art theory

Free cited: Jesus.

Posted on

further look-notes on the booklet: 82017

for The Fictional VolunTier Project

by goura fotadar

date typed up: 83017

We have 2 main first level variations; we-one type [so no external variation] on the second level;

tag[s]: segmenting computer science; fabric art theory

then there’s a turn back to one of one and one of two; i.e., level [of] variation, or

level-variation

 

Internal Stream Theory; full-fill, [meant] of; most needs …

“worship” why not think flowers: working motif; …

row-ship? most needs implies

tag[s]: recreational studies,

not just rowing for recreation

but-and such practice of recreation would

likely aid who:? need to get to for example the next

shore: think on accident also next store: in any case the

need to get there implies not all is completed in needs; nearly

all completed i.e. fulfilled; means someone will be able to row you; [torowyou]; or you will be able to row yourself ; in plain athleticism using the actual conception of rowing : if you don’t row but do something else ; or similar: will you be able to row as needed; will you be complete enough : ? and then wider: if you can sing [sign] well enough or the equivalent; well then in emergency can you lead any old church service and if even needed take over as that, a leader. In framework segmenting: perhaps why religions “worship” row-ship isn’t given much significance in reg. or cliché popular culture; is due to the non-comprehension of emergency: “need” for “worship” so think inside instead in the obvious derivative of emergency: “need” for row, ship. Answers, could include?

cited: a “worship” booklet that was meant to be returned but nobody told me until after I’d already finished this thing or approximate to it-that; Free cited: Jesus.

 

see it in a form-fit here: further look

freejesusforthefvpused83017

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How is the shoe a house; or like a house.

Posted on

How is the shoe a house; or like a house.

 

For The Fictional VolunTier Project

artforvblog62917
as described here and below at bottom; cited shoe from cited rocket dog

By Goura Fotadar

Date: 62917

 

[tag]s: theological emblems how-to them; answer time: the higher value of fashion and that you hadn’t guessed is logic.

 

Like a shoe; no like a house.

There’s no roof; unless of course you’re talking about the sole; [reference: in this shoe, of this shoe.]

And the sole sounds so much like soul; but it doesn’t sound too much like spirit.

Perhaps the straps are windows

Perhaps the print is doors; are doors.

Perhaps the “tribal” design is the house’s specific contour or couture;

Do we rarely see houses in the form of function: couture.

And does the roof; double or triple as all walls and so then floor, too.

Is your movement with shoe/s on; then all of the things/experiences you have

Because of the house.

We’re now; or I’m now at ; or both are now; or some subset of both; are now at …

How to translate your house; housing situation to a different version of your housing situation.

Yes, like a different shoe; well, almost.

To use; why not; the copy has hint; or at least some portion of the copy of the shoe; as hint:

How might your new housing situation “steal the show”

Of course in traditional recent culture; the house is the center of the purchasing experience of life and even existence. And that’s the most regular definition comprehension of “steal the show” but then we go to logic; and there have to be more regulated and applicable definitions:

Like for example something I often comment on in through fiction; and I really mean here on in:

How much steal is like steel in sound at least; and now can you catch my drift of all varieties of sound; can a steal sound like a steel for example upon the unjust murder?

So how do you make you, -r, you are, you’re a-house anew; and rather your new housing situation anew: by “ste[el] the show.” [or through]

 

I think that’s quite enough for now.

 

cited: one of my still favorite regular priced brands of ghetto past; Rocket dog dot com

as accessed again today on 62917 and with the shoe title: “Puerto Tribal Print Flat Sandal”

http://www.rocketdog.com/sandals-sale/puerto-tribal-print-flat-sandal/invt/puertomm&color=Orange%20Multi

 

[Another Hint: A basic place to start in traditional ideological academic perspective, uh, building:

is by defining what might encompass and what is a

housing situation.

]

Remember to re,new book,s

Posted on

for The Fictional VolunTier Project

art

by Goura Fotadar

tag[s]: death project art

theme: emblematic re-occurrences

theme music citation: Stand By Me Ben E King

death art: from public visitis to sites;

imagine in convention: to have somebody’s name, who is deceased in a color that;

marked on the urn; that would be the destruction of this art? or would that be art.

or ownership art

the theory of non-possessions memento art

[still]

frameworks too of reality seen change; or reality interaction

Untitled

Untitled1

 

date, typed up: 52217

cited, source text: Henry James The Turn of the Screw & In the Cage

IMG_20170520_161025
image of back of source, cited
IMG_20170520_161031
image of front of source, cited
IMG_20170520_161033
image of front[d] of source, cited

date, composed: 52017

What I know for sure about;

of what I’ve read of

James; he has

made your vocab.

larger.

 

Remember to renew books.

 

from the back:

fear perhaps ?

“afraid” & “ghosts”

is this an almost near

pre-cursor of that

movie (citation): The Others N. Kidman

 

cited p.138;

 

scan to through by

flipping to 4 or five locations;

finding a passage that has current

relevance ; like a psychic index

theory; other notes: to consider;

theme cited: brainstormers et al

fire is like five

5

 

since I’m currently examining the front

of cited “love story” I decided

to look past the front

and the reflection

back as a standing

pointe; theme: how to move;

and came across a passage

on this page; that has high

current relevance to issues of

s.c. [social cause]

ghettochildhoodart

cited: p.138

IMG_20170522_113151

IMG_20170522_113202

IMG_20170522_122134

IMG_20170522_122144

[but first just by a stroke of luck; the book was left

here where

I would sit.]

The passage:

“time”

house:

“every opportunity”

“inspect … documents”

“… documents”   a way to “… see every one at … ”

house: “every opportunity … ”

so? have a ” … flock” and will not be ” … disappointed.”

a quandry

to “… disappointed …”

tag[s]: art’s fiction theology

thepassage

IMG_20170520_161013
image from passage from cited: source text as identified
IMG_20170520_161018
image from cited: source text

 

 

 

 

Relational Theology and a.t.

Posted on

relational theology  and art theory on gum wrapper[s] cited: juicy fruit

for the Fictional VolunTier Project

tag[s]: under advocacy, self-advocacy

tag[s]; satire

see photograph inside motif as p-graphed

IMG_20170519_162655[1]

IMG_20170519_162706[1]

| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

|  self-petitions:                                          _______________                 |

| help me ad-van-ce                                 on gum wrappers               |

| my sel  f        !                                                                                          |

|              |                                                                                                 |

|              for!                                                                                             |

| | | | |  | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |

scissor cut wrapper[s] edge

and on printed wrapper[s]

face; (cited🙂

WRIGLEY’S

 

next placed in making

potpourri glass wait!

IMG_20170519_162816[1]

IMG_20170519_173401[1]

IMG_20170519_173410[1]

IMG_20170519_173419[1]

 

as an advanced thing ;

think of

“magic”

the t-tank further un-pent.

it’s also pent at least now

a mosaic

tag[s]: public welfare.

 

On those things title: called nuptials.

Today I had this

bizarre women dump

her child on me

in the adult section

of the library;

 

I said no; and

she almost didn’t listen

 

It sort of in the coincidence

of bizarre ; answers

a question that I

and perhaps others

have had regarding

“claim.”

 

Take a look at a portion of

the back of this of course [photograph to be posted tomorrow?]

‘scuse me this source, text

citation: LOVE STORY by ERICH SEGAL

 

discussing in something

like fiction copywriting and rather

copywriting for fiction ;

the preliminary

basics of the

love story ; and then

displaying the clichés

of love stories in general ;

it perhaps defines what

is “claim”

let’s look at the main

sub-phrase around this word:

[and also perhaps you might

want to examine the photograph]

 

“makes no claim to showing where it’s at.”

||

\/

so        no,

“makes … claim … ” “… to showing where it’s at.”

 

[t.b.c. continued tomorrow?]

as an aside: scenes from the real life: [SLEEP SAFE]

IMG_20170520_065133[1]

IMG_20170520_065137[1]

IMG_20170520_065139[1]

 

 

to : morrow meaning trans.

Posted on

more notes for tomorrow’s

to: morrow v blog post [after Part Next.]

[seems framework for eulogy non-fic +

glum tales/states]

The Non-Fiction Eulogy of Relationships.

tags[s]: the Death project; pop culture

notice budget

is of course

bud, get;

and while one might

think of flowers; specifically

bud[s] for get following

can suggest plural ; so flower

buds such as a death ; and-or

to c… a death; there is of

course also : bud, get as

in the modern urban slatter:

of objective getting [real?]

connections to others that are perhaps

like [flower] buds; [the others]

and so; to create

the basic  artistic

endeavor of such

non-risk;

in one’s main-stream

connection to

the actual

contraption of

art; being

near buds, flowers;

even plants and or

even just flowers;

would be a reminder

of such

choice, objective; enaction.

theme: buds

theme music citation: icp – homies

tag[s]: art theory

Answer to: Why buy, work with, and-or be near that which is that.

IMG_20170518_101634
currently near the public library; and on use for perfume makings

Part Next.

Mementos from Fifth Grade: The Boring Commercial is Made Non-Boring Through Mind Channels

for The Fictional VolunTier Project

By Goura Fotadar

Date: 51717

Tag[s]: the basics of thought and-or education; advertising knowledge; education uh for children

We Need to Just Interrup-the thorough to brief overview: called proofreading and editing of cited: The Witch Goura … [the next one]

Through the concept felt and heard through at least, no only through mind channels of

Budget

And-or cited: Budget

Image of a Budget Truck (cited)

Draw a graph: a graph here means only a sequence of names and or letters connected by lines that sort of make sense. Below, Imagine and-or fill in the lines.

Editing-proofing your own work stresses the importance of B.

Mind channels

Iterate things that are; are they B.

Where B is B. {Ease Hint: Where Be is budget}

Just a stroke of Luck. No Mind Channels.

Aside coincidences: cited: jumper by third eye blind; and that movie by the same name: jumper

Part Three.

cited, to be photographs for

IMG_20170517_171818
cited: first page as described in detail below of cited: LOVE STORY by E. SEGAL
IMG_20170517_193349
cited: tron by ic [b.ideal and thematic building]
IMG_20170517_193354
cited: al-sh i som by sjh for same purpose as the last most recent past photograph
IMG_20170517_193337
art framework: books to cue consider

to do: on 5.17.17

next in cited: Love Story

diagram what happens

in the story

at the mention

of “salt” and-or “salt-like”

to further edify on its

in this fiction at-least:

shamanic

|| power ||

5.17.17 continued.

source, text : Love Story by ERICH SEGAL

cited page 2:

“eye the cheese” <— mention of

where the cheese as

suggested already

is salt-like.

what happens in story connected to salt

|

\/

further choice derivation consent

.

.

.

consent to salt

cited p.3 as

suggested already

mention of “coffee” is salt-like

.

.

.

further choice derivation

consent to salt

.

.

.

 

entry of the other

 

Looking ahead

since I’ve read this

text; more exactly in

the past circa college;

college extended.

 

Can salt have created

the experience that is

the beginning line and-or

the end of the book : as

quoted earlier;

cited p.1

“What can you say about

a twenty-five-year-old girl

who died?”

 

extending this citation in to

also the cited: The Death

Project; for The FVP:

cited brainstormers et al

this first page as indexed;

available in format in this

print of the source,

text ending in

“of” on

the cited p.1.

 

as an aside:

might be used as

a-eulogy for another

non-fictional being in

funeral and-or such death

context : how would you

modify this first

page; such :

[see photograph]

[of original]

[page]

(above)

 

 

cited p.1

(removing)(the)

“died” from

the first line

to turn it more …

achievement; and even

hope based ; then-tha

becomes

“What can you say

about a twenty-five-year-old

girl who … ?”

tag[s]: fiction analysis; life/existence non-freaky seance

To self-analyze with

this fiction application

in the context of

death and-or

in this case fictional death.

; as well as ; outside analyze …

I’m going to use myself:

as an example here

as demonstration

“What can you say about

a twenty-five-year-old

girl who … ”

of potential death;

everything that noted

had been accomplished

by the crux:

time of that

potential death in

this case: 25

{draw crux: 25}

and if you identify in

actual work derivation [as in work in your own gender derivation … hence, that meaning]

as something other than

girl; than-the/n of

course replace with

the right gender word.

 

continued … cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

of course you might

know that again the end-result

is “died.”

and notice now the

significance of the

question mark

that it may signify

also something

other than

“died” and period.

 

this then is an accidental

proof on how-to

re-translate

[earned][i.e. real]

[accomplishment] death.

accomplished

 

cited p.1

“What can you say about

a twenty-five-year-old

girl who … ?”

 

[B.A. centric]

-got bladder cysts like

cancer despite a life-style

of severely healthy habits

& practices

-did too much volunteer

work

-transferred to a prestigious

university; and graduated from it.

-landed every dream in college jobs.

-grew up in the ghetto

-attended university for primarily

merit-based free college welfare cost

-changed majors nearly four times.

-had mostly male friends and colleagues at

roughly the pattern of that age-time.

-eat pre-pared food of the health-gourmet

variety extensively. [during that same pattern.]

-attended college near-to the environment

she grew up in; was from, primarily.

-landed her dream career shortly after college.

-went on many, many interviews.

-met many, many people.

-read too many books.

-believed she was nearly enlightened

through her b.a. coursework; and this is

only sort of a joke.

-rarely ever had financial problems despite

growing up dirt poor.

-had a series of serious boyfriends that had

almost nothing in actual common with her;

and her actual colleagues and-or friends.

-never ever committed crime.

-didn’t always want to publicly share

her volunteer career endeavors; and

considered even a non-publicized

resume; public.

-hadn’t finalized graduate school plans;

but got all the A’s she planned;

something like 6/8 in general major.

[but you have to factor physical sickness: severe in the missing two.]

 

Eulogy using as an example continued:

cited p. 1

“That she was beautiful. And brilliant. That she loved Mozart and Back. (And not the Beatles.)(And not me unless I’m a real/was a real brother to her.) Once, when she specifically lumped me with those musical types, I asked her what the order was, and she replied, smiling, (not “Alphabetical.”)

Them First. [as an aside look-up today’s posted fiction for a good pun.][ connected good puns-art.]

… “At the time I smiled too. But now I sit and wonder whether she was listing me by

my first name–in which case I would trail Mozart? (in accomplishment alive since I am as the speaker of the eulogy still alive) …”

theme: alive speakers

theme video citation: (I think it’s) the shins simple song? [l.u.]

“– or by my last name, in which case I

would edge in there between (the alive?

accomplishments and successes of) Bach and

the Beatles. (And of course I mean all conceptions

applicable of beetles.) Either way I don’t come first, which

for some stupid reason bothers hell out (—-) (her death came first) … ”

back to main posting …

tag[s]: computer science abstracts & basics & library science

cited p. 3

upon entry of other

through consent of salt and

the enactment of slat, no salt

where as suggested earlier through

poise [cited: poise]  no postings that

“coffee” may be something

like salt [reminder: indexer motif]

and especially as compared

against most other so far scanned

in mind word[letters] in meaning;

hence words. [in the used source text of course.]

the main narrator is hit with

perhaps another; magical and-or

shamanic aspect of salt; the

entry-way into-a needed accessible

book; and study of this book for

an upcoming exam; and than-the/n even

Perhaps the support of the performance

on the upcoming exam.

{Draw salt as an obvious as in seen, scene; entryway

to something like a book; example

cliche and obvious;

salt sprinkles ; and-or

salt motifs in front of

a door-way}

The enactment of salt of course;

is: the following haven take place

scenario.

cited p.3

“Let me explain why I took

her for coffee.”

vt

 

Part Four; not quite but as another aside:

to seize fiction and to

introduce into it while

it’s in your mind;

real, reel, life

see gum wrapper

can also be

art

this is a theme

park;

each cited: m & m

a door-way

or like it to

box: activity ; and

the used gum[even more]

title + salt

cue considerations

in cover knowledge

cited:

(1) The RAPE OF NANKING

by IRIS CHANG

(2) AL-SHABAAB IN SOMALIA by

STIG JARLE HANSEN

 

 

 

 

The Turning Significance of Food [part two.]

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date typed up this group: 5617

 

theme: carmen-sense

car/men-sense

car/men-sen/se

|

\/

theme 1: it looks like a house:

Untitled

 

tags: safety tech; food with-holdings Study : Field, Economics Bio

|\/

Basics: aside

the desk with back especially as a flat screen;

but not just for surely even the air is

backing; can be thought of like most

vehicular navigations; such

as the car: and the

obvious ; with flipping

pictures; held up

even temporarily with hand

signals; creates the flat-screen;

if you want to introduce

computation you might cue the

t. b. c.

pictures + time like

a cited: pp + microsoft? and]or such slideshows;

and of course on the brow of cited: garden gate

IMG_20170503_134514
cited: back cover of source, text 1: garden gate

‘1 ; you must include a view of

what: you might cue into

hand switch; for these basic

counters of cue would be practice

for how long one – you/or they:

theme: visit; [cited;] san francisco public library

theme music citation: beyonce formation

sfpl

might have to emulate/copy form

of the place in where one-you/or they:

ate? Of course this is also combat modality;

armed or not. But why not be

aware that it’s also ART.

The kettle is so much like the

form of a gowned woman; fragile or not;

 

but skewed to perhaps standing. Is there

an answer to if women sit or stand

more often [theme: of’ten?] gowned.

And in form art;

the kettle would you

say is stood.

cited: p. 472 &

cited: p.494

IMG_20170502_185839
cited: page as described from second cited source below identified
IMG_20170502_185904
cited: page as described from second cited source below identified

[self-notes: look at

cited Tiffany

& co art

on cited. p. 495]

IMG_20170502_190058
secondary source text cited as identified below

secondary source, cited text: The metropolitan museum of art Howard Hibbard

 

Art Project; The Ballet of Emergency Response

Posted on Updated on

Art Project; The Ballet of Emergency Response

stealingcharity

[Big Surprise: A Rough Draft! In the hurry of producting persecutions and not productive persecutions; a definition working of false attestments.]

By Goura Fotadar

Artistic Theme: Don’t you know; I’m the one who approves the hire of all “officers” and all the such.

for The Fictional VolunTier Project

To post; 43017

[Log; updates; for a non-worker? Hardly in the U.S.A.][to come later, we can hope I have the time on a public computer.]

  1. Accosted last night by person-people on private property against an actual police order; them.
  2. Reported stalking from an officer; likely false (officer} of cited: sjpd; to both 9-1-1 and the actual department who denied the officer existed despite submitted surveillance of the officer ascribed and confirmed to that police department; likely false police depart. (ment)
  3. New protocol in security and safety: all functional homeless people are expected and required to dial 9-1-1 whether conversing or not; whether reporting or not; at least 3- to infinite times per week. No joke. In accord; report to yourself; in note-taking your purveyance of the aptitude of who answers the 9-1-1 call/ the 9-1-1 mandate is not planned for debacle annihilation in security procedures.
  4. When delineated to cited: SJPD their theft of my work; and lies of my identity; and a court martial order enactment of my work; despite my only civilian status; they hung up on me. I am officially thus firing them; again. I have however in required legal mandate asked them to never ever and their accompaniments non-approved come anywhere near me in a non-civil liberty non-prestigious r.o. Example vernacular from them and their accompaniments: she , Goura Fotadar; claims to have published work on amazon (cited); Below in un-necessary due to public evidence please see the link to my independent with cited: amazon publishings of my work: https://www.amazon.com/Goura-Fotadar/e/B00FMILNLA

In escalated danger; with hope of not: I have a new publishing come-ing up; and the threats of violence and rape have only advanced but with loss of the threateners from roles of and-or accompaniment to false authorities.

  1. In response to the latter portion of number 3; in the event that “things” have escalated past 9-1-1; turn in-to somebody of worth and warrant; an actual perhaps even weekly brief summary of what your belief and evidence is of what occurred during the 9-1-1 call; prior-to: immediate; and such forth in days, months, and moments afterward. Status: Procuring the efficacy [more effective to past history of it] of 9-1-1/ for primarily but not just the U>S>A; its translation then furthered for other parts of the world of populous achieved and-or hoping to achieve in actuality of Truth; as in under Oath; functionality.

Side gauges: define an effect ive  yet rudimentary ultra modernistic modality of 9-1-1. Define an appropriate and functional terminology of yes the repetition “functional”. Do a flip to turn this into an activated ballet; jokes aside[cited: a flyer-postcard spotted at the public library]; the link as you may likely have it to the cited: amazon site. ;  M[m]y definition of a 9-1-1 emergency response to identity theft[s] and attempted repeated assaults; one-of.  Define a working and elongated definition through active brainstorming of “volunteer” work.

Modality Theme: Your denial of somebody’s [bodies’] work[s] existing does not actually mean that it [,those] does [do] not exist. Your perspective of what happened; may not be accurate not just enough; but at all. Your skew of faulty evidence; does not qualify as evidence. Perspectives upon recommendation are unskewed by facts of reality and actual warranted as in worthy evidence.

Side Crises: SJPD (cited) and their accompaniments are now responsible for an additional functional homeless population of est. 400 locally within a 70-mile radius; including academics and many, many non-criminals; but also including reformed criminals who would have otherwise qualified for housing; and or did; working off their crimed debt to society. And this is not the number including tertiary connected effects. Which is estimated at much longer; larger. SJPD (cited): through evidence charge supports hostage situations of the illegal and unjust nature; and so we can estimate that there is a coinciding number of folks hostage under such non-capacity. SJPD (cited) as a public resource and its accompaniment must be asphalt: ended/ as in terminated from their faulty perspective positions of hire-higher [notice pun: meaning] than actual hierarchy. All such faulty non-qualifying authorities must also be removed from their faulty roles.

Other Non-Assuages: Charge them with identity theft; violation of espec ially American freedoms; such as lies of education, work, performance and nationality and ethnicity and health statuses based on the faulty weight of false and not real police work. Based on these evidences they simply have not and never will meet the protocol of being badged authorities. They then are incompetent falses who attest false accusations and enact longstanding waged threats on especially functional members of primarily but not just American Society; post-modern to ultra-modern; societies; et al