art theory

Source: The symbolic house

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[also in this form: Source]

for The Fictional VolunTier Project

by Goura Fotadar

tag[s]: art theory,

Untitled

 

52318

 

Source, cited: SWAN, POEMS AND PROSE POEMS, MARY OLIVER

PART ONE.

theme: things I’ve done foretold by poetry

  1. cited p.1: where to go and how to go about it on pilgrimage in Manchester, CT in circa 2014
  2. cited p.2: a reminder to look at scenery and-or do patrol. A reminder what would be the difference.
  3. cited p.3: where are the limits of knowledge
  4. cited p.4: a shawl’s effect used but forgotten about.
  5. cited p.5: sounds like a death state meditation and-or the experience of death
  6. cited p.6: the organ story of karma
  7. cited p.7: the actual magic of commercial

[left-off here]

 

 

Old Notes; Part Before One. Wrong goal in housing instead of getting off the streets; …

 

 

|^ look what |^

|    says above|

 

        | ^ this is a house? 

Intellectual Housing Abstractions: Uh, compare sources and line to housing; uh is a house a source, and what do other sources tell us in in comparison to housing [i.e. about housing and housing problems].

 

 

 

source, cited: Present Company, W.S. Merwin

Part II. cited p. 4 : the phone call really explained [planes]

                             

                    |

                   \/

“sound” the phrenology of what is easily skewed to be the practice of the phone call; but what it seems maybe instead is the utilize-able inebriation, of sound is a tool and not the main focus point of the call; perhaps now obvious; through phone call districting work; or for some other raiSon. The call is done through the tool especially being sound or a nearby equivalent for example if one were such impaired in hearing; and yet the focus on else, other.

 

 

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The Dead Lady

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[also in this form: UntitledThe Dead Lady]

Today’s art notes in brief: How to stop odor invasion at local Soup Kitchens

for The Death Project in The Fictional VolunTier Project

by Goura Fotadar

Date: 5418

tag[s]: criminology and art, future and publications on cited: Amazon , trash art, the day of italics, the death project

 

  1. What happens if somebody sits next you as you are doing a murder investigation or several; and smells really bad; more than a normal body could, … and you are deployed as homeless; so your eating options are not many; … what if it’s not just a regular militia deployment; but an advanced militia deployment which lasts in phases until regular society stops lying to a certain level of component; that could take forever; while you continue to clean up their mess, and they pretend they’ve always been doing that: cleaning up their own messes
  2. Somebody else hands you an orange; and of course it’s the component of non-stench, …

cited: for the next rum’s theory, whenever that comes to work; and cited: voicethread

.

.

.

You squish her the lump refuse form down; and she has turned into a dead lady mummified; who killed her among pepper and salt packets and orange peels just in now my usual cited: rum’s theory tradition, … She is both a casket and a mummy; heirloom-ed by a vine growing near a federal building? known as the post office; you smoke near her, and people still want a piece of her, after and past her death; soon she rises dead and rides on the bus; maybe it’s the bus driver that killed her?

theme: piece of, her

theme music citation: Britney spears, piece of me

  1. See slides 31-40 for speed exhibition made: put together quickly, while mostly at the soup kitchen prior to meal; from this link (cited: voicethread) https://voicethread.com/myvoice/thread/8849244/63190734

 

Notes: Cues / Criminology / From text

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1

for The Fictional VolunTier Project

By Goura Fotadar

Date: 32318

[also in this form: Notes]

 

tag[s]: analysis of criminology cues from text, art form interpretations, movement ideology comprehensions

 

 

Source, citation: Nancy Martin, Little Black Book of Murder

P. 1 [The scare of “social” …] results in non-attempt of “murder” second quote [perhaps] reference to main title segment. [for now, anyhow and or at least]

P. 2 As almost as an aside; the definition of “meanwhile” is of course the paragraph or one definition of the term: “meanwhile” is the form of paragraph

From P. 1 to P. 2, we have the trajectory of movement,

P. 2 from the [comprehension] action of movement; we have the application of “meanwhile” incidences of even and or especially form: are clouds “meanwhile”

P. 2 action of movement, example: “Libby dug into her handbag in a search of a restorative snack.”

 

 

Being-types

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l

for The Fictional VolunTier project

By Goura Fotadar

Date typed up, continued as left off from yesterday’s posting: 32218

tag [s]: reading notes, spiritual development underpinnings, criminology sequence cues? from reading para … analysis, the spirit work out of item-thoughts, spiritual art theory

[also in this form: What if the bag were a Being]

 

 

Primary Source Citation: (as brief skimmed of) Sophie Kinsella (by); Shopaholic & Sister

What if the bag were a Being.

“reflection” of bag is compromise or is subjugation for lust; and-or what might be known as lust : instead of staring at another Being ; you are now evaluating the/ a bag.

Basic notes: underline[s] added in quoted text for emphasis

“I lead her off the main high street, away from the pedestrianized shopping precinct, and turn left down a cobbled side road. As we walk, I hitch my Angel bag on my shoulder, admiring its reflection in a shop window across the street.”

Also sounds like an advertisement for cited: V.S.

Untitled

criminology cues: “lead her off …”

“ … main high street” in the perspective of the perhaps potential perpetrator outside of regular reading context; what is considered by the such it is; “main” part of this “high street”

& the answer: “ … the pedestrianized shopping precinct … ” = (in perspective of …) “ main high street”

Then of course perhaps that is of course we have the sign and or present/current marker of what “off” looks like and or presents as:

“ … cobbled side road …” = (in the comprehended sight of the …) “… off the main high street …”

 

Other thoughts to consider:

Will the bag/ a bag; work as a subjugation of lust and thus, then further: spiritual development; in the context of cited: v.s. artistic promise; it seems it’s an utilizable motif: conception.

So target marker: killing goal: reforming and or transforming and or correcting: lust

(think of synonymous inklings of lust)

Modality-ized to a bag’s purposed sight;

Perhaps an incision into the reason for art development: examination.

 

Constellation Chamber II.

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strict

for The Fictional VolunTier Project

By Goura Fotadar

Date typed up: 31218

[also in this form: Constellation Chamber II]

 

[I think still in section I of !! or 2 now.]

tag[s]: art reality; reality therapy, diagrams, housing identities: structures broom-ed

 

While lid stay-away in blink pace; might prove dangerous ; as might earthquakes; and heavy water/liquid catastrophes

The answer then is what is the semblance most like inside?

A face?

Covered in ash [after a smoke] an animal like head; the animal like moving near smoking cigarettes. To me; it looks most like a woman’s pregnancy

The child[s] having the ability to exit when?

So that’s not enough

I think in almost bizarre representations the ash signifies weight and-or weight bearing [reflections from snow & snow-like trinkets]

Upon a self at least; a self in form; and then the unscrewing of the lid; offers the forced opportunity of self to fall out and transform with the change in weight [like a|wait]

 

[t.b.c.]

Free cited: Jesus.

Posted on

further look-notes on the booklet: 82017

for The Fictional VolunTier Project

by goura fotadar

date typed up: 83017

We have 2 main first level variations; we-one type [so no external variation] on the second level;

tag[s]: segmenting computer science; fabric art theory

then there’s a turn back to one of one and one of two; i.e., level [of] variation, or

level-variation

 

Internal Stream Theory; full-fill, [meant] of; most needs …

“worship” why not think flowers: working motif; …

row-ship? most needs implies

tag[s]: recreational studies,

not just rowing for recreation

but-and such practice of recreation would

likely aid who:? need to get to for example the next

shore: think on accident also next store: in any case the

need to get there implies not all is completed in needs; nearly

all completed i.e. fulfilled; means someone will be able to row you; [torowyou]; or you will be able to row yourself ; in plain athleticism using the actual conception of rowing : if you don’t row but do something else ; or similar: will you be able to row as needed; will you be complete enough : ? and then wider: if you can sing [sign] well enough or the equivalent; well then in emergency can you lead any old church service and if even needed take over as that, a leader. In framework segmenting: perhaps why religions “worship” row-ship isn’t given much significance in reg. or cliché popular culture; is due to the non-comprehension of emergency: “need” for “worship” so think inside instead in the obvious derivative of emergency: “need” for row, ship. Answers, could include?

cited: a “worship” booklet that was meant to be returned but nobody told me until after I’d already finished this thing or approximate to it-that; Free cited: Jesus.

 

see it in a form-fit here: further look

freejesusforthefvpused83017

How is the shoe a house; or like a house.

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How is the shoe a house; or like a house.

 

For The Fictional VolunTier Project

artforvblog62917
as described here and below at bottom; cited shoe from cited rocket dog

By Goura Fotadar

Date: 62917

 

[tag]s: theological emblems how-to them; answer time: the higher value of fashion and that you hadn’t guessed is logic.

 

Like a shoe; no like a house.

There’s no roof; unless of course you’re talking about the sole; [reference: in this shoe, of this shoe.]

And the sole sounds so much like soul; but it doesn’t sound too much like spirit.

Perhaps the straps are windows

Perhaps the print is doors; are doors.

Perhaps the “tribal” design is the house’s specific contour or couture;

Do we rarely see houses in the form of function: couture.

And does the roof; double or triple as all walls and so then floor, too.

Is your movement with shoe/s on; then all of the things/experiences you have

Because of the house.

We’re now; or I’m now at ; or both are now; or some subset of both; are now at …

How to translate your house; housing situation to a different version of your housing situation.

Yes, like a different shoe; well, almost.

To use; why not; the copy has hint; or at least some portion of the copy of the shoe; as hint:

How might your new housing situation “steal the show”

Of course in traditional recent culture; the house is the center of the purchasing experience of life and even existence. And that’s the most regular definition comprehension of “steal the show” but then we go to logic; and there have to be more regulated and applicable definitions:

Like for example something I often comment on in through fiction; and I really mean here on in:

How much steal is like steel in sound at least; and now can you catch my drift of all varieties of sound; can a steal sound like a steel for example upon the unjust murder?

So how do you make you, -r, you are, you’re a-house anew; and rather your new housing situation anew: by “ste[el] the show.” [or through]

 

I think that’s quite enough for now.

 

cited: one of my still favorite regular priced brands of ghetto past; Rocket dog dot com

as accessed again today on 62917 and with the shoe title: “Puerto Tribal Print Flat Sandal”

http://www.rocketdog.com/sandals-sale/puerto-tribal-print-flat-sandal/invt/puertomm&color=Orange%20Multi

 

[Another Hint: A basic place to start in traditional ideological academic perspective, uh, building:

is by defining what might encompass and what is a

housing situation.

]