art

Tree also means outdoorsy Part next.

Posted on Updated on

Untitled

By goura fotadar

for The Fictional VolunTier Project

Date typed up, this part: 11218

[and also in this form: Tree also means outdoorsy Part next]

 

Date: 12.11.17

I’ve definitely seen such imaging at at least one candle store I shopped at; where I was fortunate enough to have the gift I bought packaged such. I suppose in terms of rest: the brown of the present wrapping is to signify the outside, outdoors ground or perhaps the ground to rest on; the piece part of greenery tree; as a living stem is perhaps to conceive that sleeping outside, living outdoors, even in homelessness is still a way, a method to live- Exist. Where in normal housing or pseudo-housing: security, stability may come from a certain type of roof and or physical quality of the structure; the string tied to fern/tree figment + box creates a concave view of an outside rest-live spot: with standing tree, brown/mud or something such ground: the string that ties the package (you, or scuse me the outside resider/rester)

together

labelled

(in identity)

(as in the placard of gift/present)

would the string

represent the ingredients that would be the tie of the spot:

a comfortable sleeping-bag type; a rain-proof tent or something; a temperature

sealing something ; a spare bag of extra clothes; an extra|space area for necessary for other things [temperature proof]; [would all of these equate] … to a string; in this sentiment homelessness is a gift for another; i.e. one’s homelessness; their homelessness ; your homelessness is a gift for another.

[examine the package in a to, from conception][to expansive [make] who it’s for] [consider how the tree is an address much like ahouse if even not accepted as one in  a regular way][definitions of address]

121617

Source, citation: “INTO THE WOODS” from Better Homes & Gardens, 2017, p.48

 

 

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Something like crystal

Posted on

Untitled

for The Fictional VolunTier Project

By Goura Fotadar

Date typed up: 12217

[also in this form: I was reading the think tank like cited]

 

tag[s]:  magic for The Death Project, trauma as a death-like existing component

 

theme: something like crystal

theme movie citation: there’s something about mary

Date: 11.30.17

I was reading the think tank like cited: Better Homes & Gardens, December 2017,

magazine.

I’m not sure if in normal or usual popular culture; people are aware of its think tank like nature?

In any case the front of this one, uhm-uhm; as I begin or have begun or began; its study: is a tree drag queen.

as I glanced beginning initial study; through the magazine: I came to the obvious comprehension that a motif of this issue at least of this magazine at least: is housing and or housing-like scenarios.

In this level  of think tank: the question doesn’t come up; but and with all potential housing material ; What will one do if they don’t have

 

Aside: drug knowledge notes, cited: brainstormers et al 11.29.17

cisco -> illegal form of alcohol and or liquor

 

(back to regular discussion/write-up)

their own space; rather it says:

Look, here’s a way to learn …

Yes, learn about …

Things! That may have to do with: space, housing

Scenarios: and from that; perhaps

You can infer:

The way into housing-/space

Scenarios that work;

And housing-space/

Scenario segments

That work for now; and

Translate to the next segment

Right away in things that

Work as housing-space. [or-and, or working housing space]

tag[s]: arm, e, protocols

 

But when you apply perhaps the reverse model; perhaps each chose-n thing piece; informs you of how to have space, housing regular main reasons, may be:

Secure methods, of to rest; enough or expanded storage of things; bat not the aversion where that means removal forever; of one’s death?

Perhaps the solution is: the sight of objects at this of history connected to trauma:

121717

The front cover Christmas tree and trauma: The Wrong Star; have you ever been decorating a Christmas tree; and every perfect star you receive out of a box or however seems like it should be at the myth of the top; hence the definition of star; the inability to see such in a … is perhaps one definition of

[picture not included here, or perhaps not yet included]

trauma. Notice the star a-top this tree; it’s not the variety that might fit the traditional definition of perfect at around x-mas time: as it doesn’t look pricy in the sense of expensive crystal or something; but it’s the type of star that both (having) (qualified) (as star) and not perhaps being crystal or something like crystal; it both has reached the top, and belongs to stay at top. Unless

I’m wrong about tis fabric here; in either way what’s seen in this context: is; and then this placement for at least this photograph’s texture of this star; … (this photograph implies belonging to the front cover of this issue, cited)

 

 

Is a reliant capture of who-ever is

Originator or such

Choice; and not just

A habit that happens to happen and that nobody thinks about;  of trauma experience, trauma survival, and trauma what we hardly have an adjunct word to create phrase for: something like trauma crystal solidified.

 

Theme music citations encore and repeats:

Chopin-raindrop

Schbert-Ave Maria

Pavarotti-La Boheme/ Pavarotti-“Nessun Dorma”

Wilco-I am trying to break your heart

Led Zeppelin-Staircase to Heaven

Paula Cole-“Dawson’s Creek” Theme Song

 

The trap-box, continued.

Posted on Updated on

[and also in this form: The trap]

for The Fictional Voluntier Project

by Goura Fotadar

date typed up: 10-27-17

 

 

where these two had sat

last time; the shrieking

of these two this time

involved the cited: sats

and as if to verify their

simulated age at least;

because it might be true

that these two were-

are presently teen agers:

were cited: sat books on

them; however there were

clear like near reportable

signs on them of adults

posing as children; this

along with the non-sequential

shrieking ; and that only

means that the shrieking didn’t

seem to match the, that

two-some party

plus, their collected recognition [see today’s fiction posting to see a fiction exercise of potential displays of use of this uh, term; after uh it goes up, is posted]

of the last time I sat

in the trap-box; and

where I sat; extenuated

by the fact: that compared

to this incident it was

some while ago;

 

the distance of my visiting the

trap-box had been too long

for them to coincidentally

still effective; be seated there.

As a result I hardly

would trust my belongings

with them, and if [those, they] alone

with my belongings I would

chalk up-any items un-stolen to

 

be due to the fear of the

consequences of stealing

while under audio +

video surveillance

The other two seated at the

/ in the trap-box; were

seated at the former seat;

just even with something like

five options it happened to be

noticeable of the previous

trap-box event of the unbelievable [uh, absent, -ly]

two teenagers. These two

comprised of what appeared to

be a different and noticeable

ethnicity-nationality

component: while being

Either or something

Like a grandmother, grandchild

pair.  – Of elderly –mid

teenage variety. The grand

mother seemed to be yelling at

the grandson by her body

gesticulations, but her words were

not audible.

 

They seemed to be having a conversation

that was hushed; from public hearing;

but the “grandson” ‘s words seemed hushed, only after he spoke? ; hers were just

not-audible at all. Her gesticulations

were bordering a-on violent; and hard

to go un-noticed; the couple of

other supposed older teenagers

nearby seemed to find this treatment

gesticulation nothing extraordinary

and even appropriate; this furthered

my distrust of them and the “grandmother”

Due to the son’s [“g’son” ‘s] facial

expressions and reflective body stances

though seated; I trusted him most

of the four alone temporarily with my

belongings in the trap-box. Shortly after

I re-entered he donned a backpack and left the trap-box. His “grandmother” stayed a little longer; followed by the older “teenage” pair leaving, also. Soon I was alone

with my belongings in the trap-box.

 

-the logic: non-preferentially

The external use

evaluation of

something such

as “belongings”

[this set; existential]

 

-establishing a “trust” fund + job decision tactics.

|

\/

perhaps the actual meaning

he-she-they-who “I” trust here “I” trust with … “I” trust to …

Untitled

shovel

 

 

 

Criminology-Counseling Resources: Diesel, doesn’t texting 9-1-1 already exist. [patterning relational issues.]

Posted on

voluntier

for The Fictional VolunTier Project

[or consume in this form: The events of connection]

by goura fotadar

Why can’t we [who’s/and belonging to … , we; is a decent exercise here; because you might want to outline that most need this specific service, and as a repeat likely, repeat cited: past work experiences while for pay especially, testing group]  text to 9-1-1 in a near effect: emergency.

tag[s]: in preparation for my next publication, too; definitions of actually authority.

theme: non-personal self-analysis of transcript of close-to and or crisis, is also issuance-broadcasted under functional trauma recovery; former work hazards re-identified to function, over-again.

 

This delivery truck.

Is there any suspect of this picture-manifestation. I saw these people doing [a?] delivery during the early night; and they looked over their shoulders, with a man on watch nearby. Perhaps it’s nothing dangerous; just a reasonable night delivery. There were then a surrounding number of new [this here meaning not had yet been seen; even the whole scene had been [ less than?] roughly checked] men, all wearing black; and with beanies; pacing the blocks nearby, but not that nearby the delivery truck; this one delivery truck and finally, approaching it. {Thematics: Were they virtual men and besides me, where were the “women” ?} Eventually I saw it, the delivery truck, this one, leave.

 

[The next morning.]

 

I saw these witch events; and

[In the evening / early night of this next day, then:] I sent this confirmed text message to 9-1-1 which of course [that thing called cited: 9-1-1,] sort of like responded saying it’s not possible to text to 9-1-1.

theme: also as a self-awareness exercise for others to learn from; how do you know what you’re having come up: issues as; and how do you pattern the-8-ir relational issues.

The transcript of the [message-s]:

[picture, here; but not included yet, in this posting]

“Hello there I want to report the city of Menlo Park’s attempted theft and homicide today once again this was put near my head”

“this,” [from right above] references picture not included here.

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

“While the ‘cops’ and local ‘staff’ found this appropriate and said there was something wrong with me for just not taking it”

“What’s the difference between this and terrorism”

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

“<Subject: Homicide attempt again by local PD and local staff>”

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

“Sincerely, goura fotadar”

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

[picture, not included yet] “24 hours after the court date” [picture signifying the completion of the court date]

Response: ”For emergency only. CALL 9-1-1. Text-to-911 not available”

“The cops urged me to never yell when threatened and also refused recognize what auditory control is where yelling isn’t relevant … uh”

“To recognize”

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

Response: “For emergency only. CALL 9-1-1. Text-to-911 not available”

 

Non-personal Analysis of transcript brief: and connection to manifestation. [obvs. Images not yet included and perhaps to be included, in a thing of a luck at this point, perhaps]

 

Report,

Art Real Abstraction. Primary Avenue.

repeat offender: city of Menlo Park et al,

Repeat attempted offense: attempted theft and homicide of those already highly unjustly victimized;

 

“cops” and “staff’’ may have local or something “authority” but can they compete with the reporter’s [contextual definition: the person who reported, reports this crime attempt] areas of expertise and proven experience [even if it is me].

Enough repeat attempts, offenses and repeat offenses; qualify as terrorism in the séance of non-reformed crime:

Non-reformed crime perpetrator[s] has-have more than person[…s?] xyz; who has and does work harder than them ; and so n-r. c.p.s , continue to attempt to unjustly victimize person xyz [continue = enough occurrences and/or severe enough already occurred è[arrow gear means : implies : as in here it means: implies] unjust/unholy terrorism and so this shall be the charge.] ]

 

Art Real Abstraction. Secondary District.

Connected by-reported’s events as soon by [to incident occurrence and or accidental? incident like occurrences] witnessed, actually recalled, and subjected to:

… happened to witness the first delivery truck the night before also the night of the court date; and then the attempted homicide-theft happened; after the “police” ’s approach; …  happened as just a side coincidence to notice another delivery truck; which though is more common in appearance but the three might be [a connect, a connection] Uh; the bus on my way to my regular or regular enough destination was possessed by a violent mental bus-man and this is not a victimizing reference to mental illness and its experience; who nearly barricaded me with various busses and then yelled at me for close to ten minutes straight as I boarded the bus I needed to take;  which he nearly drove off with, despite my jumping up and flailing arms to get him to stop the bus like near the now barricaded bus stop for this bus, where I was waiting. I told him to stop yelling at me, and he told me he didn’t give a — who I was, and then, I told him to stop yelling at me, because he might find out who I was, and then I promised it was going to matter against him. Prior to this: He actually accused me of not trying hard enough to get on the bus, despite my extenuating two days, near attempted homicide of me, and the near aggressive work-out it took me to stop the bus, at its actual bus stop.  [And this isn’t even the whole story connected to this bus transport system and the bus pass I use to board the bus, it’s been a drilling story of years of work, involving various levels of petitional work even nation-wide and not just in letters, but in person visits, through submission of my own work for its pass policy, and also through phone calls. ]

[As a side note: resources don’t just show up mysteriously at places, there is somebody or sometimes multiple to many somebodies producing the work, to push these “things” through and to functional use.]

Art Real Abstraction. Tertiary Burb.

Are there other unjust: to; victims in such circumstance; even on the same day; or in the same criminological moment.

 

The Next Subsidies,

Oath the Images?

Imagine what you might see as the images; to create safety as an art activity, or rather through an art activity: take into the context of the area’s environment and what people who are considered authorities there but might instead be “authorities” get away with carrying on them or near them that could cause or rather be used in unjust homicide.

Observational and barely just researched local geographical class:

Suburban in witnessed, activity: more like wealthy Bay Area in standard surrounding culture: what might be a “staff” application that could be translated to homicide; also how to recognize homicide cues, upcoming.  But in reported income of the area: as seen on average knowledge provision general website: middle class functional income sector, very little poverty [as is reported on such website].

 

 

Analysis of Evidence Notes;

Posted on

 

war-rant

Date: 92917 to 10117

for The Fictional VolunTier Project

by Goura Fotadar

[or consume in this form: Analysis of Evidence Notes ]

discovered around the time of

beginning a-new set of

unearned legal trouble directs

to turn to: how to convert unearned

legal trouble  to earned legal

protection?

In any case: [areas: anthropology + criminology]

[verification of evidence primarily attempted; at base cultural infliction [-cation] variation with regard to evidence based on; observational with & other knowledge with non-contrast to notes]

to display; after quick scan

consider [quick but thorough scan], consider; that such evidence-note propagation [sp?] maybe the subterranean [sp?] form from which culture is demonstrated; here also known as initiated.

  • – – – – –  – – – [in layperson terms, too.]
  • that scope training never happened and when you see it described [if even it is a hoax; i.e. for] unless specifically approved for heightened security like for example: through a reputable campus; expect that the describer only if validating the information; as a personal experience of it being its earned warrant into a higher or something akin stream: is committing likely international non-reformative crime.

ex, es: you attend a small school for its specific reputable program and-or for some form of reputation, authentic it has as a career and knowledge avenue; when you are enrolled at the school: you hear about a specialized program at-the: school that is … such, such: all of which is able to not evidently verify. Outside of a few vagrant mentions; nobody you know really discusses that program : until you start to see students : a bunch of/ from the program as self-identified; in a group doing something related specifically to the, that program.

Within a couple of years of this public display: the small school shuts down; having a community-wide discord; a larger school, reputable; seems not to suffer the same effect.

In any case; quite obvious, that training program never existed; there. It’s important to verify if itexists in general equivalency or other form, anywhere; if not needed in action-verification professionally; than [perhaps] on the side; just as an informational verification in that cultural geo-sphere with reference especially to: that, the potential culture connected to the, that t.p.

[training program / t.p. ]

[side note: 4th-5th grade advanced skill then, takes you far now.]

 

a – when investigated executive command through such training program describes regular work belonging to somebody who is a diplomat at which level it can be just withstanding-ly excruciating; and unless the executive command is an actual diplomat, and-or in a form of working diplomat-training : such as actualized and approved militia forms.

 

theme: diplomacy is

theme music citation: Britney spears toxic

 

[t.b.c.]

 

[a few days ago: quick art made for this; description, brief: as the toxic “runners” wagon by; wish it were bye, and don’t want to see you before the bye, because you bug: envelope bouquet + pale blue petal assortment: the fortune tool; for next v blog, posting[s]]

IMG_20170929_091156[1]

IMG_20170929_170249[1]

 

 

 

 

The Spirit Technology

Posted on Updated on

The Spirit Technology

[c/o: in this form, too: The Spirit Technology ]

for The Fictional VolunTier Project

pinkbottle

by Goura Fotadar

date typed up: 91317

date worked on: 8.26.17

tag[s]: alcohol theme-ology, analysis of children’s fiction, spiritual theology

source, text citation: Meet Kirsten (American Girl: Kirsten, 1854) [Janet Shaw, Renée Graef]

“As Kirsten climbed down the ladder into the hold, her spirits sank.”

Kirsten is effectively alcohol cooking and is going to be consumed in a location further away

[very cited: Neopold [what is,] ]

from the cooking stages,

Draw the bottle:

“Meet Kirsten”

guess the C [as in geographical location]

the process

was completed in.

as described in this fiction piece.

if one didn’t know a-thing

about alcohol: its [i] cook-making

process maybe [5th grade aptitude:]

involves:

-externally situated large

water; such as a

sea-ocean

music citation: no doubt bathwater

-what about a river

-it’s allowed to breathe?

[i.e. whatever application

this could mean]

but must be under

rest in a “cramped”

space preferably be[heath] beneath

the-a ground-floor like

Setting.

In fiction applications:

if you spent time beneath the

ground; and came up to

breathe; but for example

rested under the-ground

floor near some external

water; on near enough

to: would you

be turning alcohol;

and when witnessed such

would you be charged as

a non-reformed non-cohesive

drunk

by “authorities”

ex-pier-ounces

of true-

2

life.

 

 

 

 

 

smack,her [derived: male, smack, -h ? ]

Posted on

To accompany publishings: especially: cited: the witch goura series and rum’s theory [series]

cited: amazon k.

for The Fictional VolunTier Project

 

Untitled

 

by Goura Fotadar

date typed up: 82217

 

Date written: 3.19.17

(a) More received charity products to consider: cited: HARNN treasured wood lip therapy; review: this title of over a lip balm dispenser is quite the art generating idea-r ; plus the balm is greatly effective; a shiny – I think? thin like almost a lotion version for the lips; it’s a reminder to look for  ; look at treasured wood.

 

inserts: syntax hints are sometimes, at times spaces.

 

My idiosyncratic definition of “treasured wood” is a semi-strange training in [combat art]; which I suppose is a method-to fashionings … carry two stand-ably (-with) heavy bags and walk enough miles [foryou] to get you to a location that you need to … ; and-or don’t mind. rest as you, need as in your walk.

 

Why is this combat art: it is movement : that builds the strength and dexterity we need for everyday tasks; in a safe society : that includes the ability to non-criminally defend ourselves.

[aside: tag[s]:

mind channels: dv & uh, poetry/fiction;  cited: amazon

lipsmackher

]

what clothing would you wear in such combat art activity: I know that I’d slap-smack this described balm on my lips to make the endeavor more scented; and engross-ingly scented with other scents that may come up; outdoors: good + bad.

tag[s]: realistic interpretations of d.v. recovery; & the fashion of scents

[Design a “treasured wood[“] therapy … “ ?]

bloodyfaces

theme: bloody faces, wash out?

theme music citation: oasis stop crying your heart out

 

or it is available this way to: i.e. this posting: To accompany publishings