art education

2. actually cues and or protocols the library should follow with regard to i.d/

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

fiction line or theme: {fiction continued…} you never know when hear is going to strem again.

date typed up: 71117

.

.

.

IMG_20170711_181339[1]

 

cited: dmv

On the precipice of my dmv id expiring; and perhaps not all other forms of id expiring; for me and external?

theme: imagine the pursuit of robberies of such et al

Importantly; the library can be a replacement or at times additional physical existance or whatever it is called; check; and I don’t mean that you should be groped at the p.l. and I mean [it] in any manner of that word,term “grope” .

If you don’t have a relevant enough address; well, then; and such the i.d. also; well then an actual librarian; or librarian-type entity; as qualified by, …

[how] .

first of all; you shouldn’t be denied a library card et al;

but with an actual librarian hello, to actual functioning and not just; but actual definitions;

should be able to get on the phone to an actual police officer; and or the equivalent; in this specific sub-set; of identification; and “hook up” the process-e

of giving you an effective enough mailing address [at least] ; if even you are … on the, street[s]; you need a mailing address; and a subsidize-able identification card; which is replaced as it expires; if for some reason expirations are necessary for identifications et al; honestly I’m pretty worn down from the process-e of the destabilization of repeated identification renewals over the years of uhm adult or near adult like life; … it’s been weary, homeless or not.

these are the errors that come up in functioning when there aren’t actual police officers available and actual librarians available; [where art the actuals?] around some, where; and whilst the fake multiply.

So in sequence; your identification issues |larger| if not effectively received elsewhere; should be handled at least at one public library per city or something the equivalent of a city.

theme: identification as subsidy and not as non-subsidy

theme music citation: Bend Time Back Around Paula Abdul -Time

 

 

Well; why and why; and why.

Posted on

A Typo-graph of Homelessness, especially; outdoors
an exercise for 14-year olds, not clearly defined;
for The Fictional VolunTier Project
by Goura Fotadar
date: 62817

Well; why and why; and why.

IMG_20170628_145042[1]
cited: more clearly; upon my art posted to the f blog; getitfree and v.s. as cited through getitfree

the Derivation of Member in almost or something like all clauses which here are also cases.
You only want a member in your bed;

in case it’s not just you; and a member of what;

also note; why and why; and why.

member implies (=>) actualized in some thing; some facet; some application.

and not just a blase connotation.

E,the Economics Policy;
when there are only two choices;
and neither is quite the capture right; and note: these are instructions
on how to shoot a picture; usually the ad: ult would tell you to guess which one of two makes most
sense; and of course most sense when neither is capturing right; is both;
but that extra information isn’t quite provided.

And perhaps the best version here is a nuance: exit;  {Oh my gosh; then exit is still only a nuance.}
if you neither own nor rent; your residence:
for living there for free; in a residence almost implies a sense or an actual sense of ownership;
but if you don’t live in a residence; do you live anywhere;
you might stay somewhere: outside; in an economics social welfare nuance then;
neither question is applicable unless you provide a not quite accurate address; but one where you might receive to and from;
and if you provide one you can acutely receive from in such circumstance of non residence;
well then it might be a P.O. Box; and if you are outside without residence homeless;
well then that might be your only acutely accurate address; and if you are not 14; over to an adult; you may not be able to provide that as a mailing address in the cited: DMV register of identity, because it might not be approved for such purpose by cited: DMV; and every non-reformed crime perpetrator would-might demonstrate glee at the lack of “power” your either reformed and-or non criminal accord, has. And that just can’t be the case;
and so in one exit of the two choices you have the Out: of outdoors homeless with perhaps an exasperated and less than expired i.d. But don’t worry things might get better. It might translate better.

[Basic Starting Q. Are P.O. Boxes Non-members? to which and what group[s]]
So model:
what you see;
what you associate it with;
and the four or five things that come up legally with this association.

IMG_20170628_152644[1]
same as last captions citations; roughly without my art first included … and of course the scribble is mine in this case; so obvious.
What is Main Frame.
In translation work; what you see is something like a perfume piece;
for some reason: I’ve picked up since college that cited: Victoria’s Secret is correlated
with pornography; and I don’t see this piece this way at all;
I see it as one might see an art piece; even a jewelry; piece;
with brand variants of stucco inside it [jewelry piece original]; and of course in functional translation
if you could figure out how to recover this free piece; with internal free pieces;
to a-your accessible enough accurate locale; also known here as address;
the entire band jewelry would be destroyed as soon as you opened the piece;
or rather something like destroyed; and so
[the] l’importante most factor here; and this is only a slight, a joke;
is the translation of this art piece to a jewelry piece; that consists of a multiple
of at least stucco pieces; and an easier break in translation is to wear [where to]
a plain jewelry piece; while you process the thing; and an ubux or a ubux;
is where the jewelry piece original match perhaps has at least a toyingly flap
non-toyingly; i.e. not, stucco ornate addition or what might be called instead moving stucco; because you’d at least figure out all the derivations
of how to open the main free piece.
and notice now the main free piece as turned into a main frame; and in this quick Right Up;
of the importance of effort into address provisions; and less so the jerk’s patronizing and not patriotic smile at the cited: DMV.  And here jerk doesn’t just reference: male, only.
IMG_20170628_152650[1]
The Opponent’s Banter:
Sure you may have lavender in the outdoors;
but is [it] a replacement for bed[s].
The Response:
That’s kind of the point;
in addition to rest and perhaps even work;
what else is the bed a motif for
. . .
On the box, scent; or art; and-or both;
the thing is a think of beauty isn’t it;

in stripes.

Do you imagine the ties are lace and or velvet.

let’s match it in an almost contradictory pink.

Based on Something Like Age

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for The Fictional VolunTier Project

by Goura Fotadar

IMG_20170615_135706[1]

IMG_20170615_140659[1]

 

 

date: June 2017

source, cited: PACIFIC COAST TREE FINDER

A pocket manual for identifying Pacific Coast trees 2nd Edition

by Tom Watts

 

theme: “purplement”

 

notes from 14, or

relevant to 9th grade

To solve the cited:

blue tree problem;

for which I’ve seen

advertisements; but

stated differently;

and also connected

to fiction conceptions

of mine, at least;

the perhaps; blue

tree; missing its

view; or

sight of such tree;

or at least the hue

 

pardon theme: there’s

of such shrubbery

turned tree?

 

the solution presented

in perhaps the obvious;

still de-lineation that

trees and-or shrubbery

with blue; must?

qualify as blue? trees.

First; the obvious;

quotation, I mean ?

from cited p. 1 of

this book, source

The definition to perhaps better comprehend

the existential view=able state of appearance “shrub” … :

“shrubby trees”

 

“These are trees that often grow as shrubs and become trees only on sheltered slopes and canyons.”

tees r

theme syncing form:

“canyons” looks + sounds

so much like cited:

“crayons”

In an interesting art

figment; r “canyons”

is in the

one sense a:

[collection due to plural

of] “crayons”

so with; each set

of crayon[s]; we have

the at least linguistic

existence of “canyons” …

r “canyons”

“canyons” ,

“crayons”  [breaks down to at least;]

=> r canyons

it’s obviously in

addition to complex math

a childlike learning

recognition of the

power of art in

likely the genres of

draw-sketch +

color[in].

If you use? a, the, set, of

crayons [cited];

you will at least contribute

to the existence of

“canyons” ? as a

question since

this isn’t fiction but

rather functional magical

thinking; especially and likely

not just; appropriate for

tees, r —-> “trees” or

rather less abstractly for

children and adults. In this

discussion of genre-species;

we once again in our need:

utilisations distinguish ourselves

from for example plants-trees-flowers

and animals; and then

switch in development especially

within species of commonalities

and non-commonalities perchance

based on something like age.

In any case; we

have the relevant knowledge

-in-terms of diction collections

of that stated at near

beginning of what could

qualify as blue tree.

from cited p. 30:

“If there are bluish

berries and red or brown bark,

go to … ”

“If the bark is

brown, and the berries bright

blue, it is ——> ROCKY

MOUNTAIN JUNIPER
JUNIPERUS SCOPULORUM”

 

 

 

 

 

Infinite Death

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date: 53017

side notes of non-fiction

on page cited: 65

of primary source text; as identified in fiction today

fictiontoday

as number one: The Supermodel and the Brillo Box by Don Thompson

tag[s]: for basic educational purposes, research, journalism pseudonyms, memorials, the death project, briefs in rapid, book’s indexing, books indexi

 

The 2nd to last completed paragraph on this page describes a

purchase[s] on “average … of 800 works … ”     [“(per) day”]

based on typos while handwriting see photograph:

IMG_20170530_140411

-> art modality scratch out

first bracket + comma

also called racket :

the combination

[basic art technique : primary is?]

 

from source, text [1]

and within

it from

” Mugrabi, Saatchi,

Sandretto, and

The Vogels”

 

Two lines down on / in the same paragraph:

” ” more art … in than most bricks-and-mortar galleries ” ”

& switch to economics by the essay’s subjugation in book, text:

perhaps the didactic of “most” pertains the suggestion

that rather than in competition

with one, another : the “bricks-and-mortar galleries”

are themselves in existence

countable i.e. numbered “works” of art.

of – made by [somebody, somebodies]

and the convention of of death: jokes in

(italics) (different source) popularity:

[Your days are numbered]

only exist in the séance of real Death when there

are no infinities, infinites : infinity[one] … infinity[infinity]

cited theme vehicle: infiniti

 

part two. images in chrono; how to edit in summers

de

theme: memorial day visas at the recession[s]

tag[s]: museum creations from museum like visits of grating significance, the death project, and the death project art, on the rapid off quick, and editing diagrams you hadn’t guessed

cited; the funeral home, that

 

font face

IMG_20170529_102942

segments of face pace

IMG_20170529_102945

how to recall glyph

IMG_20170529_102949

That worn skirt at the function of death? how …

IMG_20170529_103006

accessory provided self-burial composed package look for research notes later?

IMG_20170529_105853

the fiction purposed piano and pottery; flag[s] in editing theme comprehension

IMG_20170529_105913

no disrespect; what is dis, respect actually. Nice hone front.

|_| but the other way

IMG_20170529_113823

between the eye blinks; I blanks, I need some seated bench = rest; at a cemetery = seated artistic rest

IMG_20170529_113834

all the indexes and stacks is-r so much like the phoneme letters

IMG_20170529_113842

 

I dream about being crumpled up this way; it’s gotta be the grotto of rest.

and everyone / body knows that bodies know ones know that grottos are like typeface for another ghetto[s]?

IMG_20170529_115537

near this I played the fictional music. in fiction blog.

 

no doubt the flowers point, there are dangerous people now nearby. Bye. It’s not attached [like it should be  ?]  . Like the hope of death itself. or my hope [of death itself unattached] .

IMG_20170529_115614

They are alive and so real. They smell so good. Are letters dead and so unreal? how about letters together like words. Are those not alive and so dead; oh sorry I mean so unreal. are words unreal?

IMG_20170529_115649

the musical instruments appear; as inscription[s]; and now they are alive? or dead in sound.

IMG_20170529_115904

 

the zoo-t of traditional art

IMG_20170529_120110

 

that’s a long life to the the to the to the left top or am I adding wrong. Or how to compose words sentences and the such    in affect

IMG_20170529_120449

the cemetery’s fallen flowers look closely to catch errors [in-by not seeing them] it smells good

IMG_20170529_121531

 

after the visit and ornate; I found these trashed; how app, prop where would you swing the trash, that trash.IMG_20170529_124938

ooh you saw the scratch of yester’s notes ; notes from the date of the photo[z] exhibition

IMG_20170530_140411

 

 

 

 

 

 

 

 

Side art notes; and the mini-dissertation on Salt Upon suggestion

Posted on Updated on

Side art notes; and the mini-dissertation on Salt

Upon suggestion

 

cited: brainstormers et al

Date: 51917

for The FVP

 

Point One for part one: Side art notes || upon suggestion ||

theme: Gimmick tricks on how-to skateboard

in art

Untitled

Hypothesis: A piece or real art over schematic or rough sketched or wavy sketched art ; transforms both to real art either together; and of course the latter also alone. The former of course has already won that award; and any real work awarded of course cannot lose such work. Metafaces of Enlightenment

Using main frame brief art: of today’s cited fiction posting.

Part two. The mini-di

Date: 51817

Tag[s]: for esp. cited: c.s.u. educational, needs

The salt shaman continued

Source, text, cited: Love Story by Erich Segal

So; on cited page 3

If both “coffee”[s]
“and a brownie

With ice cream

(for her).”

First of all it is

Unclear; if

Both “coffee” [s] are

For the narrator with

Only the subjunct

Meal for the other;

But in any case

Where the latter in

Combination only

Or not is like

Salt;

Certainly the former

Is; and past

The already counted

Consent as in last

Posting; is

This further

Consent to salt: and

Whether since we don’t

Know for sure whether

The mini-meal and-or

Refreshment[s] in this case

The salt is actually consumed

Or not; we only know that

The salt enactment

Is complete from the

Former consent in the

Order.

 

Most would argue … that

Any meal-type setting

Is an opener;

But perhaps it

Is it as salt:

After the order:

The other introduces

Itself to the narrator

And discovers

The narrator’s family

Heritage

Cited p. 4-5

But on cited

p.5

“    “Jenny, if you’re so

Convinced I’m a loser,

Why did you bulldoze me

Into buying you coffee?”

She looked me straight in the

Eye and smiled.

“I like your body,” she said.”

Where salt is not

Water but in water; “coffee”

Is salt; buying “coffee”

Even when “bulldoze(d)”

Is consent to salt.

“coffee” like salt? Like salt-liquid

Is salt we’re looking for

Something that translates the

Liquid …

Or to liquid

“She looked me straight

In the eye and smiled.”

“ … Look me …” always implies

Mirror and mirror

Always implies water

“straight” implies

Examining image

“eye and smiled.”

Means also I and “smiled.”

Recognition of self-image

Implies with the other

Recognition of another

Image that has

“ … looked me straight …”

Quality of water viewing.

See cited: Sylvia Plath’s mirror

“ “I like your body, “ she said.

The other views “body”

Outside of itself over salt;

Is again

Most aptly

Captured by a

Body of water;

And or liquid.

[other notes: salt near body; “coffee” near a body, actual ]

 

In fiction analysis of

Salt in this text then;

This is the description

Of entryway to outside and

Inside yourself view; comprehension

: in other words; this

Text analysis seems to imply

Do it over salt, salt-like ; and-or

 

Do it with salt.

 

Perhaps one inconsequential

Proof : for long

Days or nights

With salt-kind;

i.e. such as

coffee.

Theme: who kneads

Lust; when you

Can image comprehension;

Instead.

—Reality checks.

As an aside: of course;

This is fiction analysis,

And if wanting to apply

This motif to real life;

If you ordered a book

Instead for yourself;

And something like that

For the other:

Not being salt would

It provide the

Tag[s]:  & policias of l,ibrares

Same-type

Of opening;

Opener?

Perhaps if you

Got really close to

The salty? Salt-like

Pages.

Maybe this is one real reason

Some? Library workers?

Never want to anybody to eat

Or drink in the library when

Wit: books; they might be

Attempting to control socialization

And from previous posting

Salt, salt-like’s entry-way [if even fiction][in the reality check?]

Into actual knowledge. Ha!

& in the knowledge stream:

Library. That’s a real time –

Out kicke.

Tag[s]: the culture of several bay area libraries and some of their staff; but not all of their staff.

Part Three. More perfume and garbage notes.

It larger thing is turning into a potpourri bottle or something; or potpourri paper weight or something;

And the other other two are also being added to as photographed.

Oh perfume notes and art notes of garbage: what will happen next.

Will I rub you and view you and you at the same tryin.

and then of course I also rubbed the leftover “grease” of the flower all over my face and stuff. Oh no hygiene.  || know ||

IMG_20170519_110617

IMG_20170519_110618

IMG_20170519_110622

Untitled

[is it a banner]

 

 

The Turning Significance of Food [part two.]

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date typed up this group: 5617

 

theme: carmen-sense

car/men-sense

car/men-sen/se

|

\/

theme 1: it looks like a house:

Untitled

 

tags: safety tech; food with-holdings Study : Field, Economics Bio

|\/

Basics: aside

the desk with back especially as a flat screen;

but not just for surely even the air is

backing; can be thought of like most

vehicular navigations; such

as the car: and the

obvious ; with flipping

pictures; held up

even temporarily with hand

signals; creates the flat-screen;

if you want to introduce

computation you might cue the

t. b. c.

pictures + time like

a cited: pp + microsoft? and]or such slideshows;

and of course on the brow of cited: garden gate

IMG_20170503_134514
cited: back cover of source, text 1: garden gate

‘1 ; you must include a view of

what: you might cue into

hand switch; for these basic

counters of cue would be practice

for how long one – you/or they:

theme: visit; [cited;] san francisco public library

theme music citation: beyonce formation

sfpl

might have to emulate/copy form

of the place in where one-you/or they:

ate? Of course this is also combat modality;

armed or not. But why not be

aware that it’s also ART.

The kettle is so much like the

form of a gowned woman; fragile or not;

 

but skewed to perhaps standing. Is there

an answer to if women sit or stand

more often [theme: of’ten?] gowned.

And in form art;

the kettle would you

say is stood.

cited: p. 472 &

cited: p.494

IMG_20170502_185839
cited: page as described from second cited source below identified
IMG_20170502_185904
cited: page as described from second cited source below identified

[self-notes: look at

cited Tiffany

& co art

on cited. p. 495]

IMG_20170502_190058
secondary source text cited as identified below

secondary source, cited text: The metropolitan museum of art Howard Hibbard

 

While I make the music work (Part First.)

Posted on Updated on

While I make the music work (Part First.) 

transport

note: Remember, to type up, think of, and post the rest. Yep. Rest. [Oh Quip.]

proofing notes, : it’s still a bit complexly rough; but if it says cited near it, then the text wordage was not named by me, and if so otherwise known. I hope that’s clear enough for now. Perhaps I’ll scroll down, and add cited, to even the obvs. And note the italics here to represent cited ideas, systems, the etc. In sequence with the occurrence in combination of/with cited, as describer; and also not in the case in this portion of this posting of quotations.

for The Fictional VolunTier Project

by Goura Fotadar

typed up, on : 21217

tags:  (citedcsu system, and adherent akin educational systems; (cited:) socioeconomics (as a study area)

secondary tags: (citeduc system, and adherent akin educational systems; “public welfare”

tertiary tags: emotional processing, quickly – or a definition of “regular” music

quaternary tags: intellect combinations – proof/editing with performance arte-real life interchange

 

posting theme: at the, myth of life

 

1.30.17

theme 2: the non-delusion of “secret messages,”

A meta, for: seeing glass of  (cited further, alice in wonderland related readings/seeings)

what issues need to be addressed;

and currently are more easily processed under,

(cited from publication as identified below):

cover(s) 

 

theme: special character

also thematically

what could Anthem : Blue /Cross

really stand for.

citing:

some

relevant

“version”

of the

cited: P.T/  S-D. (PTD or how about PTPD: Post-Traumatic Pressure Disorder)

 

  1. political emergency needs;

(or you can think of something better?  with the application: of (cited:) emergency need, access .

 

 

It seems from thes; thesis, the[se]

two declarations

that (cited: non-emergency) also

per|tains think curtains to

emergency as not so declared;

in this case then; perhaps otherwise : medical obvs.)

a different differentiation

statemen t

clause :

versus ,

non-emergency shall

be used; for simple

matters like this: can cause:

caustic, cold chaos;

So perhaps

another

derivation might (cited:) non-emergency transportation

 

  • (P. Welfare & S. Welfare fact-base)

Questions to ask: So, (cited:) NEMT is available? Even on the weekends.

 

 

 

Most referenced text letters from the used, publication; glanced at:

Publication, (IRO: In Reverse Order): Anthem BlueCross, Medi-Cal Health Plan, Anthem Blue Cross Partnership Plan, Member Services Guide, Evidence of Coverage, Effective July 2016

&

Referenced text Letters:

Part 5 What Anthem Blue Cross covers

Non-Emergency Medical Transportation

[There is no advanced notice requirement for dialysis, chemotherapy, radiation therapy, urgent care, wound care or discharges.]

 

(more [brief notes] to come … )

darc

 

 

[Paraphrase: Emotional Cultural Processing][“Dark” Emotions]

[The Competition Between? Grief/Morbidity Suicidality/Strange?]

[Second Stage: “Regular” Music for Suicidality][A Brief, Relevant List]

  1. Nothing But Thieves Itch {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  2. Nothing But Thieves Trip Switch … and the same 
  3. Gotye Eyes Wide Open {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  4. Miguel Coffee … and the same
  5. Miguel Sure Thing [Trans-tional to akin Emotions from Suicide-Experience-Emotion]
  6. Linkin Park One Step Closer {cited:] [note the affixating brake in connecting hyphenation regarding what expression}

.

. [Tran[s][tate] ‘t -ional to akin Emotions from Suicide-Experience-Emotion] 7. Kate Bush Running Up That Hill {cited:] [note the affixating brake in connecting hyphenation regarding what expression}

.

[Akin Emotions? Grief “Regular” Music]

  1. Coffee Miguel {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  2. Machine Gun Kelly Till I Die {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  3. Florence + Machine What Kind of Man {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  4. Silversun Pickups Nightlight {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  5. Silversun Pickups Panic Switch … and the same 
  6. Disturbed Down With the Sickness {cited:] [note the affixating brake in connecting hyphenation regarding what expression}
  7. Fuel Shimmer {cited:] [note the affixating brake in connecting hyphenation regarding what expression}

[Transition Music to akin Emotions from Grief]

  1. Annie Lennox Walking on Broken Glass {cited:] [note the affixating brake in connecting hyphenation regarding what expression}

waltzskirt

 

[Subtext Proofreading / Editing Noted Again in This Same Previous Application]

Performance l’arte Notes: You can proof edit your speech movement (dump) in the moment, in fiction and non-fiction, too.

(cited: Brainstormers et al [punc], Classic ) Example: I hate your skirt

Example, continued: (Internal: No I didn’t want her to know that; and-or I didn’t want to say that a-loud) I mean, I want your skirt for myself. As a joke.