art analysis

The trap-box, continued.

Posted on Updated on

[and also in this form: The trap]

for The Fictional Voluntier Project

by Goura Fotadar

date typed up: 10-27-17

 

 

where these two had sat

last time; the shrieking

of these two this time

involved the cited: sats

and as if to verify their

simulated age at least;

because it might be true

that these two were-

are presently teen agers:

were cited: sat books on

them; however there were

clear like near reportable

signs on them of adults

posing as children; this

along with the non-sequential

shrieking ; and that only

means that the shrieking didn’t

seem to match the, that

two-some party

plus, their collected recognition [see today’s fiction posting to see a fiction exercise of potential displays of use of this uh, term; after uh it goes up, is posted]

of the last time I sat

in the trap-box; and

where I sat; extenuated

by the fact: that compared

to this incident it was

some while ago;

 

the distance of my visiting the

trap-box had been too long

for them to coincidentally

still effective; be seated there.

As a result I hardly

would trust my belongings

with them, and if [those, they] alone

with my belongings I would

chalk up-any items un-stolen to

 

be due to the fear of the

consequences of stealing

while under audio +

video surveillance

The other two seated at the

/ in the trap-box; were

seated at the former seat;

just even with something like

five options it happened to be

noticeable of the previous

trap-box event of the unbelievable [uh, absent, -ly]

two teenagers. These two

comprised of what appeared to

be a different and noticeable

ethnicity-nationality

component: while being

Either or something

Like a grandmother, grandchild

pair.  – Of elderly –mid

teenage variety. The grand

mother seemed to be yelling at

the grandson by her body

gesticulations, but her words were

not audible.

 

They seemed to be having a conversation

that was hushed; from public hearing;

but the “grandson” ‘s words seemed hushed, only after he spoke? ; hers were just

not-audible at all. Her gesticulations

were bordering a-on violent; and hard

to go un-noticed; the couple of

other supposed older teenagers

nearby seemed to find this treatment

gesticulation nothing extraordinary

and even appropriate; this furthered

my distrust of them and the “grandmother”

Due to the son’s [“g’son” ‘s] facial

expressions and reflective body stances

though seated; I trusted him most

of the four alone temporarily with my

belongings in the trap-box. Shortly after

I re-entered he donned a backpack and left the trap-box. His “grandmother” stayed a little longer; followed by the older “teenage” pair leaving, also. Soon I was alone

with my belongings in the trap-box.

 

-the logic: non-preferentially

The external use

evaluation of

something such

as “belongings”

[this set; existential]

 

-establishing a “trust” fund + job decision tactics.

|

\/

perhaps the actual meaning

he-she-they-who “I” trust here “I” trust with … “I” trust to …

Untitled

shovel

 

 

 

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The Spirit Technology

Posted on Updated on

The Spirit Technology

[c/o: in this form, too: The Spirit Technology ]

for The Fictional VolunTier Project

pinkbottle

by Goura Fotadar

date typed up: 91317

date worked on: 8.26.17

tag[s]: alcohol theme-ology, analysis of children’s fiction, spiritual theology

source, text citation: Meet Kirsten (American Girl: Kirsten, 1854) [Janet Shaw, Renée Graef]

“As Kirsten climbed down the ladder into the hold, her spirits sank.”

Kirsten is effectively alcohol cooking and is going to be consumed in a location further away

[very cited: Neopold [what is,] ]

from the cooking stages,

Draw the bottle:

“Meet Kirsten”

guess the C [as in geographical location]

the process

was completed in.

as described in this fiction piece.

if one didn’t know a-thing

about alcohol: its [i] cook-making

process maybe [5th grade aptitude:]

involves:

-externally situated large

water; such as a

sea-ocean

music citation: no doubt bathwater

-what about a river

-it’s allowed to breathe?

[i.e. whatever application

this could mean]

but must be under

rest in a “cramped”

space preferably be[heath] beneath

the-a ground-floor like

Setting.

In fiction applications:

if you spent time beneath the

ground; and came up to

breathe; but for example

rested under the-ground

floor near some external

water; on near enough

to: would you

be turning alcohol;

and when witnessed such

would you be charged as

a non-reformed non-cohesive

drunk

by “authorities”

ex-pier-ounces

of true-

2

life.

 

 

 

 

 

Research for paragon & work retention [paragon] stow-age

Posted on Updated on

for The Fictional VolunTier Project

by goura fotadar

date typed up: 81717

Part one. Date, 81617

side notes for type-up

of-the fvp

of a.a. notes:

tag[s]: careers in counseling drugs + alcohol

think aa sponsoring.

|

\/

the basics as

written down in notes:

bold [ expect a swing back in the already overcome a rather seemingly, overcome

direction … perhaps there seems to be some sort of statistical issue; how to stay and move past as in forward only onto this point; and only forward from it; but like

in the basics of a pendulum the direction of back -> forth, can change. ]

Untitled

one easy imaginative

way is

to create a

sense of

trap-box

where every

face is only with

the two options:

the present, or

some moment in

the future;

are then the present

considered all one moment

in any case:

what happens in the

time it takes to decide

now or later

pluh

what if you, or the person/being

in the trap-box is

dropped into one or two;

or a stasis between

the two: [what and how might You/

the person/being be directed

and-or by what such force]

tag[s]: the philosophy of sponsoring

perhaps identified

and cognized

and perhaps that in brackets

is the answer to the

movement direction …

 

 

[

next to include notes from lecture in short brackets : lecture:  6.30.17

& or

alcohol notes:

“Relapse Prevention Toolkit”

|

\/

“means to slip back”

|

\/

“going on right road; and now going on wrong

road ”

=> going back down

the right road;

is the wrong

road.

“relapse is a process

not an event”

“Addiction cycle”

“something triggers you ”

“you start craving

relief from [my] pain.”

 

“craving is followed

by ritual or

the robotic

phase”

||

\/

robotic face?

||

\/

ro, bo, tic face?

bow row, tic face?

=> work-out

in public almost

or habitually

]

IMG_20170816_184158

Part Two.

tag[s]: also art notes;

Well copies certainly solve the dilemma of reality fixes;

while one stays as it was

in the upgrade if needed corrected

direction fix a new from a duplicate

can be made; anew better modality

reality caption.

aside notes: there’s the guy, who says he

owns the library so gets to [picture, somewhere?]

abuse me in/out of it. Who is he?

and certainly this part two; is

connected to this past

[but not worse]

part one; so qualification

aids comprehension:

[past not worse]:

is likely same

moment

in incline

[see part one].

and since it states in 1st Paragraph the

evidence; hardly a contradiction

per thus far first Paragraph to art;

and so; to solve at this stage:

how can “documents” translate

“a source” to art –> uh petitional wel-fare?

IMG_20170816_182747
from cited text as described and identified below
IMG_20170816_182800
from cited text as described and identified below
IMG_20170816_182814
from cited text as described and identified below

Source, cited:  Camera work 25, 1909

448-449, Alfred Stieglitz

& A.A.  lecture 6.30.17

[as an outsider non-alcoholic]

Reporting Clues:

Also see art

in a fedor-a:

are thy, they

actually

alcoholics?

[the false

veterans’ cause

as opposed to the real veterans’

movement]

 

 

The Cursor was Frozen

Posted on

IMG_20170625_162336[1]
cited: image 1, in first phone shot
IMG_20170625_162352[1]
cited: image 1, in second shot
IMG_20170625_162410[1]
cited: image 2, in first shot
IMG_20170625_125644[1]

and a repeat right above of my ol’ art because the cursor was frozen

in any case

for The Fictional VolunTier Project

by goura fotadar

date composed: 62517

date typed up: 7517

source, gallery with cited images cited as from-as as:  [image 2 individual piece: “Arc en Fruit”] Michele Chandler

“Reves des Fruits” June 7 to July 6, 2016 —— Gordon Huether

Public art projects, private wine

country treasures

“Stream of Consciousness, Part 1″ July 7 to September 15” ———–ART VENTURES GALLERY

… MENLO PARK, CA

…[image 1 individual piece: Lost III] Klaus Leidorf, Igal Pardo, Photographs, Summer 2017

—- Gordon Huether

Public art projects, private wine

country treasures

“Stream of Consciousness, Part 1″ July 7 to September 15” ———–ART VENTURES GALLERY

… MENLO PARK, CA

notes on scene/seen l’art:

I was walking to something

like my 3rd church

procedure this week;

or is it the start of

the next weak; and I

saw these art pieces along

the road; along with a

few inside; it was a nice

brief visit: due to the rush

of church. or rather to

church; ->

tag[s]: biography film; the real life …

where rarely one meets non-

chloro-form; folks; but of

course rare isn’t never;

and of course church is

a social environment; but

not primarily a meeting

scene; rather a social environ

ment as backdrop against

a learning situation.

what I’ve labelled

(1) and (2) I’d really want

fold over because of the

line on a post card; can also

be a folding point. and build

over a box with these two as

four outside parst to the box;

and of course glaze those

covered outside portions of

the box with something see–

through; and something

see-through, enough.

so that the art can still

be seen; I actually

have two photographs;

for the remaining sides

of this conventional box. ;

but of course the box-form

itself I do not have Perhaps

there isn’t the Time ; to

build such a boxandof

course  these: two scene

pieces on postcards; like so

much else are about

Time.

The first looks as

Time in fulfillment; something

such as completion; and

perhaps this can reference

all art; when it is

complete enough to be viewed

is something and-or

somethings also-are

fulfilled. The gold lines

pathways, of course;

and the purple strokes’

rest?

and for how focusing; on the

2nd one: of course the

imprinted sway of the water:

or liquid: is something like

the print of a clock; and the

print of time’s movement

as likely it’s experienced.

of course with the word

of internet use; whether it’s

in a 1990s setting or in

the hazard of today’s time:

when most [the hen]

housed people but not all

suck the existence

out -of everything;

while most but not

all homeless people

pay their rape tax.

Stay Away! and

stop posing; only

is appreciate-able with

regard to floral ways.

of course as you

continue to examine

the image of the

1st-nd art image:

the float silver

or boat like

silver is

also a reference

to the word-line: word

“buy”

; and unless this sliver

of silver unless of course

you consider the liquid’s

color a hominid for silver;

is of some bizarre high worth

. . .

you can “fix the

internet”

including speed as

motif’d by the

timed clock . . .

with little

silver; even

a sliver of

it; then of course

you have real proof

of the value of art

. . . which can

get you speed and

is disguised only

by a little; sliver; of silver

or silver-like.

[and what about the second; excuse if the placement of 1st and 2nd were incorrect; but you can easily estimate; which I meant when-if it is unclear.]

 

 

 

l’slop arte

basicartforthefblogon7517

 

 

 

i-minutes, newsed notes

Posted on

cited: npr dot org news email news

newsed notes

y.

soplain

 

for the Fictional VolunTier Project

date, opened: 6417

artemails

by goura fotadar

dedicated to the actual kids approved in my old complex. And a dirt few adults. Nearby or in.

 

 

pertaining to this section … what does that mean.

“class”;

turning into the same olds:

“refugees”;

 

still new:

“facts”

 

Grade school basics of olds:

“Science writer…[s]” still exist

Advantaged grade school basics of olds:

New translations of deux es, de machina macchina :

In [some of] art images .

news

 

Anthologies of knowledge are significant ; or are still happening in quotas; and quotes of grade school journalism: sorry about the opinion inclusion.   Or ?  why not review editing policies while we’re at news reviews.

 

Somebody died. [at least a one: somebody.]

Good, under [another opinion]

“refugees”

They’ve captured “social mobility”

But what’s progressive and here progressive only means  actually intelligent about “social mobility” or what will be as in making it turn to a higher change.

I really mean higher change; as in spare change; as in higher education.

As in strike out education for a moment and spare for a moment; and you have in reverse order the first order higher change. And before that lined include is ion: ?

You know like higher education. \\\ never mind, or nevermind; not under refugees but just under  “americans’ l scuse the missing second ‘  and the first missing “ “

Or smoething of that direction; cited: the simpsons

casket

o.k.

so what does “social mobility” using the mistakes of effect have to do with “refugees”

uh.

?

That’s all you need to re call.

 

Is that enough; and remember the title of the subject matter of the email sort of like a title line:

Because after-all it is still publishing.

“How your mind manufactures your feelings – and how to control that process”

 

[section][refugees][art as translation comprehension][facts][science writing a career][careers][knowledge collection = anthology][social mobility is an “American” tier such as a tiara approved for wearing and actually approved]

 

Good; but good be better organized; well it’s been not that long in i-minutes?

 

Asides of non-re-re-re: checked

Occupational past, passed, no, hazards:

Are non – hazardous;

Except for being out of time

cited: “out of time,”

I hate commas inside quoatation no quotes no quotation marks; but since you’re sure that’s the most proper seminal way of typographing “things”

Excuse the cursory second set of quotations.

First set from the cited text;

Second set from external to cited text citations also.

You’re not a …[first set interjections]

But “c.b.t.” is apparently is or is also?

Has to do with memory?

And memory has to doe with; no do with no sue no due no do with “emotions”

A better question would be the cliché [second set]

“how emotional are you?”

Oppressed?

How important are your [actual] emotions to you.

Hint? Now you know … ?

iecasket

 

 

 

The Bench: Scenarios of … madness, not mine; explained.

Posted on

The Bench: Scenarios of … madness, not mine; explained.

for The FVP

 

Tag[s]: Thinkers of action for the fictional voluntier project, is this fiction, and the difference between fiction, non-fiction, and lying, and lying in truth; criminology by gf; copy

… jewels

Date: 6117

By goura fotadar

Theme Modifier: But I was doing nothing! But I was doing that nothing!

Theme: how to provide accurate protection without violence from your internal self.

Theme Art: Vietnam was different. Where’s your proof.

Untitled

A few weeks ago I was sitting on a bench that I’d sat on earlier that day;

And I was coughing and smoking; men I didn’t know starting talking very loudly about me;

They came up to me; and asked me if I were-was a cop;

Scenario

And I said, the truth: “no.”

Or

I didn’t answer?

Or

I pretended not to be able to speak … “English” “english”

 

They got really close to my face; and I waited as they nearly of course assaulted be-me in sequence before the evening hit night in the sky;

I waited to:

To not reveal the way I move, why?

To protect others; although nobody but their supportive onlookers were around

When I stood up finally un-harmed I backed away from all three and my belongings on a bench;

Shortly afterward some of my other belongings were stolen; nowhere near where I sat, then.

I then shrieked repeatedly and they propositioned me in the size of gang, now; for prostitutional sex;

I’m not and so

I said,

“I’m sorry about the screaming I’m a Vietnam Vet and a little bit wonky in the head.”

Oh they said,

Stumbling back away.

 

Do I look old enough to have served in cited: Vietnam? Basic Aptitude Test of those who at non-random threaten others with …  ; and lose? At attempted hate crimes.

 

Part Two. this jewelry feature. the shelters of so easy and less easy; how much do they vary

 

how would you take this piece

and turn it / make it fiction

| so easy |

how would you make it to at least yours [elf]

acceptab,lly non fiction

| less easy |

 

cited: http://www.jewelrygig.com/a-few-quiet-amethyst-treasures/ as accessed on 6117

through fb

 

This side angle photograph see below is quite vase-istic; I can imagine flowers or none; and it’s still an art piece; collected in a can on your see through view; or in your no sorry on your or their body, no bodies.  or. or. or [to catch all the views.]

vases

About Reflection

Posted on

source citation text: love story [by [b-e]] erich segal

IMG_20170531_145836[1]

Date, worked on: 52717

Date, typed up: 53117

cited pages: 102-103

“I pursued the matter at dinner. We had bought great Danish china.”

purse – ud : the matter

bought great Dane-ish : china?

Where dinner = reflection [ … ?]

other upcoming pre – dictions

for purchases include :

at least [1] great Dane and

as a purchase not another way. [gifted for example; as another way.]

theme, cited: animal rights, rites?

and going to china; another purchase.

at the bottom cited p.103:

___________________________________

“Christ, hopefully Jenny would

keep Bozo from destroying me.”

 

“me”  -> “the” original “matter” : “Danish china”

 

tag[s]; real theories of finance are self-knowledge.

 

“destroying” “me” toward

the ease? in/of breaking … “china”

“Bozo” sounds almost like

a dog and or pet animal’s name;

love-able, or like-able “Bozo”

preserves the worth/value of “purse”

“china” if even it breaks; “me”

is still left-over?

 

Further “we” is now

who & who & even who … and so on.   [uhm; is this family planning explained through “china”]

+ “china”

+ “Bozo”

….

 

_____________________

the usual and even cliché – our

buys and

not bias?

are oui ?

 

theme: is-r purchased dishes; and-or gifted dishes and-or donated dishes; a safety system of even self-preservation. in SAFETY

theme music citation: michelle branch all you wanted