an art look at Conservation

Pop Fiction, continues; & The Flower Theory

Posted on

Reading notes: 4.24.17

tag[s]: crisis of ed. curri-cul.

source, cited:

IMG_20170414_161258
cver of source text cited

[accompanying] Dictionary of American Portraits

[edt by Hayward & Blanche Cirker and the Staff of Dover Publications, Inc.]

on cited: p. 235

IMG_20170414_161249
identified from source text cited in coherent relevant lines of citation

what do you think

of the classic heart

+ accompanying second

necklace + pears, pearls

grabbed; and even

in comfort in

open neck.

tag[s]: art edu. ; theme: ideas; mind channels

In second source, cited:

[main text]: z. smith; swing time

IMG_20170414_161241
source text cited

[for this segment of reading notes:]

in cited: Prologue

[but first theme to respond,

to:] [your art anywhere

outdoors] [like book covers

in libraries; at least.]

[in the entertainment

of psychics [real?]

search groups +

severe [authentic withins

severe academic] politic

groups] badly there

must be the advanced

of the reading group;

even two-person in video-clip

cited: that special person!

[draw a two person skit with recording.]

to supplement academic

esp. reading

related endeavors

theme

Part One. The text as an art lesson.

in reverse order

|

|

|

|

|

\/

of appearance

“dancer” cited p. 4

“I experienced myself

as a kind of shadow.

” … that I had [notes:

never [had] [necessary?

had] any light of

my own. ”

_____–_______

after seeing this text; thinking

of art and-or painting: one

notices text such as:

“coast,” through page already

[red]

“hood”

more reading notes for The FVP: The Flower Theory

frontingflower

cited: p. 16 of

main source text ;

while I was thinking on-the

notes in pin-points:

I was thinking of foreign

culture and not difference

in cultural race: but

within; the main-Land:

possibly: here ? [even].

on p. 16 it is

revealed that the

other “girls” are : “these

white girls”

which of course points

us, to: another race

for the narrator +

the defining sector : race;

other than white;

later on the same

page: ” ‘When your

dad’s white it

means—‘ ”

it seems from cited: page

17 the answer is:

“There were consequently

things you couldn’t discuss

in front of Lily Bingham, and

now Tracey shut her mouth … ”

where “consequence […]”

sounds like cost

and there are “things”

“in front of” [a flower]

“things” cost [

have “consequence .. “]

when [colloquial-ly]

“front … ing ”

to / toward /

as to …

flower [s]

flower in name – ing

is invocation

to species:

flower, too?

from p. 14 of the cited: text [main, text]

esp. breaking up:

“espadrilles” => esp. a drill, es

Untitled

esp. adrill :

is the description of

the shoe: type! [also]

pesa, drill, es

pesa, drills, e

following the continuation of:

s where it

most makes sense ;

and in this case application

wear : it most makes sense

pesa, e-drills [? -> perhaps]

 

4.18.17 on p. 15 at quick glance oui-oui!

have: ‘ “Freed” ‘ and here on cited:

p. 14 we have :

” Her hair was yellow,

not blond, yellow like a canary. Her

skin was very pink, raw pink, now … ”

paint a  [plain] painted [white]:

frame [[as contrast; even what

could be missing ]]

and so blinging opposite,

earlier on cited: 14;

“It was disappointing .”

“yellow” versus “blond” could

im-ply real story: tale [paradise,

possible] and in our : cultour at least,

please; The cliché [pah-again] of freedom

through dancing; for that is; for the?

subject matter: fiction; much like

a bird: i.e. “canary”

plummets the intelligence of even

the child main subjector [-er];

and if you didn’t know it;

before on excerpt implies a

cultour foreign to the American [english

language]. at the bottom of cited:

14; “trilby”

t-ril/by

tr-il/by

or even rt. [foreign cultour?]

as opposed what we

see more often here; though

we do see [rt.]

rt. – liby as a joke: might

mean [way to [public space] library] =>

obs. freedom.

 

— then from this other source, text:

IMG_20170415_144715
source, text cited; cover / top

cited: p. 352 , The New York Times,

IMG_20170418_181935
from source cited; as just identified; and being identified in coherent relevant lines

the Complete Front Pages : 1851-2008

  •  – –
  • what the heck: besides general
  • guesses/know : is :
  • “agrarian socialism”
  • ag – rar – ian
  • [e] -> age [Ian] who is ?
  • -> rare

social-ism

age, rare: Ian;

social-ism

social-[Ian-ism]->

age|rare|social|[I-an|ism]

|

\/

and this is p.e. haps

one def. of suicide.

when is I [an] an

in a group

[of specific

evented-time]

(belonging to incident)

|

\/

suicide implies ?

group;

will oui oui oui come

across more; on a more through

and not thorough read of this article? —-> see articlepic.

 

 

 

 

The turning significance of food [part three, final part?]

Posted on

for The Fictional VolunTier Project

Untitled

by Goura Fotadar

date, typed up: 5717

tags: fiction art notes; too

also from a following, and already p additional q cited; source text, : The Metropolitan Museum of art Howard Hibbard

 

on cited: p. 445

we see a protective glimpse

of forest

as the animal

is eating its

meal; perhaps

also a slight joke;

\

\/ the art on cited: 445 especially ; on bloody display.

IMG_20170503_134506
cited: images as identified in this posting [l from cited: gg, r from cited: mma]
but using cited:

garden gate’s

“butterfly”

imaging +

imaging description;

the food is being protected

by emulating jungle form

in appearance; in other

words; the food of the

one animal may or not be

a 2nd animal; and it is

in such jungle; jungle

like forests that animals

roam? at least during meal –

time; to disguise their food

as themselves; and is it

in the jungle ; jungle – like

forest where we all receive

food from ? In any case:

the forest is the first

layer of food concealment

and-or dining concealment;

and the 2nd is of course

IMG_20170503_134520
cited: p 445 of cited: mma
IMG_20170503_134514
cited: as last posting back of and or “butterfly section” of cited: garden gate

the image of the food looking

exactly like the consumer of

it; and this Would be

contrary to

popular belief systems at

present; such as presents;

that animals are eating

themselves and-or one-another

for nourishment ; and certainly

we have many documentaries

showing us such “truths.”

In an imaginative :

exercise is there anyway

to guess what the

animal is eating imaginatively instead. The forest

jungle; almost seams

seems with a burgeon

of land-fill plant else;

but more importantly

using the Sky as

the primary temperature

influencer; as with the

“butterfly” in/on cited: garden gate

 

the opening of placement

animal-eater is perhaps

the temperature of kitchen

draw l’arte: temperature of kitchen;

and when you look carefully

at the animal; you remember:

what you know about its

form: the quill like needle

like fur ; the flower

like eyes and

ears ; the stem

like mouth; th’

tree like limbs and

such ; and you see

a clear emulation :

of the forest; forest jungle

from the animal – eater; [cited: little riding hood or whatever; recollections of; anyhow]

we then have to imaginatively

wonder : does the animal

only look forest connected

to eating. In this art image :

as usual the moon and-or sun

is pupil to sky-eye; and

[to draw back from

animal focus;

perhaps]

 

each slide almost

blade banner looks

like an up-coming actual

that : lettered sign; to/

instructing of somewhere .

and back to animal

and-or

simulated animal

matter; the eated has unusual

the not so much for

animal path-like markings;

and we ponder the e/a ‘ffect’

of perhaps the path-ways

walked by even the animal-

eater; in imaginative-exercises;

on the food and-or kill’s

body. Do you find that;

that this is a meditative

exercise; turning yourself

and-or your food into a

form in your mind that

offers it + you protection

as the cited: garden gate

suggests; on a deeper

red-ing [no typo here; for edifying purpose spelling change] ; and

in perhaps or not

the unfortunat – ancy

of the blood in this

art; the killed’s head

gone ; is blood

like the

heated?  temperated

“nectar” ? of

a flower.

So is the “butterfly”

a legal and

permissible,

permit-ted killer? at meal-time

at least. cited: garden gate

 

theme: “stacy”

theme music citation: The Ting Tings – That’s Not My Name

 

The Homeless Problem, Contn. A Super-Existentialism.

Posted on

Date typed up: 32217

for The Fictional VolunTier Project

IMG_20170321_175310[1]

IMG_20170321_175318[1]

tags: death project art, too; class art’s saga [i.e. classism, too]; existential proofs of art

by Goura Fotadar

Trash, off-the-ground: Old art

theme: what is it? 

made at the last place ;

I was at: shelter: [in-doors, in;] [cited: Hotel de Zinc [sp?]]

we were handed outline

designs; made

by somebody else in-print

a fun pre-dinner activity.

Symbolism : A piece of trash;

it turns to;

re-interpreting trash.

I scribbled onto mine with

marker ink : instead

of coloring within the demarcations;

the intention to preserve the

ingenuity of the original artist: I

then filled it with pieces of flower

off-the-ground ; and then rubber-  ->

banded, it.

Of course: I’m homeless, outdoors;

since nearly , then; and

of course it got rained on

in-directly; and housed

buried; the rubber-

band ripped off;

the ink ran off;

and it started

to moss;

burying it in the ground;

would probably generate

some type of past-the-burial: more

of-plant. But is plant/tree = trash;

for isn’t this the process to becoming

trash. What then is trash is plant-

tree? And if you go through this

process : rained on; a piece of your

theme: rained on

theme music citation: silversun pickups circadian rhythm

clothing torn [off?] perhaps a

scarf and not something more revealing;

and your skin changed shade : note :

shade! would you have become

trash and so a plantish existence.

IMG_20170322_121729[1]

IMG_20170322_121737[1]

Today’s hygiene product + Safety and Security in-a-EveryDayDress

Posted on

Part One. [an art fragmenting thematic slice of scenery]

by Goura Fotadar

for The Fictional VolunTier Project

date: 31817

theme, connector, mainstream: the mall and its wonderfully useful gimmicks; cultural experience, movie’d: (movie) cited: can’t buy me love and the “messed-up”
dress. [hopeful assertion fashion can never be, a sign of how wrong things can go; it must have been something else.]

IMG_20170318_100852[1]

IMG_20170318_100854[1]IMG_20170318_100858[1]

IMG_20170318_100913[1]IMG_20170318_100935[1]

 

take a soft scarf; wash it with your hands soap + water; squeeze it out; wrap it in paper towels; seat it on a bench [it’s now part of the scenery, outdoors]; use it and the paper towels to damply clean out as a pat, er; of yourself, your items, etc. While still wet; on a not too hot day, drop on it drops of cited: neosporin or something of its ilk and also a strong smelling lotion; wrap up again, and as it stays seated on a bench; notice the way it modifies the surrounding environment; and continues to do such; wherever it goes; how long will this willful modification last? [the art object’s voyage query into existence]

IMG_20170318_103629[1]

IMG_20170318_103902[1]

IMG_20170318_103907[1]

 

Part Two. Safety & Security Notes: 3.15.17 Train Station

IMG_20170318_120604[1]

IMG_20170318_120607[1]

in menlo park at around 10:30 pm; there’s repeated trash bin back-and-forths ; at least four different trucks at the main bus depot parked with nobody getting out at on that side; drop offs to two vehicles and with so a change-of-cars through the train station; at least one man pretending to be homeless and pissing publicly in an empty parking spot —-> i.e. not hidden or discrete or

anything of that sort. + Caltrain is still running; repeated cyclists nearby; and now a discussion of not really homeless men, “going to be there all night;” they say to one-another; fortunately, that group finally did leave. You still have to wonder; if they have [safe] housing unlike some of us; why are they at train stations all-night long [or nearly so with intentional plan to be there all night long]; when really I could use that space for rest at that time; instead I must work civilian security to ensure that it’s safe enough to rest near-enough to-it. What a basics course in even international safety. Popular cliché: Keep an I on the Train Station; means keep it safe non-criminally and not stalk others through it; just you know basic: f.y.i.

+

repeated surroundings

of the stop sign

in vehicles and

male bodies, especially.

 

Functionality Note: The lack of outdoor and safe such toilets past approx. 9 to 10 pm; is highly problematic; on some nights you might have to hold your disposals [at least urination] for something like 13-hours; that can’t be good for you. Of course, safety first means; especially, but not just if even you are female; a disclosed hygienic place to piss may be worth the effort. But you think that public funding would a-lot for not just those cented-cost public toilets a hike away from anyplace you can surely sleep outside safely at-night; and often crowded nearby by non-cognizant stalker types. [the type’s cast may not be a typo.] For example, there is no open public toilet at this train station which is essentially outdoors, that anybody I’ve asked has heard about; and the folks at cited: McDonald’s when it is open give you dirty looks if you use their? toilets; because contrary to informational opinion; and now it’s classified as mis-information; cited: McDonald’s in the area is not open every night, and-or all night.

Editor’s Note: The Spacial Catastrophe: You’re not imagining; he was special. Maybe now he’ll be more than special. What a chance; not that there’s anything un,perfect about special-being.

Posted on

Date, typed up: 31217

Date worked on: 31117 For the Blog: FVP

IMG_20170312_132453[1]IMG_20170312_132502[1]

IMG_20170312_132518[1]

by Goura Fotadar

theme: art & cited: the witch goura 3

tags:

make

-up

art

Pre-cluder: In art makings’ thoughts : Something, body

had irked me as I was looking specifically at make-up

for art; and this doesn’t mean only in its possible healing

capacity;

theme: the danger is on the lurk.

I mean how could can make-up be used past body

application; and-or decorating piece; for example: carrying

an item around while homeless and propping it in your work-space,

temporary; could depending on the piece-item: scent, color, and frame

the space; even without current application; or recent application:

but here I’m talking about one-step layer [more, so]:

and that’s in art object creation. At first mind’s glance

the thought of using make-up unless it’s like mascara or

something like an ink liner that turns into the piece’s framework:

I would be concerned about the for example: make-up

powder from running down or flaking off from an art piece as

it’s forming. Of course then one has to construct a way for the

part powder to form into the piece likely with Some other, addition;

to it: perhaps as usual to save cost: lotion.

In the cited: source text; Norman Rockwell Artist and IllustratorIMG_20170311_152206[1]

we’re provided an interpretation

aside theme: to heal grief: touch bricks in a finger-brushing cited: the spirit work-out (non-fiction)

side notes: also builds, further hand

dexterity including sense-of-touch

as we’ve seen represented in art ; in this cited source, text:

around p. 45 (cited) IMG_20170311_163508[1]we see instructions on how to

build art captures through techniques

such as running of

the potential         make-up.

theme: gender edifiers {as make-up art inhibition-imbibe}

theme music citation [again]: kate bush running up that hill. 

 

{for the fvp: the x-mas tree pan; trash can continued.

Posted on

{as included photographs for in recent post, more of}

by Goura Fotadar

date, typed up on 3517

{ the existential experience of the can } -after sitting around in a brown

bag and then a plastic bag inside

theme : with stains of guacamole [sp?]

and in an owner’s moving storage

it’s (still – not) alive

not yet photographed close to-itself

only outside in its perhaps temporary

ext. covering

is it alone

does it “feel” temperature un-alive

surely, it does

“receive” variation = temperature-

 

the next steps in-making

lay-out on a trash, hygiene-d

lift for a few hours

outside of brown

but still inside plastic bag(s)

and remove:

rub down with

some amount of

collected cigarette [sp?]

ash ; and

then paint

with any available

nail polish in small

parts ; is available

blackcolor n.p. [nail polish] [in this case is what I happen to have]

notes of observation : as it dires; I mean dries (more) on-the one side the combination of nail polish plus lotion almost like a lacquer tarnish : can’t remember lotion brand but n.p. brand cited is : sinful colors professional ; continue to dry unbound before inserting back into damp

and of course to be two sets of … ]

 

plastic bags

and brown bag

store with used

cis./cig. butts

& more plastic

as fastening process

thecan

continues ; also store if possible with cited silica gel packaging from food next give it a shake bfore storing in

first plastic bag.

theme: blast! – ick 

ba – ba -bas

theme: a how-to monumental art.

theme : the

ash is symbolic

of existing decay

non-converted 

until caught on something

such as art

piece use /

making use. 

tags: new-age?

art

without shelter

making

learning

themes, basic: 

close to-one/your

s

self

internal , external 

cited, also :

“helplessness” 

by seligman, m

cited further : as obtained

thru / through

p.l.l.s. 

plls

 

 

Move-able Art; today’s art project with no picture

Posted on

sorry no photographs without camera

for The FVP

corked

by Goura Fotadar

21017

 

One. 

How to avoid the mash of paper when you are in the reign of rain {on streets, move to resting} {another way}{the quick path to comfort}

cited: brainstormers et al [punc.?]

take a piece rectangle preferred of rain/weather resistant blanket foil; it,ced: in its brand

and wrap it around your underpants, and then take a part of panty-hose and wet it with tapwater and some soap, stick it over the top of the foil, another layer of wrap;

momentarily stuff some napkins in a pocket or pocket-type near the load, to catch the bad scent of good droppings, character: female ; perhaps it will work for other wound, art projects also.

The afterward / maintenance hygiene should be obvious: just wash out with soap and water and dry out under a blow heater / dryer if possible; and use immediately if needed – as needed

Two.

The Stalking Situation, interpreted

 

Take a plastic tea bottle, empty.

A-most? fictional theme: Tea is so mystical hmm. 

theme music citation: fuel shimmer 

stuff in around the neck with wrappers of good-smelling {empty} food products: examples; include: gum and chocolate (wrappers)

in a marker write your name on the front, and “safety” next to it, under it

wrap it with tarness ; assuager, or string, stringer

fictional theme: {notice: who … ” }

theme music citation: candlebox far behind

toss in the r. bin, when you “feel” the carrying of it is complete. {obvious, perhaps, carry this one somewhere in comfort as a move-able art piece; in a bag, briefcase, or something.}

editing notes: transitions between bold and non-bold of near same species in hyper-glyph reflection(s)