the 10, June, 2017
tag[s]: death project art + culinary floral art.
In preparation for
[what and rest-safe;]
cited theme advertisement:
after a few days of festering
in the non-disease way;
the bottle continues:
with plans of donated
coffee + a few parts
of other dried and
festering rose pieces + flower diorama
cited: Donut Shop Classics
once opened; inside the bottle: the dead
supplement: and only! ? what if this were
also a sniff bottle. Once coffee was opened
the bag was tea like so decided to
drink it; and instead use fragrant
and encase-ing wrapper + sugar prior
to flower additions.
on specialized foil theme: of space travel
theme 2: when
trash takes a
seal and sugar; sugar the coffee,
two simultaneous ; cookings
the stalt of preparation [y]
as an aside: In my tap-water is
the cited: coffee bag;
green tea bag; kirkland
signature ; and sugar.
after the sugar and foil in the
fallen rose bottle tear; no; pilfer
apart the drying flowers in
bag: flower diorama [sp?]
adding drinkable tiny pieces to the c-t-s drink, also.
also I have collected a few spare sticks for
other art ; that I might additionally [be]
inserting into the bottle of rose[s]
or such pieces;
as the flower pieces are pilfered; insert
semi-attentively into bottle and give
the insides a salad twirl grabbing the
lid; at this stage: the fallen rose bottle
is something like an ensulated/insulated
magic scent, wide-stick.
and, that’s where we’re
theme: it looks like grass; out in/from the doors
cited: npr dot org news email news
for the Fictional VolunTier Project
date, opened: 6417
by goura fotadar
dedicated to the actual kids approved in my old complex. And a dirt few adults. Nearby or in.
pertaining to this section … what does that mean.
turning into the same olds:
Grade school basics of olds:
“Science writer…[s]” still exist
Advantaged grade school basics of olds:
New translations of deux es, de machina macchina :
In [some of] art images .
Anthologies of knowledge are significant ; or are still happening in quotas; and quotes of grade school journalism: sorry about the opinion inclusion. Or ? why not review editing policies while we’re at news reviews.
Somebody died. [at least a one: somebody.]
Good, under [another opinion]
They’ve captured “social mobility”
But what’s progressive and here progressive only means actually intelligent about “social mobility” or what will be as in making it turn to a higher change.
I really mean higher change; as in spare change; as in higher education.
As in strike out education for a moment and spare for a moment; and you have in reverse order the first order higher change. And before that lined include is ion: ?
You know like higher education. \\\ never mind, or nevermind; not under refugees but just under “americans’ l scuse the missing second ‘ and the first missing “ “
Or smoething of that direction; cited: the simpsons
so what does “social mobility” using the mistakes of effect have to do with “refugees”
That’s all you need to re call.
Is that enough; and remember the title of the subject matter of the email sort of like a title line:
Because after-all it is still publishing.
“How your mind manufactures your feelings – and how to control that process”
[section][refugees][art as translation comprehension][facts][science writing a career][careers][knowledge collection = anthology][social mobility is an “American” tier such as a tiara approved for wearing and actually approved]
Good; but good be better organized; well it’s been not that long in i-minutes?
Asides of non-re-re-re: checked
Occupational past, passed, no, hazards:
Are non – hazardous;
Except for being out of time
cited: “out of time,”
I hate commas inside quoatation no quotes no quotation marks; but since you’re sure that’s the most proper seminal way of typographing “things”
Excuse the cursory second set of quotations.
First set from the cited text;
Second set from external to cited text citations also.
You’re not a …[first set interjections]
But “c.b.t.” is apparently is or is also?
Has to do with memory?
And memory has to doe with; no do with no sue no due no do with “emotions”
A better question would be the cliché [second set]
“how emotional are you?”
How important are your [actual] emotions to you.
Hint? Now you know … ?
for The Fictional VolunTier Project
by goura fotadar
date typed up: 6217
theme: sorry for the blur? of photographs
safety card or religious card:
Source, text: Prodigal Summer
Ac: know : led : g : men : ts
a/c? : know => led? : g-men
=> gender-men? :
What is ts?
for me; at present:
ts is – are
has to do with hair, safety, & wetness in environs
self theory -> what is?
ts -> ties
the next basic step . . .
slide four – 4:
ties : relational self theory
at present ties mean:
creating transferable connections
[applications of safety:] what’s the
easiest way to create [experience]
[experience, involves : …]
the explanation / proof of :
“oh you’re interested in pragmatic
theory ; maybe you should read a
book or take a class on pragmatics.”
What the heck is pragmatics.
Un-necessary Sheet –
I’m constantly using books and the such;
perhaps I should work near books
and the such; perhaps for further
ties [self] … I should walk also to
these books and the such … and-or to more books and the such.
Apply it to sty living; an experiential
way of being above? old tie:
from page x of “acknowledgments”
“I’m pretty sure I owe
my particular way of looking at the world,
colored heavily in greens, to my parents’
choosing to rear me in the wrinkle on the map
slide 8 :
that lies between farms and wildness, … ”
from cited : xi
in same section :
a look in context, no! In context support:
Psychic Tools? While reading this what do
you see, also:
“Steven” -> t, seven ->
shirt seven, tie[s] seven, shape seven as a t.
theme: uncomfortable order
after (enough) seven t analysis;
shape structure will we know:
that t seven also
is, means a gun.
“Steven” transposed at least one-way
[sectioned] can be a … that named.
The Bench: Scenarios of … madness, not mine; explained.
for The FVP
Tag[s]: Thinkers of action for the fictional voluntier project, is this fiction, and the difference between fiction, non-fiction, and lying, and lying in truth; criminology by gf; copy
By goura fotadar
Theme Modifier: But I was doing nothing! But I was doing that nothing!
Theme: how to provide accurate protection without violence from your internal self.
Theme Art: Vietnam was different. Where’s your proof.
A few weeks ago I was sitting on a bench that I’d sat on earlier that day;
And I was coughing and smoking; men I didn’t know starting talking very loudly about me;
They came up to me; and asked me if I were-was a cop;
And I said, the truth: “no.”
I didn’t answer?
I pretended not to be able to speak … “English” “english”
They got really close to my face; and I waited as they nearly of course assaulted be-me in sequence before the evening hit night in the sky;
I waited to:
To not reveal the way I move, why?
To protect others; although nobody but their supportive onlookers were around
When I stood up finally un-harmed I backed away from all three and my belongings on a bench;
Shortly afterward some of my other belongings were stolen; nowhere near where I sat, then.
I then shrieked repeatedly and they propositioned me in the size of gang, now; for prostitutional sex;
I’m not and so
“I’m sorry about the screaming I’m a Vietnam Vet and a little bit wonky in the head.”
Oh they said,
Stumbling back away.
Do I look old enough to have served in cited: Vietnam? Basic Aptitude Test of those who at non-random threaten others with … ; and lose? At attempted hate crimes.
Part Two. this jewelry feature. the shelters of so easy and less easy; how much do they vary
how would you take this piece
and turn it / make it fiction
| so easy |
how would you make it to at least yours [elf]
acceptab,lly non fiction
| less easy |
cited: http://www.jewelrygig.com/a-few-quiet-amethyst-treasures/ as accessed on 6117
This side angle photograph see below is quite vase-istic; I can imagine flowers or none; and it’s still an art piece; collected in a can on your see through view; or in your no sorry on your or their body, no bodies. or. or. or [to catch all the views.]
source citation text: love story [by [b-e]] erich segal
Date, worked on: 52717
Date, typed up: 53117
cited pages: 102-103
“I pursued the matter at dinner. We had bought great Danish china.”
purse – ud : the matter
bought great Dane-ish : china?
Where dinner = reflection [ … ?]
other upcoming pre – dictions
for purchases include :
at least  great Dane and
as a purchase not another way. [gifted for example; as another way.]
theme, cited: animal rights, rites?
and going to china; another purchase.
at the bottom cited p.103:
“Christ, hopefully Jenny would
keep Bozo from destroying me.”
“me” -> “the” original “matter” : “Danish china”
tag[s]; real theories of finance are self-knowledge.
“destroying” “me” toward
the ease? in/of breaking … “china”
“Bozo” sounds almost like
a dog and or pet animal’s name;
love-able, or like-able “Bozo”
preserves the worth/value of “purse”
“china” if even it breaks; “me”
is still left-over?
Further “we” is now
who & who & even who … and so on. [uhm; is this family planning explained through “china”]
the usual and even cliché – our
are oui ?
theme: is-r purchased dishes; and-or gifted dishes and-or donated dishes; a safety system of even self-preservation. in SAFETY
theme music citation: michelle branch all you wanted
for The Fictional VolunTier Project
by Goura Fotadar
side notes of non-fiction
on page cited: 65
of primary source text; as identified in fiction today
as number one: The Supermodel and the Brillo Box by Don Thompson
tag[s]: for basic educational purposes, research, journalism pseudonyms, memorials, the death project, briefs in rapid, book’s indexing, books indexi
The 2nd to last completed paragraph on this page describes a
purchase[s] on “average … of 800 works … ” [“(per) day”]
based on typos while handwriting see photograph:
-> art modality scratch out
first bracket + comma
also called racket :
[basic art technique : primary is?]
from source, text 
” Mugrabi, Saatchi,
Two lines down on / in the same paragraph:
” ” more art … in than most bricks-and-mortar galleries ” ”
& switch to economics by the essay’s subjugation in book, text:
perhaps the didactic of “most” pertains the suggestion
that rather than in competition
with one, another : the “bricks-and-mortar galleries”
are themselves in existence
countable i.e. numbered “works” of art.
of – made by [somebody, somebodies]
and the convention of of death: jokes in
(italics) (different source) popularity:
[Your days are numbered]
only exist in the séance of real Death when there
are no infinities, infinites : infinity[one] … infinity[infinity]
cited theme vehicle: infiniti
part two. images in chrono; how to edit in summers
theme: memorial day visas at the recession[s]
tag[s]: museum creations from museum like visits of grating significance, the death project, and the death project art, on the rapid off quick, and editing diagrams you hadn’t guessed
cited; the funeral home, that
segments of face pace
how to recall glyph
That worn skirt at the function of death? how …
accessory provided self-burial composed package look for research notes later?
the fiction purposed piano and pottery; flag[s] in editing theme comprehension
no disrespect; what is dis, respect actually. Nice hone front.
but the other way
between the eye blinks; I blanks, I need some seated bench = rest; at a cemetery = seated artistic rest
all the indexes and stacks is-r so much like the phoneme letters
I dream about being crumpled up this way; it’s gotta be the grotto of rest.
and everyone / body knows that bodies know ones know that grottos are like typeface for another ghetto[s]?
near this I played the fictional music. in fiction blog.
no doubt the flowers point, there are dangerous people now nearby. Bye. It’s not attached [like it should be ?] . Like the hope of death itself. or my hope [of death itself unattached] .
They are alive and so real. They smell so good. Are letters dead and so unreal? how about letters together like words. Are those not alive and so dead; oh sorry I mean so unreal. are words unreal?
the musical instruments appear; as inscription[s]; and now they are alive? or dead in sound.
the zoo-t of traditional art
that’s a long life to the the to the to the left top or am I adding wrong. Or how to compose words sentences and the such in affect
the cemetery’s fallen flowers look closely to catch errors [in-by not seeing them] it smells good
after the visit and ornate; I found these trashed; how app, prop where would you swing the trash, that trash.
ooh you saw the scratch of yester’s notes ; notes from the date of the photo[z] exhibition