abstract art

The Cognized Scent

Posted on

Psychic Tools in non-fiction semblance;

tag[s] : the cosmos architecture is texture; union magic

door

i.e. fiction – training ;

y not.

for The Fictional VolunTier Project

by Goura Fotadar

 

y knot or why not because or why knot.

it could might be

used as a worthy yet

un-expensive union

to-become heirloom.

 

a lot of times; or much of the time:

things are stuffed up;

like closed windows when un-necessary

to be closed; or the opposite?

 

theme: textures of union

Draw a window

with flowers

in the window texture.

 

and we might in a “psychic”

sort of matter; assume that things stuffed because

 

we can’t smell them directly;

stink. [at least some of them.]

For the setting of this posting:

psychic is what you “imagine” that

you definitely smell.

 

so : psychic sense [here][for now]

= “imagine” + definite belief

 

this is for the time being the

new or a translated definition:

of a non-sequitur [for this

posting the definition and-or translation of]

non-sequitur is psychic sense which is

defined above.

How then might you; can you; convert that which

you in non-sequitur braking what else might

you be cognizing and breaking into it.

 

The window o-pening and closing

is depending on its location ; a model

tag[s]: safety procedures

for a braking; or breaking;

a non-sequitur in traditional

sense not quite; but the

new present definition likely;

that does not qualify itself into

breaking an entry; necessarily; so how to convert

the psychic sense / new definition-translation

of non-sequitur;

of a break ; into a definite: not breaking

an entry into your states of head/mind/and

the related.

 

Art : imagine in action

the creation of something pent up that

seems in psychic sense to stink;

and re-translate it into real sense

of something pent up; that will not likely

ever stink.

 

art theme: at least you/you … in

union : the cage of;

won’t stink.

theme music citation: Brokedown Palace Soundtrack’s version of Deliver Me.

 

 

 

Rough notes on ART function.

Posted on

for the bladder funeral

remember to include

tag[s]: fictional heritage whilst the non-fiction world is sun spun, art notes, word diagrams

Untitled

art notes: audiography;

cited: voicethread see link below

slide 19 or: https://voicethread.com/myvoice/thread/8849244/52431651/52155889

for The Fictional VolunTier Project

by Goura Fotadar

IMG_20170520_190444

IMG_20170520_190457

IMG_20170520_190459

IMG_20170520_190503

IMG_20170520_190506

IMG_20170520_190810

as noted not surprisingly

it art box; another

death box came it

become; had to

be quickly in re-formation

together with excess

rubberbands

+ paper & leaves

& a tea – water

solution

then to turn

things fictional :

bury the thing

semi – like

a truck

cover by the

limited height

and this is

the real definition

of height?

of other vehicles

uncover it if [after sum: time]

you have

bladder concerns such as

cancer; or if you care for

someone … s, ; who

does care for just means at

least think politely of

then unbury it

scribble bladder

and rub some

“piss on it”

bury it again;

aiming for complete

burial.

_____________

non-fiction back to

for this art

notes posting:

The Creativity of Safety

is Sometimes A Quick

Run

d

b, lad, der

b a ladder

to [b, lad]

does that make sense?

of support

definition

bladder

why the “flag of iwo jima” (cited:)

bladder

b, lad [d] er

b, lad [d] er   (er -> swing direction)

b, lad [d] er  ([d] -> the thing that helps as b, lad swings direction of the effort?)

[d] is short for

short

the strong physical ladder

or long for

long

the metaphysical ladder

 

|| meta|| physical

apparent apparent

it is; ladder yes!

must mean support

and not just the traditional

singular climb.

perfect

 

Where analyses enters the loose cannon of creativity

Posted on

Reading Notes, continued

for The FVP

tag[s]: mailing terms

Untitled

date : 5.5.17, date typed up: 5.16.17

source, cited text: LOVE STORY by ERICH SEGAL

cited p. 4 : ” “Renaissance polyphony. ” ”

cited p. 5 ” ” What’s polyphony? ” ”

do you want to translate this

to Ingles? [well, more so;]

poly phony  pol-phon [y] (away from the standards for now : poly & phony)

pol-phon [p]

ol-hon [o]

l-hn

l, no l – nh       live , no live -new hampshire

.

.

.

and the l, nl extraordinaire at least.

class

consumptive proposition: | [ Well, disclaimer: I’ve already

read this book years ago; and perhaps, read it again;

and obvs. recommend it; but the completed reading was

years ago.] Thus; from brackets inclusion; like some

of us learned in elementary school and past; and

at the public library: pieces of * the book teach

what it’s about in at least gist; and teach what it’s

meant to teach. Thereby; any even reading analysis

at a deep enough level in stasis; example: a popping form from

a storybook of one of its characters; or concepts; and-or

such combinations; can allure you to cited: allure (magazine)

the proxy knowledge of that manuscript; whatever its

level; and-or length. |

-|_ (not quite the matching star) the book as a thing, a conception …

tag[s]: mind channels, book theology, publishing basics, knowledge games where everybody wins.

back to analysis,  :

Live, no live – n.h.

e  a

w m

pshire

when looking at the

left-overs of [y][p][o]

and in application : to it

[y], [p][o]

nh

almost seems to

imply think not of

no live – [n][h]

[y]          [p][o]

a p.o. box

address if

you

don’t live in

new hampshire;

i.e. another better,

arrangement may be/

is in store for you;

and perhaps having a p.o. box address

should be mandatory in new hampshire.

 

The Basics: Why might one need-benefit justly

extraordinarily in/by having a p.o. box mailing

address? [To Seriously Contemplate.]

 

.

.

.

serious
The Knows

” “Renaissance … “”

|

\/ In Ingles? [again][more-so]

Re/na/is/s/ance

re- ? as in re-do?

n/a as in not applicable

is

s

an/ce

||

\/

to make more sense from an ? -> ec

adding periods: e.c. -> electrocute (periods counting the c. of order ; I mean punctuation as order)

re-do, not applicable, is

s, an / electrocute … d?

 

tag[s]: almost crimin ologie?

in crime we’d have something along

the lines of:

[re-do] 2nd or more attempts

.

.

.

[n/a] of somebody who had not

likely esp. committed such crime

[theme: when torture is legal …]

hence n.a. is still alive from[is]

is a She[s]; usually this means

in ostensibly gendered genitalia [She];

[an/e.c.] hasn’t told ‘what’ yet as an electrocute … d.

combined with its follower: has a p.o. box

and does not live in; is not from new hampshire?

 

 

On Par To:  Graduation Motif/Theme for The FVP

tag[s]; summary analysis, identity form

date for: 51617

IMG_20170516_142710

Congratulations on finishing / achieving / … considered;

[that accomplishment]

cited: “Emilia (l.c.)Coccinea” !

 

cited p. 23 from cited Garden Gate

IMG_20170515_175335
cited: Garden Gate
IMG_20170515_175326
cited: p.23 from cited: Garden Gate
  1. You might incorporate me into still dramatic art.
  2. Obs. vious. ly from my common name I might-cane-seen an educational symbol.
  3. My usual color-form helps make variation in color comprehendible.

tag[s]: the basics of mind channels

4. I’m a backgrounder; even if you decide to place me in center stage.

cited movie: center stage

5. I am ultra petite; in my conventional form.

 

Art Concept Arising Meditator:

The Flower as a Seminal

Meaning Informationa,l

Form; how would

it work:

(a) structure of flower,

general perhap.

(b) information provided

as with above … i.e. (others)

 

 

of             common           use

Example art conception:

from the doctor’s office ;

doctor actual.

 

[!] how tall were

you this time

last year

as

compared to now.

[!] accurate guess

to when

you were planted,

re-planted

[!] how tall is [r] your haircrosspetals

in the month of your

visit; and what

color difference

since then.

 

cited, further:

first name:

“Emilia”

Last name:

“Coccinea”

 

 

 

 

 

After & Before Notes

Posted on Updated on

source, cited, text: LOVE STORY

by ERICH SEGAL

for The Fictional VolunTier Project

dearsofworth

date, 51417, date typed up: 51517

sub-tag[s]: empathy training & Eulogy Practice; The Death Project

cited. p.1

“What can you say about a twenty-five-year old girl

who died?”

& Recollection of the 1st reading.

sub-tag[s]: military training protocols for socialization of appropriate relationships and their safety.

 

Scenario Potential un-safety: If you have an, a relative, relatives;

and-or others, those that

you know; that might despite

exhaustive efforts put

your relation ship with so-so

at risk; and so-so is worth it.

 

tag[s]: fiction applications.

 

The Obvious: You have to qualify

worth it; and the

potential security risk;

to have an ethically retaliatory

response.

 

Scenario, continued: Your Aunt Jane

accused you of stealing 50 times; when

you hadn’t ; she called the cops all 50 times;

and you got by not getting arrested by

some margin of real luck; and the fact

that you didn’t actually steal did nothing

for you; seemingly.

 

When you were getting ready for your

last deployment; you returned for

a visit; to her home; as is considered

standard; and she held you hostage

often at gun-point for nearly a

year. At that point: it was deemed

safe for you to be evacuated from

her premises. While being held hostage,

she mentioned the names of other

people she had under hostage.

Untitled

 

The Non-Obvious: Now back at non-hostage;

you’re concerned your childhood

friend; who is now your

recent girlfriend might be

at risk. She works for

a city’s sanitation department;

and clears debris and trash;

at odd hours due to her

prescribed work schedule.

 

The Prescribed Enemy: [connection to];

you grew up with your Aunt Jane

for most of your childhood;

but not all; since leaving

hostage; you’ve had no contact

with her: but she has repeatedly

had attempts in trying to reach

you; one of your colleagues

has also reported that he’s seen

her near the office the two of

you share; before your work-day

starts ; and has reported it.

 

The Self / Outside Trigger -> Retailation Against No – Contact, Cue:

Recently a police organization

you don’t trust ; left you a message

that your Aunt Jane has reported

you missing.

 

The Ethical Argument: Your recent

contact past hostage with Aunt

Jane d.n.e. You’ve never dated

much; but she’s called you a

philanderer; and even told

the police that you’ve gotten 15

people pregnant. [You’re still a virgin.]

 

fiction application from esp. recollection of 1st reading back then of source text: You’re Aunt

Jane is a slur, er to your identity;

and a terrorist to your work and

joy; in addition she’s a criminal

that’s somehow unjustly avoided prison.

 

Contextual Worth-It: Dimitria Your current

girlfriend; mysteriously showed up

in your life again to support you in

your deployments; and sent you care

packages; that really made a difference

to you; you didn’t and haven’t found

this strange; because she was also

like this when she was ->

Your friend in your childhood. She

really likes her job;

but wants to return to school;

at some point ; when, time can afford

it.

cited: v. work, regular

tag[s]: trauma recovery; security through social economic manipulation

 

Your Plan is: To call your Aunt Jane

on the phone; record your

conversation; transcript

the conversation; and make-

up that you got a girl pregnant;

and  that her dad won’t press charges if

they are paid. You plan to make-up that

you don’t have enough saved up ever for the

$10, 000 they are requesting as a legal small

nest egg. You expect not to a receive a yes;

but if you do:

you plan not to give

her any made-up names.

 

If she says yes;

you plan to go in-person with an approved

colleague to pick up the check; due to

hostage circumstance security.

[The person can even wait in the car; and does not need

to interact with your Aunt Jane; depending on how you feel when reaching that circumstance.]

security

 

The Power of | Schadenfreude [sp?] |

Next you plan to donate

the check to a

researched, worthwhile

charity ; through

your own bank account;

providing your Aunt Jane with

no previous explanation other than:

“please address the check to me; to

make things easier;” and

submit

the recording,

high notes

from the transcript,

and the sequence

of your steps plus

the b.a.  transactions

or not if she says

no to the

“powers that be”  to initiate

a relationship security protocol within the military in the advanced

era of schadenfreude [sp?]

” “Fly, er” ” [ART] capture

Posted on

reading notes for cited: p.13 [and …]  st by zs primary source citation: [swing time by zadie smith]

aside: due to time constraints at p.l. please excuse any differentiations that might not be corrected in type-up; the notes are going of course in the h-less life; func. in the trash as usual.

for The Fictional VolunTier Project

spareart

by Goura Fotadar

this group, started typing up: 51317

Untitledthree

 

worked on; on outlined dates:

date: 42617

there seems to be a link;

or rather we can go to

create a link from the same-

phrase : term:

“modern” before the

half-way point of the page

to “modern” again the last word on

the page; unless you count the

period punctuative as a word;

for example if you read a-loud;

and-or a-loud in your mind:

” … modern period”

why you might read this this way besides

not to miss anything: well in this

case context the double-word-link to

itself: is like sound phonology.

and so reading a-loud

the mark . ; would

be following the let’s

say instruction of

that sound phonology.

 

theme: instead of peanut

butter and child;

I mean jelly; how about

one version: bacon

and jelly : yum!

 

4.27.17

 

cited: p.13

” Many girls who might

have made fine dancers never

made it across that road, for

fear of a homemade flyer.”

 

when convention meets art; and

a reverse reason quest;

“fear of a homemade flyer … ”

is it the intersection of the

“flyer” as a sight

out-of-date.

 

or is it; the knowledge

that response or

not to

the “flyer”

“homemade” implies another

intersection with the maker

[of it]; and-or those

connected to the maker.

tag[s]: the social blunder heard. mirepoix no faux pas

 

Such as: this is an idea; cause [ x … y]

is interested in; but how

much will [x … y] have to

interact with [z … q]  of the

“flyer” making.

See photograph:

IMG_20170420_133836

sorry wrong photograph; but on later upcoming analysis is this flyer type; remarking on the potential danger in this space perhaps due to this policy; which should likely as stated earlier in this/ no on this blog; use cell phones to speak on only when necessary and within standard boundaries; otherwise step outside for talking on cellphones and-or otherwise extended talked. [Extended does not mean do no speak ever indoors including to yourself. and I mean no and not not. ]

IMG_20170423_102327

behind-the-times? The

“flyer” photographed may be considered

such: [and as compared to others];

because : it is; hand-written;

it is about a “relief” effort

that was in the news modernly;

where modern means; of recent

times; but may not still be in the

news; at least not regularly. But

when we examine the group: “homemade

flyer” against modern; we have still

in the modern back-drop: the possibly ility

of not just hand-writing; from an

art perspective: but all the other ways

to font the “flyer.” Modern than [then]

is perhaps dated by font. Surely there

are those that would be offended by

hand-writing; but in the same case

perhaps the same those would also be

offended by too technologically savvy home-ness;

demonstrated in font adeptness ; and-or not enoughe savv and

not salve? compared to a business and-or such

‘s font adrift technology. In this case; what is

about a “homemade flyer” that is particularly

scary and-or offensive is the chance outside

of apropos [sp?] larger venue group; such as

a business that isn’t necessarily the flyer

distributor’s own: and so the “flyer” made

non “home” may not be done in solidarity;

is the presuming assumption regarding regular?

business; why so. Are they such assumptions due to

past acts of terrorism; or such; that no group

business or outside it; in cluster conundrum

or opposite “home-made” may imply self-declaration

in god: forbid! art; and then in the enigma

of arguments: it is the possible of any level art:

show-cased either in real solidarity if even the enemy

lies at home as in cited: sleeping with the enemy.

or if it can’t interlude into your/ the maker/

the maker type’s art.

So in last séance; perhaps:

in the “fear of a homemade flyer”

is really the “fear” of

showcase singular

and-or solidarity

art. ; which

of course means.

[ART]

label: The Significance of Art


of course to capture [ART] in describer;

to look at: the scene or art; as photographed

in the source, cited: text [again] Norman

Rockwell A & I ; date: 4.29.17 [secondary source citation in this posting]

with the term “Rockwell” one-me in this case

defining myself : through the image:

ART: is reminded of; ( i.e.  I am reminded of me through this image ; i.e. the definition in

practice of ART 🙂 of cited: Rockville/ Vernon I believe

it is called; and time such as captured in at-least the

cited: “The Four Interviews” of being on pilgrimage,

there.

At the house; there; which was presumably

a house; but something of a make-shift shelter;

with an actual shelter right next door; was perhaps

the 1st time in my life; you’d love to hear?

caught stealing: no! I don’t com-mit [sp?] crime;

was the 1st time in my life then; of my falsely being

persecuted for crime; and in this case: likely others’

crimes; I was cooking much like the man is

who is working on a horseshoe; and dressed

similarly to him; and as opposed to

that metal and presumably trunk platform:

was a high stove; and the only thing I

could reliably cook in was an all silver

metal cooking stock cylinder platform pot; and

you in security would wonder where was my cooking

food coming from while homeless? With frequent shifts

between homeless shelters; the renewal notice

tag[s] ” performance act; security procedures

for my 1st time with the cited: ebt card; never

arrived to the new address; and so it was cancelled

unfortunately. No money & no cited: ebt would imply

I was stealing food; unless of course as either and-or

homeless, functional and an actual spiritual-type:

beggar; the obvious solution when not thinking of crime:

might be: well, they, he, she; whoever begged for food;

but actually as the scene of art might apply;

there was something of an

open kitchen; just

not completely open.

and certainly in this scene; though inside

contrary to what others may think; the view

is an opening; and-or you might even call

this an open scene; seen. This then as otherwise

seen is one advantageous technique of artography;

for it allows any nth of viewer a psychic like recollection

of what happened; what could have happened;

and what might happen [future]; including

fiction. Theories of Criminology

tag[s]: criminology training.

IMG_20170428_172214
cited image from secondary source citation see above for name of source citation

As a training model;

just as an un-willing to reform/progress

criminal fixates on you, the onset, or

whoever; why not fixate on them in some spare

time; and we such have reliable like psychic

predictions butwithout real life/existence marginalized

of what might happen in crime; and-or how to

prevent it.

[some dates might have been left out or not go in dated order: date: 51217]

In the application of safety to

“flyer” in this fiction text; and also

of the seen flyer as photographed

in its scene; even a flyer

of recent but not complete

recent news like content;

may be in the essence

of safety; a

safe measure;

IN this case: the safe measure of

a flyer would create safety, how: ?

this is a semi-basic moon of outline

but at the same time it’s important.

Applying this fiction analysis; folks are afraid

of such in application; perhaps additionally to other hypotheses

described; because they don’t desire safety, ?

In order to not weasel out-of the potential

safety occurrence [sp?] connected to any

ol’ flyer and really despite content; using the

art conception of a flyer as a type of flag

even if you didn’t stand for what the flag

identified as a form of cause and-or cause

worship; as a thing it might bring about the

occurrence of safety; and no offense to weasels.

 

as an aside theme: isn’t this also

a model of string theory; and whatever

that means: importance around means;

this model as photographed brings together

circle-type structures of different sizes; with

at least temporarily strong enough string in this

case to stay.

As a main application it is one sense an

alternative flyer and-or a flag.

 

IMG_20170512_173922

IN a shape of a heart; and almost in a shape of a 2nd heart.

near books; almost seems to state: the love

of books; and not even yet reading! ; where

in popular use: heart means some version

of love; … creates the occurrence of

safety. [and the last part is only on hypothesis.]

[at this point.]

tag[s]: the magic of fiction

at cited p. 12 of primary source citation, text:  “Here is the church

Here is the steeple

Open the doors

There’s all the people. ”

 

IMG_20170512_173902

Remove the steeple since it’s not a church in structural design; and you now have … [in safety] : people-folks that are safe & those that are not [safe]: such caught.

 

43017

I thought about just finishing here: by looking

again at the picture.

If money is real even a small stack of one[s]; is quite a bit

for whatever dated time this almost ancient ART glance;  looks:

the over-lying crime scene; combined with

the beauty of the box; boy, [x, y]

especially in comparison

to most of the rest

of the scene; seen

faces;

source, second and the cited image from it as included in photograph as one of the above photographs: of  cited in name abbreviation again: “forging … h-shoe” in ” n. rockwell”

theme: I don’t bless you

 

[box is boy boy is box]

established especially likely

by the youth of the boy;

but certainly demonstrated

by many faces of age

as compared to the box

except of course the

perhaps girl in red

hair ; which we just

can’t be sure of

the age of; The stack of

ones maybe for the

“contest” and-or for

the boy; to take

all horrible forms.

& because of the ART:

certainly especially may be

the opposite ; on even the

functional homeless scene;

the assumption of consent

to prostitution from one’s-self

is excessive; in of course

ART-scene ; a stack of

ones hardly has any worth

unless you’re starving.

Though I’ve never prostituted

myself; starvation seems

more antiquated than even;

prostitution [ done; to cure it or to cure other at least basic needs, necessities]; and unfortunately both are part of the modern

time; but certainly not ART

but if you, anyone ART

prostituted yourself for food’s

cost; than-then that would be

holy prostitution; would it not?

Talking into this

blase self [ART] & art –

scene discussion ; and

to solve what might

be more crime before it

happens; in the ancient

almost ancient past;

the lens application of

severe college: and undergrad

shows us that perhaps

the boy is starving ; explained

in sooner posts ; such as

an artistic theme: scoring

a goal near a post; anyhow;

maybe walked to what

appeared clearing/clearly a feeding

kitchen; discovered a

synonymous epic but without

food; and so some of the

on-lookers might expect

that sale [non-food] [to food];

and of course this is

crime

/ [a promised basic needs advertised and-or spoken based on real knowledge provisions; and so never to appear] \

and but what is further

crime in-charge is any

such set-up; but when

you consider on-looker

you have a secondary

group classification:

primary : age ->

points us to

mainly the

boy, beauty

secondary : on-looker ->

[t. b. c. ?]

 

 

 

 

 

The Turning Significance of Food [part two.]

Posted on

for The Fictional VolunTier Project

by Goura Fotadar

date typed up this group: 5617

 

theme: carmen-sense

car/men-sense

car/men-sen/se

|

\/

theme 1: it looks like a house:

Untitled

 

tags: safety tech; food with-holdings Study : Field, Economics Bio

|\/

Basics: aside

the desk with back especially as a flat screen;

but not just for surely even the air is

backing; can be thought of like most

vehicular navigations; such

as the car: and the

obvious ; with flipping

pictures; held up

even temporarily with hand

signals; creates the flat-screen;

if you want to introduce

computation you might cue the

t. b. c.

pictures + time like

a cited: pp + microsoft? and]or such slideshows;

and of course on the brow of cited: garden gate

IMG_20170503_134514
cited: back cover of source, text 1: garden gate

‘1 ; you must include a view of

what: you might cue into

hand switch; for these basic

counters of cue would be practice

for how long one – you/or they:

theme: visit; [cited;] san francisco public library

theme music citation: beyonce formation

sfpl

might have to emulate/copy form

of the place in where one-you/or they:

ate? Of course this is also combat modality;

armed or not. But why not be

aware that it’s also ART.

The kettle is so much like the

form of a gowned woman; fragile or not;

 

but skewed to perhaps standing. Is there

an answer to if women sit or stand

more often [theme: of’ten?] gowned.

And in form art;

the kettle would you

say is stood.

cited: p. 472 &

cited: p.494

IMG_20170502_185839
cited: page as described from second cited source below identified
IMG_20170502_185904
cited: page as described from second cited source below identified

[self-notes: look at

cited Tiffany

& co art

on cited. p. 495]

IMG_20170502_190058
secondary source text cited as identified below

secondary source, cited text: The metropolitan museum of art Howard Hibbard

 

The Turning Significance of Food [part one.]

Posted on

On the back of cited: Garden Gate

[this one]

We have temperature

Untitled

regulation and-or

cultural concept: Heat;

a scene; of maybe

cooking and-or

kitchen opening;

to think of the kitchen

as a cooking centered flower; is

quite the abstraction modifier of

architecture. And when the

pot-stove-oven is temperated

by S/olar [theme: heat]? i.e. right term? the “food” is temperated

to edible-view and so [the …] arrives. Perhaps the

emulation of petal-floral form like sound

is another concept: self + food [form] protection;

before, during, and after?

[t.b.c.]