actual definitions of wealth

I found in a \donation stack/ part two

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for The Fictional VolunTier Project

IMG_20170621_144928[1]

by Goura Fotadar

date taped up: 62117

(2) The 2nd level

of trauma; is/comes

from any demonstration

of comfort consequentially

and shockingly penalized;

responding to

last resort: shelter not

having quickly turned

into an unjust punitive

environs; upon such

action; child modification

conceptualized that staff

are not qualified as such;

and procurement that

movement into “less free”

pen; even at the juvi-level

comes with shelter

again; but this addition

of documented penalization

with shelter.

so 2nd level trauma:

is compromise

 

In Review:

[1st level]

too high cost:

i.e. in exchange for

shelter, false penalization

[2nd level]

compromise:

due to the inadequacy

of both shelter staff and

arresting “officers” in

such scenarios; a minor

who has not committed an

actual crime must now

receive shelter; only after

a better promise and brief

play of promise, the; in exchange

for the mutation of being

charged: arrest.

so in / at the 2nd level

we have

IMG_20170621_135203[1]

(the words in the image above of the arrow continued:)

and-or

action

comprehension

by responding

major[s].

who are also;

acting “authoritarian”

intermediaries.

Leads to mutation

=> of wire minor

=> trauma results;

when the mutation is

either and-or

unexpected or too

rapid.

In clearer terms;

to receive shelter the

wire minor must

rapidly upon police

call mutate into a

wire minor “charged”

“criminal”

 

How quickly can you

change from?

IMG_20170621_135240[1]

[is the photograph, this one clear enough of the diagram perhaps]

so the words; again in diagram above, below are: Is Shelter Worth it?

wire minor, minutes? to hours   wire minor “criminal” “charged”

IMG_20170621_135211[1]

Is there enough time to

decide

As an aside: Shelter

as in roofed covered

homing type units and-or

housing are what are;

considered

at list; at least

this society’s remedy

to housing, but the

on-going requirements to

qualify and withstand assign

ment have   long-been

pedantic in their boinker

theories. [theo-wries]

For example that your

guardian and-or parent

and-or caregiver think

you’re worth it; otherwise

you go unjustly to the

pen for shelter is just

not appropriate humane

theory of welfare-

provision

and-or basic

needs.

as an aside continued:

If having enough

TIME; the intersection

before the completion

of (2) in this

trauma model; where

else might the minors

turn; for stay?

In the conception of logic

and this does not [closet:] limit us

only to the unlimited mathe

matical discipline of it; one

can look around and even when

blind attempt to sense and-or

see …

 

[recall: source, cited: is the same source cited in part one as referenced and dictated in yesterday’s post.]

IMG_20170621_144934[1]

notes from xx-cont.

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mostly quotations and rapid interpretations, from 61617

artforvblog61717

cited theme product: nad’s

by goura fotadar

date t-up: 61717

for the Fictional VolunTier Project

in quotes citations from lecture:

“Repairing & Rebuilding”

notes from xx-cont. ;

paraphrased;

cited: counseling

“why do you drink due to what happened to you.”

“kitchen hot” metaphor;

“selfishness & self-centered ness”

“the root of our problem”

as cited in the lecture from the big book

based on lecture

metaphors how about:

“the roo[f] of [h]our problem.”

“upset with God” => ?

translated and re-interpreted for these notes and use:

“up [:] set with Go[d]”

“Jesus” sounds like soap

to me;

a “higher power” seams [notice spelling]

like hygiene to me.

career counseling :

distributing hygiene

[products]

translated and re-interpreted again; obvious:

& you are “hi[red] power”

or “hi[read] power”

“peace with god”

translated and re-interpreted more:

“p[ie]ce with go[d]”

that is .. is

a piece!

how is it “peace”

“go … ”

the

“[d]istance …”

 

 

as : sets; the existance of crisis,-es

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for The Fictional VolunTier Project

date typed up: 61017, for date: 6917

by goura fotadar

[rough and rapid] notes of/ lecture from

“a.a.” school

reflection is defined also in “introspection”

-> obvious -> think glasses, specs.

” ” know thyself ” ” -> form of  “introspection” or rather; a form to procure introspection.

In the path of  ” ” know thyself” ” how do you; go about it?

[derived] from : “cave man” example:

play games.

also lecture, states: [an interception and or assertion of something … connected to … is / of or is … ]

“assets”

as: sets [sorry: but, ha-ha … hahaha]

ad [for]: ” clean and sober”

imagine a mopping broom

“c [] & s[] “

(basic: (or) all the forms or something of c and s: c-1 …. c-infinite, s-0 … s-end)

Untitled

mop: ping! broom

means past?

mop = is about type

of broom? or both [ad: the title of my new novel: mop is about type broom]

are a type of? ; apply sets? !

“selfish”

sell: fish?

sounds like a cliché

religion’s s’ parallel

to the sect: theology

“combative”

think : baseball ?

come, bat:  i’v

or: come, bat : iv ?

numbers

|

\/

innings

or what———

they’re called.  [the significance of at least -ever]

those that abuse:

example[s]: paraphrased,

“molesters[-ors] abusing

sinex from the grave”


I think in success of

“recovery”

is  -> among others, “resolve” [as, in lecture, I think; I dun’t know: I blinked for a moment, so; that’s what I think I heard.]

re: cover, y [again and outside of fiction]

re: solve

|———–|

again, solve => basic:

yet one more soln. :

has what purpose?

 

oh, my: god!

the work of

“personal inventory”

per/sonal invent or y

|- – – |

sonal is this

like:

per [so each of your ]

feeling […s] [or in more corrected definitions cited: general google dictionary search as of 61017 for meaning of sonal, general and applied: all sound things you are able to hear or here: hear[know, know of]; or just use feelings]

->

you have to in:vent

or experience

what is y, and

y?

crisis: first come up with

a stable y [1st]

and you know (already) y (you have to) or y[2nd]

theme: y […s] identified

theme music citation: paint it black the Rolling Stones

 

political : wants; through a person request [part I; will part II … part … , come]

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cited: m. c. and in brainstormers et al [citations]

for The Fictional VolunTier Project

by goura fotadar

date: 6617

date, typed up: 6717

[for menlo park, cited: san mateo county]

cited: red cross in the area

 

[art theme of avoiding blasphemy: idol wants]

[art scheme: the latter, from today’s cited: fiction posting

a sequential worship …

Untitleddone]

more resource + basic needs services

from local churches:

more gift cards + … voucher

like a check, below cited: explanation from above cited

perhaps some person’s art: [voucher]                  [is]

a voucher is like a check

theblurchurch

so-so gave this amount; or this as a voucher

theme : churches are supposed to help directly

resources …

recommendations

for alternatives;

… ?

rec

 

 

brief notes for The FVP

Posted on

by goura fotadar

taken on: 6.4.17

source, cited: city of menlo park

budget 2017-2018 ;

tag[s]: construction notes of budge-ing.

It’s always contra-i-tive

when buildings of hire use;  don’t

cost as much to update-repair;

and billings of lower use don’t use

the hire’s cost to pay the

substantial sum of requests.

Untitled

 

The reel of caste system in

economics ; are those actually

paying more than …  ;

 

the hire economic caste.

 

 

Addicionally; as a meditation

technique of non-vanity:

look down at your “body”

whenever you feel something, some1

is vain; even if you’re wrung, and-or wrong.

 

2nd-s; addicionally;

 

To qualify for

any renovation; constructional

and-or such ; i.e. technology

update; either :

a) you pay for it

yourself (/ves) though

earned … !

b) it is actual (i.e. consented to) gifted charity

c) it turns into charity

for those that actually need it …

 

if you qualify , the process

is quite syntax:

how many derivations

pass through for example : the

restroom.

 

how many unplanned

derivations will pass through for

example : the restroom.

the front desk.

the computers; and

this includes look-up sustaining

for example : search[es] and

other work.

______________________________________

In general

examining : the stree-t/

pavement forecasts ; why

doesn’t every uh place :

i.e. city, suburb , name or not;

have run-over protection : what

would this actually look ->

like to be effective ?

 

the image of run-overs:

general police patrol: no

video surveillance : yes

including accurate

audio surveillance: yes

audio and text cue lighting

with working, accurate

walking-stopping imaging: yes

 

more notes to

come on topic?

 

 

 

Remember to re,new book,s

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for The Fictional VolunTier Project

art

by Goura Fotadar

tag[s]: death project art

theme: emblematic re-occurrences

theme music citation: Stand By Me Ben E King

death art: from public visitis to sites;

imagine in convention: to have somebody’s name, who is deceased in a color that;

marked on the urn; that would be the destruction of this art? or would that be art.

or ownership art

the theory of non-possessions memento art

[still]

frameworks too of reality seen change; or reality interaction

Untitled

Untitled1

 

date, typed up: 52217

cited, source text: Henry James The Turn of the Screw & In the Cage

IMG_20170520_161025
image of back of source, cited
IMG_20170520_161031
image of front of source, cited
IMG_20170520_161033
image of front[d] of source, cited

date, composed: 52017

What I know for sure about;

of what I’ve read of

James; he has

made your vocab.

larger.

 

Remember to renew books.

 

from the back:

fear perhaps ?

“afraid” & “ghosts”

is this an almost near

pre-cursor of that

movie (citation): The Others N. Kidman

 

cited p.138;

 

scan to through by

flipping to 4 or five locations;

finding a passage that has current

relevance ; like a psychic index

theory; other notes: to consider;

theme cited: brainstormers et al

fire is like five

5

 

since I’m currently examining the front

of cited “love story” I decided

to look past the front

and the reflection

back as a standing

pointe; theme: how to move;

and came across a passage

on this page; that has high

current relevance to issues of

s.c. [social cause]

ghettochildhoodart

cited: p.138

IMG_20170522_113151

IMG_20170522_113202

IMG_20170522_122134

IMG_20170522_122144

[but first just by a stroke of luck; the book was left

here where

I would sit.]

The passage:

“time”

house:

“every opportunity”

“inspect … documents”

“… documents”   a way to “… see every one at … ”

house: “every opportunity … ”

so? have a ” … flock” and will not be ” … disappointed.”

a quandry

to “… disappointed …”

tag[s]: art’s fiction theology

thepassage

IMG_20170520_161013
image from passage from cited: source text as identified
IMG_20170520_161018
image from cited: source text

 

 

 

 

” “Fly, er” ” [ART] capture

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reading notes for cited: p.13 [and …]  st by zs primary source citation: [swing time by zadie smith]

aside: due to time constraints at p.l. please excuse any differentiations that might not be corrected in type-up; the notes are going of course in the h-less life; func. in the trash as usual.

for The Fictional VolunTier Project

spareart

by Goura Fotadar

this group, started typing up: 51317

Untitledthree

 

worked on; on outlined dates:

date: 42617

there seems to be a link;

or rather we can go to

create a link from the same-

phrase : term:

“modern” before the

half-way point of the page

to “modern” again the last word on

the page; unless you count the

period punctuative as a word;

for example if you read a-loud;

and-or a-loud in your mind:

” … modern period”

why you might read this this way besides

not to miss anything: well in this

case context the double-word-link to

itself: is like sound phonology.

and so reading a-loud

the mark . ; would

be following the let’s

say instruction of

that sound phonology.

 

theme: instead of peanut

butter and child;

I mean jelly; how about

one version: bacon

and jelly : yum!

 

4.27.17

 

cited: p.13

” Many girls who might

have made fine dancers never

made it across that road, for

fear of a homemade flyer.”

 

when convention meets art; and

a reverse reason quest;

“fear of a homemade flyer … ”

is it the intersection of the

“flyer” as a sight

out-of-date.

 

or is it; the knowledge

that response or

not to

the “flyer”

“homemade” implies another

intersection with the maker

[of it]; and-or those

connected to the maker.

tag[s]: the social blunder heard. mirepoix no faux pas

 

Such as: this is an idea; cause [ x … y]

is interested in; but how

much will [x … y] have to

interact with [z … q]  of the

“flyer” making.

See photograph:

IMG_20170420_133836

sorry wrong photograph; but on later upcoming analysis is this flyer type; remarking on the potential danger in this space perhaps due to this policy; which should likely as stated earlier in this/ no on this blog; use cell phones to speak on only when necessary and within standard boundaries; otherwise step outside for talking on cellphones and-or otherwise extended talked. [Extended does not mean do no speak ever indoors including to yourself. and I mean no and not not. ]

IMG_20170423_102327

behind-the-times? The

“flyer” photographed may be considered

such: [and as compared to others];

because : it is; hand-written;

it is about a “relief” effort

that was in the news modernly;

where modern means; of recent

times; but may not still be in the

news; at least not regularly. But

when we examine the group: “homemade

flyer” against modern; we have still

in the modern back-drop: the possibly ility

of not just hand-writing; from an

art perspective: but all the other ways

to font the “flyer.” Modern than [then]

is perhaps dated by font. Surely there

are those that would be offended by

hand-writing; but in the same case

perhaps the same those would also be

offended by too technologically savvy home-ness;

demonstrated in font adeptness ; and-or not enoughe savv and

not salve? compared to a business and-or such

‘s font adrift technology. In this case; what is

about a “homemade flyer” that is particularly

scary and-or offensive is the chance outside

of apropos [sp?] larger venue group; such as

a business that isn’t necessarily the flyer

distributor’s own: and so the “flyer” made

non “home” may not be done in solidarity;

is the presuming assumption regarding regular?

business; why so. Are they such assumptions due to

past acts of terrorism; or such; that no group

business or outside it; in cluster conundrum

or opposite “home-made” may imply self-declaration

in god: forbid! art; and then in the enigma

of arguments: it is the possible of any level art:

show-cased either in real solidarity if even the enemy

lies at home as in cited: sleeping with the enemy.

or if it can’t interlude into your/ the maker/

the maker type’s art.

So in last séance; perhaps:

in the “fear of a homemade flyer”

is really the “fear” of

showcase singular

and-or solidarity

art. ; which

of course means.

[ART]

label: The Significance of Art


of course to capture [ART] in describer;

to look at: the scene or art; as photographed

in the source, cited: text [again] Norman

Rockwell A & I ; date: 4.29.17 [secondary source citation in this posting]

with the term “Rockwell” one-me in this case

defining myself : through the image:

ART: is reminded of; ( i.e.  I am reminded of me through this image ; i.e. the definition in

practice of ART 🙂 of cited: Rockville/ Vernon I believe

it is called; and time such as captured in at-least the

cited: “The Four Interviews” of being on pilgrimage,

there.

At the house; there; which was presumably

a house; but something of a make-shift shelter;

with an actual shelter right next door; was perhaps

the 1st time in my life; you’d love to hear?

caught stealing: no! I don’t com-mit [sp?] crime;

was the 1st time in my life then; of my falsely being

persecuted for crime; and in this case: likely others’

crimes; I was cooking much like the man is

who is working on a horseshoe; and dressed

similarly to him; and as opposed to

that metal and presumably trunk platform:

was a high stove; and the only thing I

could reliably cook in was an all silver

metal cooking stock cylinder platform pot; and

you in security would wonder where was my cooking

food coming from while homeless? With frequent shifts

between homeless shelters; the renewal notice

tag[s] ” performance act; security procedures

for my 1st time with the cited: ebt card; never

arrived to the new address; and so it was cancelled

unfortunately. No money & no cited: ebt would imply

I was stealing food; unless of course as either and-or

homeless, functional and an actual spiritual-type:

beggar; the obvious solution when not thinking of crime:

might be: well, they, he, she; whoever begged for food;

but actually as the scene of art might apply;

there was something of an

open kitchen; just

not completely open.

and certainly in this scene; though inside

contrary to what others may think; the view

is an opening; and-or you might even call

this an open scene; seen. This then as otherwise

seen is one advantageous technique of artography;

for it allows any nth of viewer a psychic like recollection

of what happened; what could have happened;

and what might happen [future]; including

fiction. Theories of Criminology

tag[s]: criminology training.

IMG_20170428_172214
cited image from secondary source citation see above for name of source citation

As a training model;

just as an un-willing to reform/progress

criminal fixates on you, the onset, or

whoever; why not fixate on them in some spare

time; and we such have reliable like psychic

predictions butwithout real life/existence marginalized

of what might happen in crime; and-or how to

prevent it.

[some dates might have been left out or not go in dated order: date: 51217]

In the application of safety to

“flyer” in this fiction text; and also

of the seen flyer as photographed

in its scene; even a flyer

of recent but not complete

recent news like content;

may be in the essence

of safety; a

safe measure;

IN this case: the safe measure of

a flyer would create safety, how: ?

this is a semi-basic moon of outline

but at the same time it’s important.

Applying this fiction analysis; folks are afraid

of such in application; perhaps additionally to other hypotheses

described; because they don’t desire safety, ?

In order to not weasel out-of the potential

safety occurrence [sp?] connected to any

ol’ flyer and really despite content; using the

art conception of a flyer as a type of flag

even if you didn’t stand for what the flag

identified as a form of cause and-or cause

worship; as a thing it might bring about the

occurrence of safety; and no offense to weasels.

 

as an aside theme: isn’t this also

a model of string theory; and whatever

that means: importance around means;

this model as photographed brings together

circle-type structures of different sizes; with

at least temporarily strong enough string in this

case to stay.

As a main application it is one sense an

alternative flyer and-or a flag.

 

IMG_20170512_173922

IN a shape of a heart; and almost in a shape of a 2nd heart.

near books; almost seems to state: the love

of books; and not even yet reading! ; where

in popular use: heart means some version

of love; … creates the occurrence of

safety. [and the last part is only on hypothesis.]

[at this point.]

tag[s]: the magic of fiction

at cited p. 12 of primary source citation, text:  “Here is the church

Here is the steeple

Open the doors

There’s all the people. ”

 

IMG_20170512_173902

Remove the steeple since it’s not a church in structural design; and you now have … [in safety] : people-folks that are safe & those that are not [safe]: such caught.

 

43017

I thought about just finishing here: by looking

again at the picture.

If money is real even a small stack of one[s]; is quite a bit

for whatever dated time this almost ancient ART glance;  looks:

the over-lying crime scene; combined with

the beauty of the box; boy, [x, y]

especially in comparison

to most of the rest

of the scene; seen

faces;

source, second and the cited image from it as included in photograph as one of the above photographs: of  cited in name abbreviation again: “forging … h-shoe” in ” n. rockwell”

theme: I don’t bless you

 

[box is boy boy is box]

established especially likely

by the youth of the boy;

but certainly demonstrated

by many faces of age

as compared to the box

except of course the

perhaps girl in red

hair ; which we just

can’t be sure of

the age of; The stack of

ones maybe for the

“contest” and-or for

the boy; to take

all horrible forms.

& because of the ART:

certainly especially may be

the opposite ; on even the

functional homeless scene;

the assumption of consent

to prostitution from one’s-self

is excessive; in of course

ART-scene ; a stack of

ones hardly has any worth

unless you’re starving.

Though I’ve never prostituted

myself; starvation seems

more antiquated than even;

prostitution [ done; to cure it or to cure other at least basic needs, necessities]; and unfortunately both are part of the modern

time; but certainly not ART

but if you, anyone ART

prostituted yourself for food’s

cost; than-then that would be

holy prostitution; would it not?

Talking into this

blase self [ART] & art –

scene discussion ; and

to solve what might

be more crime before it

happens; in the ancient

almost ancient past;

the lens application of

severe college: and undergrad

shows us that perhaps

the boy is starving ; explained

in sooner posts ; such as

an artistic theme: scoring

a goal near a post; anyhow;

maybe walked to what

appeared clearing/clearly a feeding

kitchen; discovered a

synonymous epic but without

food; and so some of the

on-lookers might expect

that sale [non-food] [to food];

and of course this is

crime

/ [a promised basic needs advertised and-or spoken based on real knowledge provisions; and so never to appear] \

and but what is further

crime in-charge is any

such set-up; but when

you consider on-looker

you have a secondary

group classification:

primary : age ->

points us to

mainly the

boy, beauty

secondary : on-looker ->

[t. b. c. ?]