analysis
Forests, everywhere
for The Fictional VolunTier Project
by goura fotadar
date typed up on: 01/28/23; date worked on: 02/28/22
cited text: [Bridge to Terabithia (by) Katherine Paterson]
grade: Perhaps review from 5th
[cited pg. 2]
“Of course he was going to run. He had gotten
up early every day all summer to run. He figured if
he worked at it — and Lord, had he worked– he could be the fastest
runner in the fifth grade when school opened up. He had to be the
fastest — not one of the fastest or next to the fastest, but the fastest. The very best.”
/ \
|
|
[why.] “run”[1] “run”[2] .
“runner” [1] .
“fastest” [1] “fastest” [2] “fastest” [3] . }a
“fastest” [4] “fastest” [5] .
“worked” [1] “worked” [2] .
forests, everywhere: “of course” “early” “every day” .
“all summer” “school opened up” “very best” . }b
answers one at [why.]
order b preceding a
order b, a
(cited pgs. 6-7) [To notice a flower/flowers]
“His body was begging him to quit,
but Jess pushed it on. He had to let that puny
chest of his know who was boss.”
“his” “body” un-ordered 1
“begging” corresponding [sp?] order 2
“Jess” un-ordered 3
“pushed” un-ordered 4
“puny” “chest” un-ordered 5
forests, everywhere: un-ordered 1 half, un-ordered 3
corresponding order 2, un-ordered 4
un-ordered 5 half
un-ordered 1 half, un-ordered 5 half
forests, everywhere: “his” “Jess” .
“begging” “pushed” .
“puny” . everywhere (a)
“body” “chest” .
forests: “to quit” identifies “it on” ordered (b)
“who was” ordered
considering switching order to b, a
[cited pg. 11] using flowers as index:
“Ellie jabbed her with a spoon. Jesse saw
that look Brenda shut up her whine halfway
out of her Rose Lustre lipsticked mouth. She
wasn’t as smart as Ellie, but even she knew
not to push Momma too far.”
forests, everywhere: shape: “a spoon”
such as expression: “that look”
such as, characteristics: “her Rose Lustre lipsticked mouth”
such as distance: “too far”
unordered 1 ordered 2 ordered 3
everywhere: “spoon” “that” “Rose Lustre lipsticked” —
“too” ordered 4 | (a)
—
forests: “jabbed” such as to appearance — ordered 1 —
“whine” such as to noticing | ordered 2 | (b)
— —
so here: b, a
<displace> this_analysis_and_this/these_reading_note(s): to_create_cited_dark_magical_cited_marvel_cigs_and_cig_like_things_and_white_lemons
the meaning of cupcake
for The Fictional VolunTier Project
by Goura Fotadar
date posted on: 10/16/21
tag[s]; analysis
this time, only what I could grab hearing,
“16 in … days … time to make some changes”
“every year … a party … the same two people”
“… we hangout alone …”
” … expand my social circle and my horizons …”
” from now on I am identifying my goals and … “
” … that cheerleading squad …”
” … a real boyfriend; get married …”
” … starting with you …”
” … you tempt me and then … “
“I hate myself”
” you are so seductive” (entry of appearance of cupcake)
act. mi. application: and after calculated potential eating period replace with a substitute for example a flower in image is enough
“ok one more quickie and then we are over” “forever”
cultural notes: the cupcake looks very large compared to most but not all current cupcakes and the frosting looks messy even for homemade variety; points to a different time; such as the past or future past,
“friday night at …” is now the name of the cupcake; connecting personal meaning/s and its: personal meaning’s (at least) parallel procreation act. mi. application: consider a replacement procreation step and non-parallel procreations
now mention (including in attention and or focused, appearance in this context) of products in this sequence and-or product types: cupcake/s, sleeping bags,
” … being strong and fighting back …” verification of act. mi. here and also motto for act. mi. (at focus but can spread and be pervasive to others) in this case of …
why not ask cupcake about this by designing additional / s … ?
“sorority … pledge week” now “cheerleading”, “sorority” and “pledge week”, spread it by making lots of cupcakes from act. mi.
and perhaps don’t mention that or do; and soak out where as in hand out where and when
internal citation: seventeen magazine “plum lip gloss” (here: in products and-or product types in attention)
“hello kitty purse” (products and product-types, continued)
(cited: “POPULAR” Episode 1.05 Part 1/5 as accessed on youtube dot com on 101121)
so the meaning of cupcake in identity procreation matching product and or product-types demonstrated against others such in a certain specific way goes from cupcake: “sleeping bag/s “–> “plum lip gloss” —> “hello kitty purse”
and this is a translation of this cupcake’s identity procreation in this brief-ness but how might you consider reaching the cupcake back at each stage of product and product type
briefly,
theme: what to do now and why
“sleeping bag/s” (cupcake) implies activity such as: eating in sleeping bag or right near that time
“plum lip gloss” (cupcake) implies activity such as: put it on after eating
“hello kitty purse” (cupcake) implies activity such as: (strangely,) can you eat cupcake while wearing the variety you use of this
” … purse” (it doesn’t have to be the same as in the episode)
Part Two (b). New land …
(part one not yet up) Part Two (b). New land: Leg parts versus and with eye glass parts
for The Fictional VolunTier Project
by Goura Fotadar
date typed up, on: 72620, date worked on: 7320 (I think)
tag[s]: analysis
theme: I hate t.b.! & violations of d.v.
Part Two. (Part one not up, yet.) New Land …
Part Two. (Part one not up, yet.) New land: Leg parts versus and with eye glass parts.
for The Fictional VolunTier Project
by Goura Fotadar
date typed up, on: 71120; date worked on: 7320
tag[s]: analysis
an old land: R, R varied, … etc.
to new land: ?
[assets of new land: easily affordable, forever, easily accessible, functionally safe …]
- R varied, R … [rest the same) ans to: new land
- V (empty) ans to: easily affordable …
-
[t. b. c.]
Review as of 10919 for cited: VHP; while the homeless thing goes on
for The Fictional VolunTier Project
by Goura Fotadar
date typed up, on: 21120
[also in this form: fvppostingon21120]
tag[s]: for cited: the death project
reference, citation: too much heat?
concrete-of up-coming death as in a listed, guess-to primary stage [draw concrete
war. [re-drawing of tombstones, gravestones,
[ etc. ]]]
-length of size-able
at which time in
history stanza; life-years
and onto-ward
predisposition to gathering of
what this collects circulates
to something such
as earnings of earned-to-point: (of) death;
which then assists knowledge of
how to correct death/ and potentially
life.
The Fishing Diagram again basically useful
[also in this form: fvppostingon2720]
for The Death Project in the/for The Fictional VolunTier Project
by goura fotadar
on 01/06/20
tag[s]: reading notes, reading analysis, identity procreation
|| more notes on the cited: vhp, for the fvp. ||
[source, citation: cited: is ask …?]
[2 sets; each set represents life]
1st set
F M L – the sequence
what catches
the attention
most may be ordinarily
difficult to seize;
but in this referred to set;
the last letter in
the sequence grabs most possibly relative attention. Such as
a relational cue; here knowing the relational cue from the brevity
[of what?] how to share it; but concealed. I’m not sure but perhaps this is review as developing from traditional representation of traditional gender.
So perhaps now it’s time to jump to the next relevant cue in the lines of this set so diagram model
Diagram
-Identifying sets
-name-ing a relevancy sequence in identified sets
– examining sequence per set for relevancy; outstanding cue: then aligning outstanding cue with relevant loop? filler in lines of set.
In this case of cultural history application; considering criminological time cues as actually in variation from referenced time numbers and-or digits; notice any fittings into loop-hole grabs; perhaps as such
Most Noticeable
through a tie of cultural historical mentioned cue verified only at the level that it has been mentioned repeatedly. Example description of how-to identify the fit:
What is sometimes to oftentimes mentioned connected to tradition of traditional gender
1st set
F M L
So let’s call what goes into the loop-hole the usual x [as burgeoning for growth] So L has been able to
catch
into loop-hole and now what the actual ideation belonging as L in meaning is furthered in explanation
Now a trajectory of
the life is explained by the sequence’s content end especially latching to get.
Now
developing from traditional
representation of traditional
gender
(system that is considered tradition + positive of traditional gender)
One commonly brief and thorough examination
is; calling every person such a
last item in sequence term if not the
exact same term [as much as possible] and
then a more fair chance may take place by the, this
mutating system per individual in set representing life.
rumored example … every person in a class referred to as “officer” in a military training period; the hope that … exposed to this system with such reference mutates to completion + activity by being accessed through such content term: “officer” i.e. mutating also hopes to have the prognostic of access through time + non-time. In hope.
Another important fact to consider; is that this source demonstrates an intellectual adept brazenness; which is an attempt to qualify a life stream however than through knowledge of mutation accessing it from the present at different points of for example: time, non-time; (what else …) trauma significants? … and such on.
And so hypothetically; if we wanted to start to access trauma significants through the same sequence and mutative action; we would examine the correspondence
F M L
and perhaps
the middle in this sequence
connected to something such as
cultural trauma; such as: crucifixion
so then we look for a similar
type of hook:
has found the end point
as stated of the life stream. So we have
something such
as crucifixion of Jesus
(point where someone else can no longer continue on, conventionally)
[and then what; what next …]
Another dimension with adjoined[s]
[also in this form: fvppostingon13120]
for *The Task[s] of Words in/ for The Death Project for The Fictional VolunTier Project
by Goura Fotadar
date typed up, on: 13120
[rough draft]
Include basic 1st name diagram; as has/is included in general … her … here;
tag[s]: uh company -en, word diagrams , reading notes, …,
I.
[same [source, citation: ] Valerie by Sara Stridsberg]
Same as
title of book
“VALERIE”
obvious Val: ERIE
as in Lake Erie
considering options
Val is missing
(ley)
“Val” (ley) “ERIE”
So; “Val(ley)” Erie
notices not just possible
uh a specific valley aroun- Lake
Erie but especially its at [V= ke or rather V, ke ]
least double use. since (La)
is in double use.
II.
Like; such as
here’s a valley to live in; and also as uh …
where the college town
of … is;
and-or that large company is …
“Valerie”
Valley Lake Erie
V, ke as
an order is adhered to; obvious [e].
so we have
another addition to the forced
equal V = ke
III.
V … (-ley) = ke … (?)
taking a brake
what [e] else
can also go onto /adjoined with
Lake that is such
as (-ley) and
follows
the entire
Lake
adjoined
before Erie
perhaps it’s time to conside[r] (-ley) again.
le y
el y
one thing is the derivation
of a more complete name
Valley LakeLow Erie
or maybe better additional
instruction + identification of this valley even if it’s time
to construct it: Valley where the Lake something/a water type
is of low(er) what? Version of Lake Erie;
such as another dimension .
Connecting objects
[also in this form: fvppostingon112719]
by goura fotadar
for The Death Project, too in The Fictional VolunTier Project
date, worked on: 112619
[Source, citation: Wake Up Little Susie (by) Ed Gorman]
tag[s]: reading notes, analysis, art analysis, for cited: The Death Project
skim, reading the first few pages
cited p. 9 “Henry is a duck, and as far as I know he’s been a duck most of his life, though sometimes you have to wonder, the very human things he does.”
cited p. 8 “She pushed the cone at me before I could say no. Being her slave, I took it.”
“duck” + “cone” connected by objectification:
article: object;
symbolism
both can experience
death; etc.
In the more ordinary sense: do “cone”s inform
one; people to “duck” in irregular
sense; the two connected start to consider meanings
of esp. “duck”
witnessing a “cone”
on ground will one; you;
persons
consider bending at the
knees a little
as a form of “duck”
to I’m not sure
be more careful
with the slippery
possible floor?
Incorporating the
Potential of
Death from this
art type of symbolism
The head piece [ex: “cone”]
of a grave
converted to a marker
of how-to avoid injury,
and even death.
Peer-pressure?
for The Fictional VolunTier Project
by Goura Fotadar
date, typed up on: 11619
[also in this form: fvppostingon11619]
tag[s]: reading notes, analysis
[Source, citation: Like Water, and other stories (by) Olga Zilberbourg]
on cited p. 112 of “Ambition”
“The writer walked Maxine partway to her apartment and, on impulse, Maxine invited the writer in.”
Instead of “… on impulse”
what if.
“and …”
; “the writer” didn’t seem to want to leave without meeting …
story on
cited p.64 on 102019
“shelter” as obvious cliché
reference implied by
pregnancy as a form of “shelter”
this form of shelter corresponds to; in this
context analysis: “chores” temperature “covering”s
implied to sight mirror effect
[102319]
From mirror effect we are at positioning and-or
body positioning-> which un-surprisingly
looks to turn to constant
movement involving
The *object inverse of
[theme: cliché: (in italics) appearances can be deceiving]
the mirror effect
; the
described mirror effect of course
comes from
only? carrying *child?
Usual: get rid of the *object inverse; and the *object is better off.
In this context, however what are other cues of how to respond to the
*object inverse.
Fashion Small
for The Fictional VolunTier Project
by Goura Fotadar
date typed up, on: 102119
[also in this form: fvppostingon102119]
tag[s]: reading notes, analysis
[source, citation: Cecily von Ziegesar, Cum Laude]
cited p. 9 [2nd paragraph]
“eccentric” à “small”
theory of expansion that seems placed in this paragraph:
to expand this character,
this quality “eccentric”
consider positioning this
theory of expansion as described in
this paragraph to exert the “small”
in another way; at least
covering up the “eccentric-“ in the literal art sense
by a small relative covering
such as: ?
using correlates; considering
qualifying female esp. adult characteristic appearance
such as the breasts; as opposed to the usual sense,
bra; the binding like sports bra; worn would/might
convert the “eccentric” t . …? perhaps female gende[r]
being “noticed” and this “notic-” might be/could be purposed
gouravolunteer 