The turning significance of food [part three, final part?]

Posted on

for The Fictional VolunTier Project

Untitled

by Goura Fotadar

date, typed up: 5717

tags: fiction art notes; too

also from a following, and already p additional q cited; source text, : The Metropolitan Museum of art Howard Hibbard

 

on cited: p. 445

we see a protective glimpse

of forest

as the animal

is eating its

meal; perhaps

also a slight joke;

\

\/ the art on cited: 445 especially ; on bloody display.

IMG_20170503_134506
cited: images as identified in this posting [l from cited: gg, r from cited: mma]
but using cited:

garden gate’s

“butterfly”

imaging +

imaging description;

the food is being protected

by emulating jungle form

in appearance; in other

words; the food of the

one animal may or not be

a 2nd animal; and it is

in such jungle; jungle

like forests that animals

roam? at least during meal –

time; to disguise their food

as themselves; and is it

in the jungle ; jungle – like

forest where we all receive

food from ? In any case:

the forest is the first

layer of food concealment

and-or dining concealment;

and the 2nd is of course

IMG_20170503_134520
cited: p 445 of cited: mma
IMG_20170503_134514
cited: as last posting back of and or “butterfly section” of cited: garden gate

the image of the food looking

exactly like the consumer of

it; and this Would be

contrary to

popular belief systems at

present; such as presents;

that animals are eating

themselves and-or one-another

for nourishment ; and certainly

we have many documentaries

showing us such “truths.”

In an imaginative :

exercise is there anyway

to guess what the

animal is eating imaginatively instead. The forest

jungle; almost seams

seems with a burgeon

of land-fill plant else;

but more importantly

using the Sky as

the primary temperature

influencer; as with the

“butterfly” in/on cited: garden gate

 

the opening of placement

animal-eater is perhaps

the temperature of kitchen

draw l’arte: temperature of kitchen;

and when you look carefully

at the animal; you remember:

what you know about its

form: the quill like needle

like fur ; the flower

like eyes and

ears ; the stem

like mouth; th’

tree like limbs and

such ; and you see

a clear emulation :

of the forest; forest jungle

from the animal – eater; [cited: little riding hood or whatever; recollections of; anyhow]

we then have to imaginatively

wonder : does the animal

only look forest connected

to eating. In this art image :

as usual the moon and-or sun

is pupil to sky-eye; and

[to draw back from

animal focus;

perhaps]

 

each slide almost

blade banner looks

like an up-coming actual

that : lettered sign; to/

instructing of somewhere .

and back to animal

and-or

simulated animal

matter; the eated has unusual

the not so much for

animal path-like markings;

and we ponder the e/a ‘ffect’

of perhaps the path-ways

walked by even the animal-

eater; in imaginative-exercises;

on the food and-or kill’s

body. Do you find that;

that this is a meditative

exercise; turning yourself

and-or your food into a

form in your mind that

offers it + you protection

as the cited: garden gate

suggests; on a deeper

red-ing [no typo here; for edifying purpose spelling change] ; and

in perhaps or not

the unfortunat – ancy

of the blood in this

art; the killed’s head

gone ; is blood

like the

heated?  temperated

“nectar” ? of

a flower.

So is the “butterfly”

a legal and

permissible,

permit-ted killer? at meal-time

at least. cited: garden gate

 

theme: “stacy”

theme music citation: The Ting Tings – That’s Not My Name

 

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