it’s) the shins simple song? [l.u.]

“– or by my last name, in which case I

would edge in there between (the alive?

accomplishments and successes of) Bach and

the Beatles. (And of course I mean all conceptions

applicable of beetles.) Either way I don’t come first, which

for some stupid reason bothers hell out (—-) (her death came first) … ”

back to main posting …

tag[s]: computer science abstracts & basics & library science

cited p. 3

upon entry of other

through consent of salt and

the enactment of slat, no salt

where as suggested earlier through

poise [cited: poise]  no postings that

“coffee” may be something

like salt [reminder: indexer motif]

and especially as compared

against most other so far scanned

in mind word[letters] in meaning;

hence words. [in the used source text of course.]

the main narrator is hit with

perhaps another; magical and-or

shamanic aspect of salt; the

entry-way into-a needed accessible

book; and study of this book for

an upcoming exam; and than-the/n even

Perhaps the support of the performance

on the upcoming exam.

{Draw salt as an obvious as in seen, scene; entryway

to something like a book; example

cliche and obvious;

salt sprinkles ; and-or

salt motifs in front of

a door-way}

The enactment of salt of course;

is: the following haven take place

scenario.

cited p.3

“Let me explain why I took

her for coffee.”

vt

 

Part Four; not quite but as another aside:

to seize fiction and to

introduce into it while

it’s in your mind;

real, reel, life

see gum wrapper

can also be

art

this is a theme

park;

each cited: m & m

a door-way

or like it to

box: activity ; and

the used gum[even more]

title + salt

cue considerations

in cover knowledge

cited:

(1) The RAPE OF NANKING

by IRIS CHANG

(2) AL-SHABAAB IN SOMALIA by

STIG JARLE HANSEN

 

 

 

 

On Cultural Edifications: W[h]oa[h]-man

Posted on Updated on

Edifications:

Untitled

for The Fictional VolunTier Project

by Goura Fotadar

date, typed up: 5917

hygiene art notes  date: 5817

source, cited text: The Metropolitan Museum of Art H. H.

on cited: p.354

IMG_20170508_161346
cited: from above as identified source text

Before I do anything else; this looks like a view of an older New York Apartment; turned Modern through squalor hygiene; perhaps left-over with some furnishings from its

former more royal past. Even without the existing? past of hygiene help; when

[one: a person, persons-entity, a being] We think of almost in the Ultra-modern era; such as the local ’90s-to 2010s or so; of exhaustion due to . . . leaving less regular energy for; environmental room[s] hygiene time i.e. cleaning but rarely do we hope to picture the unfortunate dip in environmental space of living and use; such as: work hygiene; to what has come to be considered of not just the myth of the holey apartment; here by holey I mean un-rub-able filth on the bathroom floor; and not just a few disorderly pieces and smudges of dirt; a stench that never completely subsides; and not just the occasional smelly cooked dishes and-or a stack of

trash you / one [ … as defined] hasn’t gotten to,  yet.

 

As someone once told me all assisting outside

hygiene folks-people should pass an actual not fake police-militia

protecting freedom/unwarranted crime check; albeit in the

ultra-modern era. Just not everybody is “safe” enough to

enter public spaces and-or [beings’] people’s rest-work recreational

areas: and perform functions of [hygiene].

IN any case the view of what might have

once been grandeur hence perhaps the label: “palace” of this

piece: view on the previous page: cited: 354;

IMG_20170508_161357
the other side or part of the cited: page in the identified text, source: kind of a blur

has despite poor non-potential in

hygiene in the observational ultra–

modern world; turned into attire of

decor not just when left-behind-forgotten-speech:

of so you can keep: have it; but of any class’s use;

thus an inaccuracy in compre that even the poor have

access to such use: decor  in the ultra-modern period of

around now; as their own: impless a sense of out-dated-ness

which is not classic. Is the envy of a non-compre societe causing

us not to compre hygiene functions of when there are those;

by those they perhaps; who in their compre in accuracy

and not those for better lack of information: generation/ exposure,

to; who non-compre the cultural appropriateness of palace

grandeur in every one […] of worth.

Spread the wrong functions of [hygiene] than then is combality mask to blind the “common” folk; an attempt to re-blind them in an act of no-longer

effective and-or appropriate  classism.

 

In an era of modernist where showers and frequent change of even grandeur items are no longer safe; what qualifies : under, within functions of

[hygiene].

In an era of such then protected wealth; what qualifies out-lasting and appropriate “classism” belonging to classifications translated to-modern of “common.”

 

Hints: Actual Definitions in form-function

of intelligence

& The qualification for militia

spoke.

 

On Cultural Edifications:

In imagination’s view: +

view : I see

a dimple in a seat; a near

skid off another seat without a

severe athlete’s rigid like control;

a lounging forward and then back;

a jump and or a dented push back;

the inability to recollect it all; and as magic;

the likely at least double meaning of this:

“to “recollect” it all”

and then the cliché gendered meaning

[s] of “the inability … ” in front of

that; and so to aim to actually recollect it all?

if so that’s one’ […] s aim;

theme product citation: aim toothpaste

you must use toothpaste? rather [perhaps] you might want

to look past cliché [when in time period]

in the facet of gender[s].

it’s hue-e , yellow or cited: “marigold”

from cited: “marigold garden” by Kate greenaway (as procured for free through amazon, cited)

green; and is

that near ivory?

there’s curls and

alignment;

there are wings

and on

flesh-type;

there’s paving

I think and

rulers I think.

 

as an aside: some of [a one bottle & the other bottle] the perfume as been re-filled with lemonade as the current main liquid addition; and more flower stem without petal.

 

While sort of cooking in the sun.

IMG_20170509_102400

the spray bottle is not stuck and on press has turned perhaps temporarily into a roller scent stick.

The turning significance of food [part three, final part?]

Posted on

for The Fictional VolunTier Project

Untitled

by Goura Fotadar

date, typed up: 5717

tags: fiction art notes; too

also from a following, and already p additional q cited; source text, : The Metropolitan Museum of art Howard Hibbard

 

on cited: p. 445

we see a protective glimpse

of forest

as the animal

is eating its

meal; perhaps

also a slight joke;

\

\/ the art on cited: 445 especially ; on bloody display.

IMG_20170503_134506
cited: images as identified in this posting [l from cited: gg, r from cited: mma]
but using cited:

garden gate’s

“butterfly”

imaging +

imaging description;

the food is being protected

by emulating jungle form

in appearance; in other

words; the food of the

one animal may or not be

a 2nd animal; and it is

in such jungle; jungle

like forests that animals

roam? at least during meal –

time; to disguise their food

as themselves; and is it

in the jungle ; jungle – like

forest where we all receive

food from ? In any case:

the forest is the first

layer of food concealment

and-or dining concealment;

and the 2nd is of course

IMG_20170503_134520
cited: p 445 of cited: mma
IMG_20170503_134514
cited: as last posting back of and or “butterfly section” of cited: garden gate

the image of the food looking

exactly like the consumer of

it; and this Would be

contrary to

popular belief systems at

present; such as presents;

that animals are eating

themselves and-or one-another

for nourishment ; and certainly

we have many documentaries

showing us such “truths.”

In an imaginative :

exercise is there anyway

to guess what the

animal is eating imaginatively instead. The forest

jungle; almost seams

seems with a burgeon

of land-fill plant else;

but more importantly

using the Sky as

the primary temperature

influencer; as with the

“butterfly” in/on cited: garden gate

 

the opening of placement

animal-eater is perhaps

the temperature of kitchen

draw l’arte: temperature of kitchen;

and when you look carefully

at the animal; you remember:

what you know about its

form: the quill like needle

like fur ; the flower

like eyes and

ears ; the stem

like mouth; th’

tree like limbs and

such ; and you see

a clear emulation :

of the forest; forest jungle

from the animal – eater; [cited: little riding hood or whatever; recollections of; anyhow]

we then have to imaginatively

wonder : does the animal

only look forest connected

to eating. In this art image :

as usual the moon and-or sun

is pupil to sky-eye; and

[to draw back from

animal focus;

perhaps]

 

each slide almost

blade banner looks

like an up-coming actual

that : lettered sign; to/

instructing of somewhere .

and back to animal

and-or

simulated animal

matter; the eated has unusual

the not so much for

animal path-like markings;

and we ponder the e/a ‘ffect’

of perhaps the path-ways

walked by even the animal-

eater; in imaginative-exercises;

on the food and-or kill’s

body. Do you find that;

that this is a meditative

exercise; turning yourself

and-or your food into a

form in your mind that

offers it + you protection

as the cited: garden gate

suggests; on a deeper

red-ing [no typo here; for edifying purpose spelling change] ; and

in perhaps or not

the unfortunat – ancy

of the blood in this

art; the killed’s head

gone ; is blood

like the

heated?  temperated

“nectar” ? of

a flower.

So is the “butterfly”

a legal and

permissible,

permit-ted killer? at meal-time

at least. cited: garden gate

 

theme: “stacy”

theme music citation: The Ting Tings – That’s Not My Name

 

The Turning Significance of Food [part two.]

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date typed up this group: 5617

 

theme: carmen-sense

car/men-sense

car/men-sen/se

|

\/

theme 1: it looks like a house:

Untitled

 

tags: safety tech; food with-holdings Study : Field, Economics Bio

|\/

Basics: aside

the desk with back especially as a flat screen;

but not just for surely even the air is

backing; can be thought of like most

vehicular navigations; such

as the car: and the

obvious ; with flipping

pictures; held up

even temporarily with hand

signals; creates the flat-screen;

if you want to introduce

computation you might cue the

t. b. c.

pictures + time like

a cited: pp + microsoft? and]or such slideshows;

and of course on the brow of cited: garden gate

IMG_20170503_134514
cited: back cover of source, text 1: garden gate

‘1 ; you must include a view of

what: you might cue into

hand switch; for these basic

counters of cue would be practice

for how long one – you/or they:

theme: visit; [cited;] san francisco public library

theme music citation: beyonce formation

sfpl

might have to emulate/copy form

of the place in where one-you/or they:

ate? Of course this is also combat modality;

armed or not. But why not be

aware that it’s also ART.

The kettle is so much like the

form of a gowned woman; fragile or not;

 

but skewed to perhaps standing. Is there

an answer to if women sit or stand

more often [theme: of’ten?] gowned.

And in form art;

the kettle would you

say is stood.

cited: p. 472 &

cited: p.494

IMG_20170502_185839
cited: page as described from second cited source below identified
IMG_20170502_185904
cited: page as described from second cited source below identified

[self-notes: look at

cited Tiffany

& co art

on cited. p. 495]

IMG_20170502_190058
secondary source text cited as identified below

secondary source, cited text: The metropolitan museum of art Howard Hibbard

 

The Turning Significance of Food [part one.]

Posted on

On the back of cited: Garden Gate

[this one]

We have temperature

Untitled

regulation and-or

cultural concept: Heat;

a scene; of maybe

cooking and-or

kitchen opening;

to think of the kitchen

as a cooking centered flower; is

quite the abstraction modifier of

architecture. And when the

pot-stove-oven is temperated

by S/olar [theme: heat]? i.e. right term? the “food” is temperated

to edible-view and so [the …] arrives. Perhaps the

emulation of petal-floral form like sound

is another concept: self + food [form] protection;

before, during, and after?

[t.b.c.]