activism

Notes on cited: M.M.

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forthefvppostingon112018

for The Fictional VolunTier Project

by Goura Fotadar

Date typed up: a couple or so days ago, from 112018

 

tag[s]: tree theories, cultural grams, stream analysis, criminology from  …,

 

also in this form: fvppostingon112018

 

Reference (source), citation: Love, Marilyn

 

(an almost un-noticeable, noticing) (Notice the one cited: M.M. is connected in initials only (at least it should be) to another cited: M.M. )

This cited M.M. is definitely dead. (Main primary note)

This cited M.M. a lot of people claim to know personally & in person (Second primary note)

Then the basic tree; what did “actress” actually mean to people [back then, if maybe] in their own personal cognition how was this term assigned to at least attempted at meaning

Because the tertiary of the background personal notes seem almost occupationally academic in substance and tangential existence numeration,

Then we want to inquire into a qualification of what it is to “know” someone at even a basic level: what are / what might be an outline of at least basic “know” (ing) of another person; and can such a thing be quickly invented/additionally invented and then these “know”ing others tested (in “know” (ing)) through it

I’m sorry but I don’t want to deny the obvious; which is that: the number of uhm “affairs” that have been so far briefly described; seem asunder as relative toward even promiscuous straight groups; the sexual activity almost seems described to fit more promiscuous lgbtiq groups; and it’s also a bit advertent that the men that cited: m.m. is having “affairs” with aren’t actually considered till this yet; to be at fault for the matter of promiscuity. The next thing that needs to be addressed; is this so called desire for promiscuous sex of cited: M.M. as described such this desire (is experienced) by her “know” ers  (state, so that she …) is to move-ahead in the situation of film and or fame; but the organization of the two with one another seems not to make sense; this then inserts the unfortunate additional obvious sight of: … especially when combined with the incidence of this version of death: that cited: M.M. might have instead been repeatedly been raped, and may not have actually been a woman; but instead a man who was severely mistreated perhaps at first starting with a significant other; and then (by …)  a group of “know”-ing (about this, what?) others.

theme: w[k]hat, are you talking?

Records to note: the bi*** next to me won’t stop plagiarizing my hand movements; among unholy bizarre

Accompanying music citation: Siouxsie And The Banshees, Cities In Dust

Left-off at: approximately 14:45

 

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Recollections from the Media, Scenarios to Consider (part one)

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forfvppostingon102418

for The Fictional VolunTier Project

by Goura Fotadar

date type on: 102418

[also in this form: fvppostingon102418]

 

 

tag[s]: stream analysis, combat / militia counseling tactics, society’s culture, conceptions further on stream technology, criminology

 

Discussion Cue Notes

 

Reference Source, citation: * Kept Private?

 

 

“airports + …” (preferences for …)

focus on photographs by parent

looks ill in especially earlier pictures; what does ill mean here? [entry of medical prognosis point check in prior to time cue of death/ and after time cue of death]

missing recollection of mine from the media; has something like a sibling in the home environment [forgot and-or didn’t hear yet in time cue this detail]

 

description: set up the opposition: fine, but based on a homosexuality model: they are both the same specific gender; and so any opposition in persona manifestation should have felt at least null; is parent actually saying, that … was straight; and something else happened.

 

 

Scenarios to consider already: you are in an assaulting unjust violent family, and you start seriously dating a girl let’s say that … you haven’t done much that’s sexual yet; and the girl confesses that she is really a guy, … your parents forbid you from breaking up; and instead ascribe to you the factoid that you are or should become gay in sexuality; what does gay mean here in actuality —> the use of intellectualism in sexuality

 

Parents are sure that “…” “… had an awesome childhood” is there a way to ask victim of homicide this, there [through] inter-time technology: (where he feels safe; from his mannerisms it is expressed clearly that he does not feel safe (at the time they are referring to); you might ask from a combat counseling and actual militia perspective what are his conceptions of what makes him feel safe; and-or what safe means to him) and also what he qualifies as “awesome” and if he believes his beginning days were qualified as such (to the best of his recollection; and then proceed to do a match size-ability between his (actual) beginning day experiences and his workable definition of “awesome”),

Be wary of: the witnessed non-actualizing white non-cultural perspective; of the attitude we provided you with this, and so now we get to retract such-and-so from you even at the cost of your uh life and-or existence.

 

Be aware that this above line connection to this investigation is necessary also to developments of society actualizing comprehension of actual meeting facto of trust.

 

Mutual Experience Visceral

Posted on

forthefvppostingon101318
for The Fictional VolunTier Project

by Goura Fotadar

Date typed up on: 101318

tag[s]: reading notes, and art symbolism further utilized for welfare basic modeling

 

Source citation: Louise O’Neill, Asking for it

 

92218

In this ya novel; the discovery of being good at something is improperly comprehended; where severely un-pleasurable translates to one being “seen … again.” cited p.102

So as a use resolution if one could somehow experience the lack of pleasure in eidher a continuum or some other way it would be [pe] possible to control when and if “seen … again.”

92318

cited p.147 : “…, matching her cheap pink blazer.” This observation on its own is not necessarily useful unless to ascertain something of utilizability in this case of use it seems to comprehend us to deeper l’ombat knowledge of the liking obvious; which might be “cheap” or not such things are incorrectly used against (as) (others)(who-ever) to (unjustly) perpetrate onto.

As a note: *Emma seems not (in a quick flush of a read where certain details can be missed) necessarily described as comparatively poor to the onto-her: now (at present placement of the novel) but she is in often need of transportation as compared to for example her family that she lies among.

92918 cited: p.179 “ … I want to mark it, put a big black X on the date.”

Finally an explanation for “… X” ; the marking as an art symbol for supporters support —- meaning actual empathy & its translations & manifestations can imply social empathy: as in (in some way) we all went through it

 

Notes a, sitcom

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[also in this form: fvppostingasof961891118]

by Goura Fotadar

for The Fictional VolunTier Project

Date: 9618, 91118

tag[s]: homicide notes i.e. is creative thought?, stream analysis (brief), lgbtiq society enforced posits, sexuality rights

 

Source, citation: Gilmore Girls [which one] disc 3, 6th season

 

theme: vague

forfvppostingfurtheron91118

The beginning looks like a murder scene; the only cue besides the mild lock-out and vague zooming around of the lock-out or part lock-out is a match to lgbtiq hate crimes; …

Vaguely, I recall from briefly watching snippets of this sitcom in the past that these two characters uh colloquially speaking: get together at least at some point of the sitcom sequence;

But in any case from the beginning of this motif; it’s clear that whatever actual reality that’s real this criminological [uh, thing] applies to the second appearing character in direct witnessing, was clearly self-and-by the other character identified as being gay. The gender is less clear at this point; despite the depiction of clearly one as male [2nd] and the other as female [1st in direct witnessing]

However, if you have a comparative relation; than [/next: then] perhaps as compared to the 1st character the 2nd is more male [and this is understood to be the case by both] and perhaps the same goes into the sequence of sexuality i.e. as comparatively; but this is only a perhaps …

Accompanying music citation: Tor Miller – Carter & Cash

 

Part Two. Outside of Sitcom

forfvppostingon91118

Unfamiliar people witnessed in other relevancy following individual deceased to work scenarios, and pretending that it is, was normal for them to be present at work scenarios of the deceased individual.

When penetrated by requesting assistance from higher staff at such scenarios, they either were killed themselves by the same group/and-or did nothing to help the primary v: homicide victim of this homicide.

Individual primary homicide victim identified as gay and was male, and had a series of partners that were all serious; then … at the approximate time that things were settling with most recent partner [/present partner near homicide of p.v.], the juxtaposition of this form of unholy toward lgbtiq terrorism took place [stalking veneration as described above]; and partner died during a gender related operation. [GRO] Primary homicide victim in this context: seemed unable to recover from synchronistic grief: and at this point he was killed by the group stalking him to his work scenarios.

[Parallel combat training review: with empathy for actualized clients; differing emotions either of deceit and-or of no entry emotional cognizance toward their perpetrators]

 

Grocery Store & Post Offices murders

[Perpetrators] They seemed unable to recall his name; and despite not being introduced to him formerly; examples: include translated to this time context reality interaction would be seeing them at the grocery store, repeatedly; and then their appearing at … victim’s work scenarios  [Primary victim seems to recall the stalkers being of/with clearly depicting unfriendliness toward him at the approach of theirs at his work scenarios, especially; in a personal seeming way; which left him feeling nervous to approach work.][Target practices would be enacting non-personal unfriendliness in general society interactional [practice]]

[Generalization techniques: work stress may correlate to such completed attempts seized by the existing entropy of such function in society. Deserves to be uh researched?]

 

Different Motif Operation Induction

This murder transforms the approach to love crimes : asexual {i.e. non-sexual} and sexual; … utilizing the experiences of lgbtiq deceased victims {unjustly deceased} to enforce the society reality translation of enforcing such attempted homicides [away] from happening altogether, the transposition of utility of lgbtiq such homicide experiences; perhaps needs to be operated on in context, examples; and further levitates the existance of the perpetrated upon victims. [i.e.]

—–

Additional notes personal combat related: those psycho bitches are back at it again; their forms of heinous un-tolerable abuse; under w.y.’s uh “regime” ha. Who is the uh the ?

Accompanying music citation: j. richter at it again

 

 

 

A continuation of certain art notes; not yet posted, huh? Meditation imagination (art) àhow to cope with loss

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A continuation of certain art notes; not yet posted, huh?

 Meditation imagination (art) àhow to cope with loss

The Death Project in the/ for The Fictional VolunTier Project

by Goura Fotadar

date typed up: 9218

original date, approximately: 2.17.17

tag[s]: rape attempts, ordering lists, approximated date changes, art notes, the spirit work at the fictional volunTier project, The Death Project, counseling, publications

[also in this form: fvppostingon9218]

 

 

theme: sprinkled chocolate crumbs wipe off paper like chalk on a bored?

  • Fold the foil the two lifted folds down
  • Create a rotating jigsaw [of folds]
  • Open up the tissue
  • Drape over the foil
  • To catch/change greed: imagine that the foil inside is something actually valuable
  • Imagine the scent of the rag/tissue is even more accentuated something you can’t want to [leave] [of folds]
  • Trash the “secured” art piece.
  • [non-offensive] [stupid’s note: as in put in a trash-can]

 

Part Two. Accidentally left-off from some publication; so not in it, yep; I think so.

 

The House Shelves

forfvppostingon9218

back to this specific temporary art’s piece [the cymbal of d.] you might strengthen it with like nail polish but in this case I’m probably going to let it crumple dry in

for example: convenience of nail polish in the h-less life à in one of the pockets of my bag[s].

photo notes [which photo?]: in the model vase; the petal looks like a striped duck. cited: TAZO tea bottle

for The Death Project

Turn it again and you see a vase [at least] where cut and not fallen it all could have been [others like it!] stored; ‘scuse me held for a while. Art translation[basic]: you could envision slice-ly easily the vase sealed; the flower segments waxed with some substance even make-up and-or nail polish and that would be complete enough.

 

Temporary Death Art

aside: Cymbals of Death

It noises! A different more cymbal-istic

Noise-sound [in mean! –ing] upon the scrape of letters

The petal is an instruments from public fallen! Flower to torn for lettering

Art cymbal; an of course: symbol

theme: what happens basic re-nunciated inquiry to them when they [flowers in petals & stems & not so much seedings] die

theme lest: the flower[s] still; works as … [open-to-interpretation]

among the h-less knife.

Turn it and you sea a cliff dress cited: the witch goura series on cited: amazon kindle

The Star Glab: Is this fiction

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[also in this form: forthefvpon82718]

forfvppostingon82718

The Death Project for The Fictional VolunTier Project

by Goura Fotadar

on 82717

theme: scuse, if there are typos the public computer flares orange in its time zone.

Theme music citation: glass animals, black mambo

tag[s]: while you’re short on public computer time because all those “pregnant” bitches need to pretend that they are also in the cited: C.I.A. attitude and that’s why they have that attitude; uh?, fiction building, fashion for deployment activity, recognition of cues; how to get everything across in lingo: communication of combat [no, this is not a conversation, you can have one after comprehension], religion, cited: The Death Project, combat pop notes, political combat

I didn’t have the time to type up this cited: asics thing; and that’s not the pun of the wheel in how I mean cited: asics;

I’ve realized “the obvious” which is what that want; you is; is rather the festering of how you cannot perform in those things; are absolutely cited: tide. Tied to the deployment life; you might wonder that those in advanced militia life; disguised from all of society; until finally seen;

For example: under false arrest by false cops; called on you on repetition because why [only to have your highest militia title announced over-the-phone by them in your uh “arrest”]? Well you’re deployed in the circumstances of regular society, and compared to advanced militia their i.q. well just isn’t. For example, their conception of wealth is laugh-able. What I’m finding out and this almost sounds like it should go into the depth of an addition to cited: The Four Interviews; and what they obviously pronounce; is their belief that is for sure that you can’t afford you own house anymore because your work just doesn’t deserve to get paid in a form of wealth that housing accepts,

{Like they own housing spaces and spacing and space buildings  and spaces; who does? Well a good guess, would be uh, me. Their titles make me laugh. When you have a title it has to go on the side of Above Ownership [yup like fiction]; or else it doesn’t count; it’s a joke to laugh about. And as a hint: even actual thoughts make you uh wealth somewhere in the world and universe it appears. Blink Thought and your wealth is produced.}

As a result, they are convinced that you are a drug addict, a non-reforming criminal on the-run,

 dead ad: living dead?,

mentally ill, and inescapable-ly suicidal, and if not that un-functionally mentally retarded …

[and what if you actually are in one of these categories or more than one?]

How else might one have / be(come) homeless?

And how are the bills really getting paid. {they will say, they don’t the higher bills don’t get paid, the news says we’re always in debt. Uh, … How do you really understand what is being said in this place of Right Now: Injustice, }

Sometimes I want to laugh at their aptitude and a lot of times I know I can just call an execution and fire in; somewhere over the cited: rainbow. But they then start to hallucinate that they really are the cops and fire marshals, even donning uniforms and guns; ha ha, how would you know the difference between militia and what poses as militia, … ha ha and even recently their hallucinations have included that they are in the c.i.a. They even use my first name, and that’s funny.

Can you imagine who would be named such [first, last]. Outside of false royalty; what do we really get royaliz-ed as; if for example … you

[were born a cited: C.I.A. operandi/operative or its actual ilk wouldn’t you be the real form of royalty and not some bitch cheerleading at the high school next door ha ha traditional parental love they’re convinced that my dad didn’t love me because of this and I even have hoax parent names on my legal birth certificate that I carry around Of course me and the actual parent look almost exactly alike and he’s often in uniform ha ha ha theme: wah! Your dad didn’t love you that’s why you were a cited: C.I. A. operandi and now you’re dead [but I’m not] and so you deserve to be homeless; their aptitude if you can call it that asserts that this is why folks become homeless; they don’t actually understand unjust misery and also they don’t understand unjust persecution toward others they believe they created what happens ha ha sometimes that turns into a confession that we can persecute in an actual justice system not tainted by their pornographic dreams of non-welfare what they could do with all of that assistance ha ha ]

are and they are; are they actually as review on that many clouds above you;

and how come they are in the homeless population [cloud who].

Well? Have you spent many years persecuting the homeless, pretending to be homeless yourself [Duh: deployment as approved by? doesn’t count as that form of pretense]  and draining all [of] their resources; have you seen the lines in shelters; I mean it’s not as if the whole country is homeless; perhaps we should try that; and fire all “staff” that I haven’t myself hired {I’m still not that old yet; we could hope I reach 45 one day soon still a wee bit off}. We’ll see how you feel, when they tell you you have to do a job and for [as in referring to] the actual homeless [live a lifestyle] wear where [catch it] you can’t wear these:  [get it, can the homeless actual wear these; why not says basic fashion combat procreation/comprehension] {& how basic}

Why??

 

(Re/seed) Notes for this,

Posted on

notes for The Fictional VolunTier Project

forthefvpon81918

by goura fotadar and as typed up on 81918

[sorry no attached form today]

tag[s]: stream analysis, analysis, reading notes, … library science, fiction meditations like, work while begging for ?

 

theo-class in cited: r& r 72718

cited: recovery notes
what happens when “progress” = “perfection”
describe
crazies “metamorphosis” [sp?]
theme: lust = food [I swear]
accompanying word diagram
lu … street
ideas:
former me does not equal me now
former me does not equal you
comparatively “heaven’s glorified bodies”
part two. also known as a basic advancement of intellect & its practice through use of public libraries. 0
cited: yeah, like that cited; matt damon movie 
a quick beginning pages of “Hungry Ghosts” (by) Susan Dunlap
only on second read of up-to page 5; top-notch creation of stream esp. water as a qualified meditation “sophie[.]”
“buoy” also is? u-boy
or u, boy! or …
cited: p.7, the way a way water sees? [at the bottom] of pg.
summary: 
 What if he the protagonist[?] couldn’t exactly remember “Natalie” and instead the waitress took his number; criminally impersonated “Natalie” and then
called him; and had sex with him after possibly killing the people in/near “Cafe Rimon[;]” with digital use of images; would this qualify as rape.
“The Lovely Bones” (by) Alice Sebold on 72818
Again: the first few pages: (again) this notice.
cues: nothing can save you/one/a from murder even if you go to heaven: father, mother, sister, favorite teacher and murder still takes place, …,
Additional citation[s] and information:
Reading List, Recent
Theme: Short on Storage
Ch.1 of “Hungry Ghosts” (by) Susan Dunlap
[analysis on librar- receed/reseed]
This reading diagram combined quickly in comprehension with
“Tikkun” [1st story] from “The Best Place on Earth” (by) Ayelet Tsabari; quickly combined comprehension